徽州木刻艺术的传承与发展研究
发布时间：2018-10-15 08:12
【摘要】：我国的木刻艺术起源于印刷术,距今已有一千三百多年的历史,比西方木刻艺术早五百多年,作为文化的载体推动着社会发展的进程。木刻艺术的题材、创作方式、造型艺术蕴含着深厚的文化意蕴,在画家、刻工、印工三者通力合作下,已发展成为了中华民族重要的一个艺术门类。徽文化作为一种传统历史文化,是古代农耕社会后期在徽州地区中所产生中华文化的缩影,蕴含了儒家文化精神思想,具有较强的地域文化特征。徽州木刻艺术是反映徽州人们的民族风俗和对生活的美好向往的重要表现形式。徽州木刻艺术作为非物质文化遗产,具有极高的文化价值、教育价值、艺术价值,体现了徽州人的智慧,是徽文化的重要组成部分。本论文从徽州木刻艺术发展的脉络入手,分析徽州木刻艺术形成的地理环境、人文因素、科技因素和社会经济因素等,探究了徽州木刻艺术与“徽州三雕”艺术相互影响的关系,深入研究从木刻到木雕一一从平面到立体的发展,揭示徽州木刻艺术与三雕艺术在创作技法、艺术风格、题材、内容的同源性特征。从平面设计、产品设计、环境设计等领域,通过对徽州传统优秀木刻作品的艺术风格和审美价值的研究,对木刻艺术的应用设计方法进行了总结,具体分析了徽州木刻艺术在现代设计中的运用与创新。本文通过对徽州木刻艺术的发展现状与对当前存在的困境和问题进行分析,对木刻艺术的保护与传承提出了具体建议和办法。在现代审美语境下为了更好的保护和传承木刻艺术,政府方应积极发挥其政策法规引导的职能,对徽州木刻艺术的宣传与保护,给予人们相应的约束和鼓励,同时给予经济方面的支持与补助；大力开展非物质文化产业园建设,努力开拓旅游市场；建立激励传承人有效机制,保护刻手工艺技法,在经费的投入上有所保障,加强进行相关的学术研究整理；将徽州木刻艺术经过系统的总结完善后融入学院专业教育,运用专业学校的教育作用对其进行发展与传承。只有做到政府高度重视、专业人才后继有人,徽州木刻艺术才会重放异彩。
[Abstract]:The woodcut art of our country originates from printing, it has a history of more than 1300 years, more than 500 years earlier than the western woodcut art, as the carrier of culture, it promotes the process of social development. The theme, the creation method and the plastic arts of woodcut art contain profound cultural implication. With the cooperation of painters, engravers and printers, they have developed into an important category of art in the Chinese nation. As a kind of traditional historical culture, Hui culture is the epitome of Chinese culture produced in Huizhou area in the late period of ancient farming society. It contains Confucian cultural spirit thought and has strong regional cultural characteristics. The woodcut art of Huizhou is an important expression form of reflecting the folk customs and the beautiful yearning for life in Huizhou. As an intangible cultural heritage, Huizhou woodcut art has very high cultural value, educational value and artistic value. It embodies the wisdom of Huizhou people and is an important part of Huizhou culture. Starting with the development of Huizhou woodcut art, this paper analyzes the geographical environment, humanistic factors, scientific and technological factors and social and economic factors of the formation of Huizhou woodcut art. This paper probes into the relationship between Huizhou woodcut art and "Huizhou SanDiao" art, deeply studies the development from woodcut to woodcarving from plane to three-dimensional, and reveals that Huizhou woodcut art and three carvings art are creating techniques, artistic style and subject matter. The homology of content. From the aspects of graphic design, product design, environment design and so on, this paper summarizes the applied design methods of woodcut art through the research on the artistic style and aesthetic value of Huizhou traditional excellent woodcut works. This paper analyzes the application and innovation of Huizhou woodcut art in modern design. Based on the analysis of the present situation of the development of Huizhou woodcut art and the existing difficulties and problems, this paper puts forward some concrete suggestions and methods for the protection and inheritance of woodcut art. In order to better protect and inherit woodcut art in the modern aesthetic context, the government should give full play to its function of guiding policies and regulations, publicize and protect the woodcut art of Huizhou, and give people corresponding restraint and encouragement. At the same time, we should give economic support and subsidies; vigorously carry out the construction of immaterial and cultural industrial parks and strive to open up the tourist market; and establish an effective mechanism to encourage inheritors, protect the craftsmanship of engraving, and ensure the investment of funds. Strengthen the relevant academic research; Huizhou woodcut art after a systematic summary and perfection into the college professional education, the use of professional schools to develop and inherit the role of education. Only when the government attaches great importance and professionals succeed, the woodcut art of Huizhou will replay the splendor.
【学位授予单位】：安徽工程大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J314.2
本文编号：2271914
[Abstract]:The woodcut art of our country originates from printing, it has a history of more than 1300 years, more than 500 years earlier than the western woodcut art, as the carrier of culture, it promotes the process of social development. The theme, the creation method and the plastic arts of woodcut art contain profound cultural implication. With the cooperation of painters, engravers and printers, they have developed into an important category of art in the Chinese nation. As a kind of traditional historical culture, Hui culture is the epitome of Chinese culture produced in Huizhou area in the late period of ancient farming society. It contains Confucian cultural spirit thought and has strong regional cultural characteristics. The woodcut art of Huizhou is an important expression form of reflecting the folk customs and the beautiful yearning for life in Huizhou. As an intangible cultural heritage, Huizhou woodcut art has very high cultural value, educational value and artistic value. It embodies the wisdom of Huizhou people and is an important part of Huizhou culture. Starting with the development of Huizhou woodcut art, this paper analyzes the geographical environment, humanistic factors, scientific and technological factors and social and economic factors of the formation of Huizhou woodcut art. This paper probes into the relationship between Huizhou woodcut art and "Huizhou SanDiao" art, deeply studies the development from woodcut to woodcarving from plane to three-dimensional, and reveals that Huizhou woodcut art and three carvings art are creating techniques, artistic style and subject matter. The homology of content. From the aspects of graphic design, product design, environment design and so on, this paper summarizes the applied design methods of woodcut art through the research on the artistic style and aesthetic value of Huizhou traditional excellent woodcut works. This paper analyzes the application and innovation of Huizhou woodcut art in modern design. Based on the analysis of the present situation of the development of Huizhou woodcut art and the existing difficulties and problems, this paper puts forward some concrete suggestions and methods for the protection and inheritance of woodcut art. In order to better protect and inherit woodcut art in the modern aesthetic context, the government should give full play to its function of guiding policies and regulations, publicize and protect the woodcut art of Huizhou, and give people corresponding restraint and encouragement. At the same time, we should give economic support and subsidies; vigorously carry out the construction of immaterial and cultural industrial parks and strive to open up the tourist market; and establish an effective mechanism to encourage inheritors, protect the craftsmanship of engraving, and ensure the investment of funds. Strengthen the relevant academic research; Huizhou woodcut art after a systematic summary and perfection into the college professional education, the use of professional schools to develop and inherit the role of education. Only when the government attaches great importance and professionals succeed, the woodcut art of Huizhou will replay the splendor.
【学位授予单位】：安徽工程大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J314.2
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，本文编号：2271914
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