中国动画电影的若干弊端与解决方法的研究
发布时间：2018-11-01 13:09
【摘要】：与现今的中国动画电影艺术在国际上的地位不同,在20世纪世界动画电影的舞台上,中国动画电影曾经以其独有的民族魅力和艺术表现手法被赞誉为“中国动画学派”。在经过了上世纪末叶的步履蹒跚甚至停滞不前的状态后,近年来中国的动漫艺术得到了政府政策强有力的支持,各地的动漫创作团队逐渐扩大,动漫基地逐年增多,动漫作品的产量也急剧增加。动漫产业在中国如火如荼的发展,动画电影作为动漫艺术的一个重要分支在这种大环境下,突破了旧的经营模式,取得了长足进步。但是发展中也暴露出了诸多问题。随着动漫创意产业的发展,对动画电影的研究也成为学界和业界的焦点之一,但是国内对于动画电影的研究很大一部分都是侧重于从动画的产业化发展的角度或者如何营销的角度进行研究,也有很少的一部分是从美学的角度和制作技术角度进行论述或研究。缺少对动画文本本体弊端的分析以及对我国的动画理念的重新审视。比如对动画的精神本质的认识,对动画电影创意瓶颈原因的分析,对如何结合动画电影中各叙事要素的功能来体现民族特色,如何对待古典的和现代化题材的动画类型,对动画电影叙事模式单一化的探讨等。本文采取总分总的格局,共分三个部分。第一章为第一部分,在这一章中,文章简要考察中国动画电影的发展环境和发展现状,在此基础上分析中国动画电影在创意理念上的孱弱之处,在故事的选择与讲述上的弊端,在融入本土特色上的不足之处。第二章至第四章为文章的第二部分,在这一部分中,本文对第一章中提出的问题进行逐一剖析,逐一地提出一些改进的思路和方法。文章的第五章是总结部分,在这一部分中文章将对全文所得出的一些思路和方法进行简要的归纳总结。 本文力图细化到具体的动画电影的创作要素上进行论证。试图找到一些适合拓宽或改进未来中国动画电影发展的创作理念的可行思路和方法,结合分析动画电影叙事要素的具体功能,分析中国动画电影如何在叙事中和角色塑造中更好的融入民族特色,探寻如何改进中国动画电影重视模仿轻视原创的现状,分析丰富中国动画电影的叙事手法的必要性,最后进行总结。
[Abstract]:Different from the present Chinese animation film art in the international position, in the 20th century world animation film stage, the Chinese animation film has been praised as the "Chinese animation school" for its unique national charm and artistic expression technique. After stumbling or even stagnating at the end of the last century, in recent years China's animation art has been strongly supported by government policies, and animation creation teams have gradually expanded, and animation bases have increased year by year. Animation production also increased dramatically. Animation industry in China is in full swing, animation film as an important branch of animation art in this environment, broke through the old business model, has made considerable progress. But the development also exposed many problems. With the development of animation creative industry, the research on animation film has become one of the focal points of the academic and industry. However, a large part of the domestic research on animation films is focused on the development of animation industrialization or how to conduct research from the perspective of marketing. There are also a few from the point of view of aesthetics and production technology to discuss or study. Lack of analysis of the defects of animation text ontology and re-examine the concept of animation in China. For example, the understanding of the spiritual essence of animation, the analysis of the reasons for the creative bottleneck of animation films, how to combine the functions of the narrative elements in animation films to reflect the national characteristics, how to deal with the classical and modern animation types of subjects, This paper discusses the singularity of the narrative mode of animation film and so on. This article adopts the general pattern of total score, altogether divides into three parts. The first chapter is the first part. In this chapter, the author briefly investigates the development environment and current situation of Chinese animation film, and then analyzes the weakness of Chinese animation film in the creative idea, the malpractice in the selection and narration of the story. The inadequacies in the integration of local characteristics. Chapter two to chapter four is the second part of the article. In this part, the problems raised in the first chapter are analyzed one by one, and some improved ideas and methods are put forward one by one. The fifth chapter of the article is the summary part, in this part, the article will carry on the brief summary to the full text some thought and the method. This article tries to refine to the specific animation movie creation essential factor carries on the demonstration. This paper attempts to find some feasible ideas and methods suitable for broadening or improving the future development of Chinese animation film, and analyzes the specific functions of the narrative elements of the animation film, in combination with the analysis of the specific functions of the narrative elements of the animation film. This paper analyzes how Chinese animation films better integrate into national characteristics in narration and character shaping, explores how to improve the present situation of Chinese animation films that attach importance to imitation and despise originality, and analyzes the necessity of enriching the narrative techniques of Chinese animation films. Finally, a summary is made.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J954
本文编号：2304015
[Abstract]:Different from the present Chinese animation film art in the international position, in the 20th century world animation film stage, the Chinese animation film has been praised as the "Chinese animation school" for its unique national charm and artistic expression technique. After stumbling or even stagnating at the end of the last century, in recent years China's animation art has been strongly supported by government policies, and animation creation teams have gradually expanded, and animation bases have increased year by year. Animation production also increased dramatically. Animation industry in China is in full swing, animation film as an important branch of animation art in this environment, broke through the old business model, has made considerable progress. But the development also exposed many problems. With the development of animation creative industry, the research on animation film has become one of the focal points of the academic and industry. However, a large part of the domestic research on animation films is focused on the development of animation industrialization or how to conduct research from the perspective of marketing. There are also a few from the point of view of aesthetics and production technology to discuss or study. Lack of analysis of the defects of animation text ontology and re-examine the concept of animation in China. For example, the understanding of the spiritual essence of animation, the analysis of the reasons for the creative bottleneck of animation films, how to combine the functions of the narrative elements in animation films to reflect the national characteristics, how to deal with the classical and modern animation types of subjects, This paper discusses the singularity of the narrative mode of animation film and so on. This article adopts the general pattern of total score, altogether divides into three parts. The first chapter is the first part. In this chapter, the author briefly investigates the development environment and current situation of Chinese animation film, and then analyzes the weakness of Chinese animation film in the creative idea, the malpractice in the selection and narration of the story. The inadequacies in the integration of local characteristics. Chapter two to chapter four is the second part of the article. In this part, the problems raised in the first chapter are analyzed one by one, and some improved ideas and methods are put forward one by one. The fifth chapter of the article is the summary part, in this part, the article will carry on the brief summary to the full text some thought and the method. This article tries to refine to the specific animation movie creation essential factor carries on the demonstration. This paper attempts to find some feasible ideas and methods suitable for broadening or improving the future development of Chinese animation film, and analyzes the specific functions of the narrative elements of the animation film, in combination with the analysis of the specific functions of the narrative elements of the animation film. This paper analyzes how Chinese animation films better integrate into national characteristics in narration and character shaping, explores how to improve the present situation of Chinese animation films that attach importance to imitation and despise originality, and analyzes the necessity of enriching the narrative techniques of Chinese animation films. Finally, a summary is made.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J954
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，本文编号：2304015
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