乱序时空、镜中幻影与族群记忆
发布时间：2019-05-11 13:23
【摘要】：近年来,随着《鬼吹灯》《盗墓笔记》引领盗墓文学兴起,盗墓题材电影再度搅动了"池中春水"。从墓穴景观所承载的社会历史功能来看,国产盗墓题材作品与好莱坞电影传递出白人中心主义与反殖民意识两种文化倾向。《盗墓笔记》中错乱的时空与虚幻的人设,共同支撑起这部模糊了现实与臆想界限的个人口述史,然而透过重重迷影,似乎又可以窥探到内蕴在本民族文化中的神秘主义倾向与社会历史、族群记忆的对冲与碰撞。
[Abstract]:In recent years, with the rise of tomb robber literature led by Ghost blowing Lamp, Tomb robber movies have stirred Spring Water in the Pool again. From the point of view of the social and historical functions carried by the tomb landscape, the domestic tomb theft works and Hollywood movies convey two cultural tendencies: White centralism and anti-colonial consciousness. The deranged time and space and illusory people in the Tomb robber Notes. It supports this personal oral history, which blurs the boundary between reality and imagination. However, through many mysteries, it seems that we can spy on the mysticism tendency and social history, and the hedge and collision of ethnic memory, which are embedded in our own national culture.
【基金】：国家新闻出版广电总局部级社科研究项目(GD1507)
【分类号】：J905
，
本文编号：2474525
[Abstract]:In recent years, with the rise of tomb robber literature led by Ghost blowing Lamp, Tomb robber movies have stirred Spring Water in the Pool again. From the point of view of the social and historical functions carried by the tomb landscape, the domestic tomb theft works and Hollywood movies convey two cultural tendencies: White centralism and anti-colonial consciousness. The deranged time and space and illusory people in the Tomb robber Notes. It supports this personal oral history, which blurs the boundary between reality and imagination. However, through many mysteries, it seems that we can spy on the mysticism tendency and social history, and the hedge and collision of ethnic memory, which are embedded in our own national culture.
【基金】：国家新闻出版广电总局部级社科研究项目(GD1507)
【分类号】：J905
，
本文编号：2474525
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