霍去病墓“野人抱熊”石雕艺术风格探究
发布时间：2018-10-17 07:45
【摘要】： 我国古代封建社会中,统治阶级在宫殿、陵墓前建立雕像的制度,根据文献记载,周、秦时代已经肇始,只是宫殿早已毁去,帝王陵墓前亦少有遗留;野人抱熊石雕是汉武帝时期霍去病墓大型石雕之一,就造型艺术形式而言,野人抱熊石刻造型艺术有着显著的特点:造型的表象形式在继承中有突破和发展,在遵循前代循石造像处理传统过程中有新的创造,熊与人动静结合天衣无缝,在平衡中求变化,追求新的对称性格式;造型艺术表现形式上体现出剪影式装饰化审美追求;在表现手法上,以尊重原石的天然特征为前提,不作镂空,而是线刻、圆雕、浮雕、减地凸雕相结合综合运用;从而形成了有别于同墓其它石雕造型风格的独特艺术风格。野人抱熊石雕造型艺术风格在霍去病墓石雕群整体风格中是一个明显的转折点,它继承并发展了以往的样式而展示了崭新的气象,为后世在造型形式,意向表现上起了重要的开拓作用。
[Abstract]:In the ancient feudal society of China, the ruling class established the system of statues in front of palaces and mausoleums. According to the literature, the Zhou and Qin dynasties had already begun, only the palaces had already been destroyed, and the emperors' mausoleums were rarely left behind. As far as the art form of plastic arts is concerned, the art of holding bear stone carvings has remarkable characteristics: the appearance form of modeling has breakthrough and development in inheritance. There is new creation in the process of following the traditional process of dealing with the stone statue in the former generation, the bear and the human being combine perfectly and seamlessly, seek the change in the balance, pursue the new symmetry format, the expression form of the plastic art embodies the aesthetic pursuit of the silhouette decoration; In the expression technique, regard respect the natural characteristic of the original stone as the premise, do not hollow out, but line engraving, round carving, relief, reduce the ground convex carving to combine the comprehensive application, thus formed the unique artistic style which is different from the other stone sculpture modeling style of the same tomb. The art style of rock sculpture in Huo Qiang's tomb is an obvious turning point. It inherits and develops the previous style and shows a brand new atmosphere for later generations. Intention performance plays an important pioneering role.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：K879.4;J305
本文编号：2275996
[Abstract]:In the ancient feudal society of China, the ruling class established the system of statues in front of palaces and mausoleums. According to the literature, the Zhou and Qin dynasties had already begun, only the palaces had already been destroyed, and the emperors' mausoleums were rarely left behind. As far as the art form of plastic arts is concerned, the art of holding bear stone carvings has remarkable characteristics: the appearance form of modeling has breakthrough and development in inheritance. There is new creation in the process of following the traditional process of dealing with the stone statue in the former generation, the bear and the human being combine perfectly and seamlessly, seek the change in the balance, pursue the new symmetry format, the expression form of the plastic art embodies the aesthetic pursuit of the silhouette decoration; In the expression technique, regard respect the natural characteristic of the original stone as the premise, do not hollow out, but line engraving, round carving, relief, reduce the ground convex carving to combine the comprehensive application, thus formed the unique artistic style which is different from the other stone sculpture modeling style of the same tomb. The art style of rock sculpture in Huo Qiang's tomb is an obvious turning point. It inherits and develops the previous style and shows a brand new atmosphere for later generations. Intention performance plays an important pioneering role.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：K879.4;J305
【引证文献】
相关期刊论文 前1条
1 王凯;;汉代雕塑与人物陶艺的写意性研究[J];中国陶瓷;2010年12期
，本文编号：2275996
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