余华的小说创作与俄苏文学

发布时间：2018-01-05 20:03

本文关键词：余华的小说创作与俄苏文学　出处：《西南大学》2017年硕士论文　论文类型：学位论文

【摘要】：余华是中国当代文坛一位重要的作家,在其从事写作以来的30余年间,为读者奉上了五部长篇小说,六部中、短篇小说集,多部随笔集和杂文集,获得过包括澳大利亚“悬念句子文学奖”、“庄重文文学奖”等多个海内外文学奖项。在20世纪80年代,余华以先锋小说创作引起文坛关注,但他在80年代的创作还更多停留在对外国文学写作技巧的模仿和借鉴上,进入90年代以后,余华从生硬的技巧模仿逐步走向文学精神、文学观念的吸纳,创作更加圆熟,进入新世纪以来也没有停下艺术追求的脚步。余华在小说创作中注重博采众长和对外学习与借鉴,他的小说创作受到了众多外国作家作品的影响,日本的川端康成、奥地利的卡夫卡、法国新小说派、美国的福克纳、阿根廷的博尔赫斯、俄国的陀思妥耶夫斯基等都不同程度地带给余华以影响和启迪。海纳百川、广采众长使余华获得了宝贵的文学经验和创新的灵感,他为文坛奉献出不少优秀的小说作品,受到了海内外读者的喜爱。阅读余华的小说,可以发现余华的小说创作与19世纪以来的俄苏文学尤其是列夫·托尔斯泰、陀思妥耶夫斯基、布尔加科夫等人的创作有着内在的精神联系。余华的小说创作不仅在创作倾向、创作理念、创作态度等方面与托尔斯泰、布尔加科夫等俄苏作家的创作有相似的精神旨趣,而且在小说的苦难主题、女性形象、叙事特征等方面,与托尔斯泰的《复活》《安娜·卡列尼娜》《战争与和平》,陀思妥耶夫斯基的《罪与罚》《卡拉马佐夫兄弟》,布尔加科夫的《大师和玛格丽特》,契诃夫的《变色龙》《一个文官的死》等作品有异曲同工之妙。本文以“余华的小说创作与俄苏文学”为论题,试图多方探讨余华的小说创作与19世纪以来的俄苏文学的关系,以拓展、深化“余华与外国文学的关系”论题的研究,并揭示余华小说创作的相关精神特质。论文除绪论、结语外,主要分为三章:绪论部分主要对余华的创作历程、创作特点、与外国文学的关系以及相关研究现状作简要介绍,阐明选题理由。第一章着重从人道主义关怀、真实观和作家的社会责任感三个方面,论述余华的小说在创作倾向、创作理念、创作态度上与列夫·托尔斯泰、布尔加科夫等俄苏作家及其创作的精神关联。第二章围绕余华小说创作的苦难主题、女性形象和叙事特征,分析余华的小说创作实践与俄苏文学特征的异同。第三章思考余华在俄苏文学接受过程中的创作新变与创作局限,论述余华在接受俄苏文学过程中的自我突破与转型,及其为文坛提供的启示,同时指出余华在创作中的不足。结语部分总括全文,并就中国作家如何处理好与外来文化、文学资源的关系以创作出更好的文学作品等问题,提出自己的思考。
[Abstract]:Yu Hua is an important writer in the contemporary literary world Chinese, writing since more than 30 years, for the reader in five novels, six, short stories, essays and many essays, including Australia won the "suspense sentence prize", "Wen Zhuang literature award" a number of overseas literary awards. In 1980s, Yu Hua has attracted much attention in literary works, but in 80s he also works more to stay in the writing skills of the foreign literature imitation and reference, since the beginning of 90s, Yu Hua from the hard skills gradually absorb the spirit of literature imitation, literary concepts, the creation of more mellow that did not stop the pace of the pursuit of art in the new century. Yu Hua in the novel creation and learning from foreign to learn widely from others'strong points, his novels by many foreign artists. Ring, Japan's Kawabata Yasunari, Kafka of Austria, the French new fiction, American Faulkner, Borges of Argentina, Toy Jef J Ki and other Russian Dostoevsky in different degrees to bring Yu Hua to influence and enlightenment. All rivers run into sea, wide to all long Yu Hua won the precious literary experience and creative inspiration, he dedicated many outstanding works of fiction writer, by Chinese and foreign readers. Reading the novels of Yu Hua, can be found in Yu Hua's novels and since nineteenth Century the Russian literature especially Lev Tolstoy, Dostoevsky and Jef J Ki, Bulgakov's creation has a inherent spiritual connection. Yu Hua's novels not only in the tendency of creation, creation the concept, creative attitude and other aspects of Tolstoy, Bulgakov and other Russian writers have similar spirit, but also in the suffering theme of the novel, female Image, narrative features, and the resurrection of Anna Karenina Tolstoy "" "" "war and peace, Dostoevsky's" crime and punishment "" brother Karamazov Bulgakov >, < > master and Margaret Chekhov, "a chameleon" "civilian death > works well with different approaches but equally satisfactory results in this paper." Yu Hua's novels and Russian Literature "as the topic, trying to discuss the multi relations, Russian literature and Yu Hua's novels since nineteenth Century to expand research, deepen the" relationship "Yu Hua and foreign literature subject, and reveals Yu Hua's novels related spiritual qualities. Besides the introduction and conclusion, the main is divided into three chapters: the introduction part mainly creation course of Yu Hua's creation characteristics, and the relationship between the foreign literature and related research status are briefly introduced. Clarify the reason of the topic. The first chapter focuses on the humanitarian off With the real view and the writer's sense of social responsibility in three aspects, discussed in Yu Hua's novel creation tendency, creative ideas, creative attitude and spirit of Lev Tolstoy, Bulgakov and other Russian Writers Association and creation. The second chapter focuses on the suffering theme of Yu Hua's novels, female image and narrative features, similarities and differences between the analysis of Yu Hua's Novels Creative Practice and characteristics of Russian literature. The third chapter on Yu Hua in Russian literature to accept the new change of the creation and creation limitations in the process of discussing Yu Hua in Russian literature in the process of self breakthrough and transformation, and provide the inspiration for the literary world, Yu Hua also pointed out that the deficiencies in the creation. The conclusion part summarizes the full text. And China writer how to deal with the foreign culture, the relationship between literature resources to create better works and other issues, put forward their own thinking.

【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42

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