云南甲马造型的原始思维特征研究

发布时间：2018-01-06 17:13

本文关键词：云南甲马造型的原始思维特征研究　出处：《华中师范大学》2008年硕士论文　论文类型：学位论文

更多相关文章： 云南甲马 造型 原始思维 价值 活态文化

【摘要】： 云南甲马是云南宗教信仰里用以消灾祈福、祭祀神灵的木刻雕版印刷品。甲马作为云南地方民俗文化的一种象征,呈现了原生态的文化品质和生命活力。在当地人的生活中无论事情大小,凡有求于神的活动,不管祭什么神,都要用甲马纸同时焚化,作为联接人神间的“信使”,祈求神的赐福或消灾。甲马成为了沟通人和神界的重要手段。甲马既是神性的,又是人性化的。云南甲马具有特定的生存范围,它扎根在乡村,是属于劳动人民的艺术,这也是它存在的方式。广大民众以口传身授的形式,使云南甲马在农耕文明的乡野里被传承下来,云南甲马身上蕴藏着农耕时代中国民间立体的影像,见证了古老中华民族灿烂的民间文化历程,在其粗厉、质朴的外表下,蕴含着民间对通神驱邪、求吉纳福的原始性、本能性、巫术性的欲望,可视为自古至今未曾断绝的民族文化符号,它在方寸之间承载着人们对现实生活和心灵世界的所有期盼。云南甲马作为地方民族人们情感智慧和创作灵感的结晶,始终是民族地区人们生产、生活乃至生命情感中的重要组成部分。论文以云南甲马产生时宗教的融合为背景,通过对处在民间信仰中的云南甲马的渊源、工艺、造型特征的分析,探寻内隐的原始思维特征,挖掘云南甲马造型中潜藏着的原始思维特征:具体性、完整性和情感性;由此分析出原始思维物化的艺术表现形式。其一,云南甲马造型中具体性思维的表现:象形和类比;其二,完整性的具体表现:内容情节化和重叠空间;其三,情感性的具体表现:功利性和本主崇拜。进而探寻云南甲马艺术的价值体现,即甲马造型艺术的潜质表现,以及作为甲马作为民俗活态文化载体的当代意义,希冀为本土文化的繁荣创造和谐自由的空间。
[Abstract]:Yunnan Yunnan is a horse religion to worship the gods of misfortunes praying, wood engraving printing. A horse as a symbol of Yunnan local folk culture, showing the original ecological culture quality and vitality. In the local people's lives no matter how small, all for God, no matter offering what God should use a horse and paper incineration, as the connection between the person God "the messenger", pray for God's blessing or disaster. A horse has become an important means of communication between people and the world. A horse is divine, and humanity.
Yunnan Jia Ma has the specific survival scope, which has its roots in the country belong to the working people of art, this is the way it is. The majority of the people in the oral presentation form, make Yunnan a horse was inherited in the farming civilization of the countryside in Yunnan, a horse who contains farming folk era Chinese stereo the image, witnessed the ancient Chinese splendid folk culture history, in its rough, rustic appearance, contains folk gods of evil, primitive, luck and instinct, this desire can be regarded as not cut since ancient times national cultural symbol, it in the confusion between the bearing people look forward to all the real life and the spiritual world of Yunnan. A horse as a crystallization of local ethnic people emotion wisdom and inspiration, is always people in ethnic minority areas, an important part of life and life feeling.
This thesis takes Yunnan Jiama produced fusion of religion as the background, through the origin, in the folk belief in Yunnan Jia Ma process, analysis of modeling features, explore the original thinking of implicit, original thinking of mining Yunnan Jiama modeling hidden: specific, integrity and emotion; thus analysis of the primitive thought of the art form. A specific thinking Yunnan Jiama modeling performance: pictographic and analogy; second, the integrity of the content: plot and overlap space; third, specific emotional, utilitarian and Benzhu worship. Then to explore Yunnan Ma art embodies the value, namely the potential performance of the Jiama plastic art, and contemporary significance as a horse as a living folk culture carrier, hoping to create a harmonious and free space for the prosperity of local culture.

【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J306

【引证文献】