孤独体验与沈从文小说
本文关键词: 孤独体验 沈从文小说 孤独叙事 影响因素 艺术张力 出处:《山东师范大学》2017年硕士论文 论文类型:学位论文
【摘要】:生命的价值与意义通过体验的方式得以呈现,而作家正是通过对生命、人生的体验,将自己的情感累积和创作冲动化为外在的文学创作活动,可以说体验是作家进行文学创作的前提和条件,文学的深度在一定程度上也可以说是作家体验的深度。孤独体验作为一种影响作家进行文学创作的重要的审美体验,对沈从文的一生产生了重要作用,这尤其体现在他的小说创作上。本文试图以沈从文的孤独体验为研究的出发点,从文艺心理学等角度对沈从文的小说进行重新阐释。绪论部分首先对孤独体验做一理论的释义,阐述孤独体验与艺术创作之间的关系,紧接着在对沈从文研究历程的梳理基础之上重点分析中外学者对沈从文的孤独体验的研究。第一章通过从沈从文在创作中对孤独的自我言说的现象入手,从孤独者形象的塑造、孤独意象的投射、孤独主题的书写三个层面来解析沈从文在小说中的孤独叙事。其中第一节从湘西少男少女和都市“喜剧丑角”两类孤独者形象来分析,第二节主要通过水这一重要意象来分析,第三节对沈从文小说中的孤独主题进行分析。第二章从童年体验、民族创伤、存在主义哲学三个方面来探讨沈从文的孤独体验的原因生成以及外部诱因影响。来自童年体验的孤独感受影响了他的生命与创作;沈从文的孤独体验从深层次挖掘源自于湘西土著民族不被人理解的“千年孤独”,这种“千年孤独”也是湘西读书人的孤独;由生存焦虑而带来的对于存在的虚无感和对生命的孤独体验与西方存在主义哲学能够产生共鸣。第三章通过小说题材的选择、小说语言的独创性、小说艺术的悲剧性三个层面来详细论述孤独体验之于沈从文创作的意义,即孤独体验为沈从文的小说创作提供了文学的张力。从沈从文小说的实际阅读感受出发,去发现与解读孤独体验之于沈从文的意义,是本文写作的出发点。沈从文在都市的认证与时代的洪流中,坚持自我,坚持文学的本真,将个体的孤独体验化为文学创作的动力,为中国现代文学史提供了如《边城》等优秀的小说,具有重要的文学史意义。
[Abstract]:The value and significance of life can be presented through the way of experience, and it is through the experience of life and life that the writer turns his emotion accumulation and creative impulse into external literary creation activities. It can be said that experience is the prerequisite and condition for writers to create literature. To a certain extent, the depth of literature can also be said to be the depth of the writer's experience. Lonely experience, as an important aesthetic experience affecting writers' literary creation, has played an important role in Shen Congwen's life. This is especially reflected in his novel creation. This article attempts to take Shen Congwen's lonely experience as the starting point of the study. From the perspective of literature and art psychology to reinterpret Shen Congwen's novels. The introduction of the first part of the lonely experience to do a theoretical interpretation of the relationship between the lonely experience and artistic creation. Then on the basis of combing Shen Congwen's research process, the author focuses on the research of Chinese and foreign scholars' lonely experience of Shen Congwen. The first chapter begins with the phenomenon of the lonely self-talk in Shen Congwen's creation. From the lonely image of the shaping, the projection of the lonely image. The first section analyzes the lonely narration of Shen Congwen in his novels from the perspective of the images of the boys and girls in Xiangxi and the comic clowns in the city. The second section mainly through the water this important image to analyze, the third section carries on the analysis to Shen Congwen's lonely theme in the novel. The second chapter from the childhood experience, the national wound. Three aspects of existentialism philosophy to explore Shen Congwen's lonely experience of the cause of the formation and external incentives to influence the loneliness from childhood experience affected his life and creation; Shen Congwen's lonely experience is derived from the "millennium loneliness", which is not understood by the native peoples of western Hunan, which is also the loneliness of the scholars in Western Hunan. The nothingness of existence and the lonely experience of life can resonate with western existentialism philosophy. Chapter three is through the choice of novel theme and the originality of novel language. The tragic three aspects of the novel art to elaborate the lonely experience to Shen Congwen's creation significance. That is, loneliness experience provides the literary tension for Shen Congwen's novel creation. From the actual reading feeling of Shen Congwen novel, to discover and interpret the significance of lonely experience to Shen Congwen. Shen Congwen, in the process of urban certification and the current of the times, insists on himself, insists on the true nature of literature, and turns the individual's lonely experience into the motive force of literary creation. It provides excellent novels such as Frontier City for the history of modern Chinese literature, which has important significance in literary history.
【学位授予单位】:山东师范大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:I207.42
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