大足石刻璎珞在珠宝设计中的应用研究
发布时间：2018-07-29 13:46
【摘要】：我国珠宝设计经过三十年的快速发展，正在面临全球一体化进程带来的激烈竞争。具有民族风格特色的设计聚焦了越来越多的视线。[1]大足石刻璎珞有着独具特色的装饰风格，是大足石刻装饰艺术艺术的内容之一。大足石刻艺术不仅是国石刻艺术中的一颗璀璨明珠，其夺目的艺术光辉更奠定了她在世界石刻艺术之林的重要地位。 大足石刻璎珞是大足石刻装饰艺术的具体表达，大足石刻璎珞以繁缛富丽、优雅端庄的装饰风格诠释了大足石刻造像的包容、厚重与博大精深。大足石刻璎珞自早期发展到鼎盛的两宋时期，璎珞结构形式不断发展与创新，装饰元素不断丰富，，并伴有浓厚的世俗审美心理。大足石刻体现了外来宗教的中国化，大足石刻璎珞也是外来宗教装饰艺术的本土化，体现了外来宗教文化和中国本土世俗文化的完美契合。大足石刻璎珞作为本土化了的宗教装饰艺术，正体现了早期“中国化珠宝设计”的自然发展的内在艺术精神。中国的珠宝设计经过了30年的高速发展，具有民族民族意识的设计与创作正在快速发展。将大足石刻璎珞的民族艺术精神与艺术形式应用在现在的珠宝设计中，是民族化的珠宝设计的尝试，顺应了我国珠宝设计时代发展的潮流。同时，对大足石刻璎珞的创新发展是对大足石刻文物的发展提出了新的保护思路，是对我国大足石刻艺术新的传承与发展。
[Abstract]:After thirty years of rapid development, China's jewelry design is facing fierce competition from the process of global integration. The design of national style focuses on the more and more eyes of.[1] Dazu stone carving with unique decorative style. It is one of the contents of great stone carving art. A bright pearl in the art of stone carving has laid an important role in the world's stone carving art.
The great foot stone carving is the concrete expression of the stone carving art of big foot. It is rich and with strong secular aesthetic psychology. Dazu stone carving embodies the Sinicization of foreign religions. Great foot stone carving is the localization of foreign religious ornament art. It embodies the perfect fit of foreign religious culture and the local secular culture of China. The natural development of "Chinese jewelry design" is the inherent artistic spirit of the natural development of the Chinese jewelry design. After 30 years of rapid development of Chinese jewelry design, the design and creation of national national consciousness are developing rapidly. Try to conform to the trend of the development of China's jewelry design era. At the same time, the innovation and development of big foot stone carving is a new protection idea for the development of big foot stone carvings. It is a new inheritance and development of great stone carving art in China.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J526.1;J314.3
本文编号：2152866
[Abstract]:After thirty years of rapid development, China's jewelry design is facing fierce competition from the process of global integration. The design of national style focuses on the more and more eyes of.[1] Dazu stone carving with unique decorative style. It is one of the contents of great stone carving art. A bright pearl in the art of stone carving has laid an important role in the world's stone carving art.
The great foot stone carving is the concrete expression of the stone carving art of big foot. It is rich and with strong secular aesthetic psychology. Dazu stone carving embodies the Sinicization of foreign religions. Great foot stone carving is the localization of foreign religious ornament art. It embodies the perfect fit of foreign religious culture and the local secular culture of China. The natural development of "Chinese jewelry design" is the inherent artistic spirit of the natural development of the Chinese jewelry design. After 30 years of rapid development of Chinese jewelry design, the design and creation of national national consciousness are developing rapidly. Try to conform to the trend of the development of China's jewelry design era. At the same time, the innovation and development of big foot stone carving is a new protection idea for the development of big foot stone carvings. It is a new inheritance and development of great stone carving art in China.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J526.1;J314.3
【参考文献】
相关期刊论文 前9条
1 张荣红,林斌,周汉利;中国首饰设计现状及发展对策[J];宝石和宝石学杂志;2003年04期
2 林梅;;由大足唐宋造像内容谈妇女与宗教的关联[J];敦煌学辑刊;2006年04期
3 刘晓宏;林伟;;民族风格如何在全球化语境下融入现代产品设计[J];桂林电子科技大学学报;2008年02期
4 m璐璐;;关于珠宝设计民族化的思考[J];华商;2008年11期
5 韩超;;设计风格的界定[J];牡丹江大学学报;2007年03期
6 沈爱凤;;晚期犍陀罗艺术的几种佛像样式[J];南京艺术学院学报(美术与设计版);2007年01期
7 于慧英,赵芳;谈佛教装饰艺术特征[J];沈阳大学学报;2004年03期
8 张茵;璎珞小考[J];装饰;2005年08期
9 许乙弘;徐静;;珠宝艺术中的Art Deco风格[J];装饰;2007年05期
本文编号：2152866
本文链接：https://www.wllwen.com/wenyilunwen/diaosuzhuangshi/2152866.html
