过士行剧作研究

发布时间：2018-02-27 15:35

本文关键词： 新时期戏剧过士行新派京味儿　出处：《云南艺术学院》2017年硕士论文　论文类型：学位论文

【摘要】：本论文分为五个部分,拟主要解决以下问题。第一部分通过文学创作活动的发生探讨过士行个人的生命轨迹、人生体验对其剧本创作的影响,内容涉及三个方面:从围棋世家的耳濡目染到花鸟鱼虫的精通,从戏剧爱好者到戏剧从业者的身份转变,到对老庄与禅精神层面的体悟与剧作内容层面的贯穿。过士行层层叠叠的人生积淀转化为剧作内容的无限可能。通过探寻剧作家的生命轨迹,以求更为深入理解过士行的戏剧观念及其剧作内容。第二部分至第五部分以过士行的剧本文本为主要研究对象,通过对其剧作进行较为全面的梳理,分别分析过士行剧作的语言特色、人物形象与主题内容,并在与其他京派剧作家的比较中定位过士行的戏剧创作,寻找其独特的文化特征与写作品性。第二部分笔者对过士行剧作的语言特色进行探讨,并对其中“闲语”的使用予以关注。过士行剧作中的语言创新显而易见,语言特色“亦俗亦雅,亦庄亦谐”。其熟练运用古诗文言、绕口令、寓言、俗话俚语、专业术语及歇后语等语言形式,言说内容具有地方性、趣味性、隐喻性、象征性四个方面的特性。第三部分是对过士行剧作人物的分析,过士行笔下的人物是异化的边缘人物,根据异化程度不同又分为人为他异、人为物异、人为己异三类。此外,本文对过士行剧作中人物设置层面符号化的人物形象与不相关的人物身份并置两个方面予以关注并进行讨论。第四部分是对过士行剧作的复调主题进行探讨,笔者将过士行剧作主题归纳为三个层面,分别是日常的荒诞人生、非正式的仪式性生命主题、及“以悖论的眼光看待人的生存困境”。第五部分是对过士行剧作与京味儿话剧的比较研究,本文将过士行置于京味儿话剧作家群中于共性中发现个性,探寻过士行独特的写作品性与艺术风格。过士行的部分剧作具有京味且超脱地域性的束缚,由外部“环境”深入至内部“处境”的关注。不同于京味儿话剧中群像的展览,过士行重在挖掘个人事件阐发个体感悟,且在与京味所共有的幽默中填充了冷峻地观察与审视,关切人类的共同处境,探讨人类的共通问题。
[Abstract]:This paper is divided into five parts, which mainly solve the following problems. The first part is to discuss the personal life track and the influence of life experience on the script creation through the occurrence of literary creation activities. The content involves three aspects: from the familiarity of the go family to the mastery of flowers, birds, fish and insects, and the transformation of the identity of drama lovers to drama practitioners. To the understanding of Laozhuang and Zen spiritual level and the permeation of the content level of the plays. The endless possibility of the accumulation of life in layers of scholars and deeds into the content of plays. By exploring the life track of playwrights, In order to get a deeper understanding of the drama concept and its content, the second part to the 5th part takes the text of Yueshixing script as the main research object, through the comprehensive combing of his plays, It analyzes the language characteristics, characters and theme content of Shi Xing's plays, and points out his drama creation in comparison with other Peking school playwrights. In the second part, the author probes into the language characteristics of his plays, and pays close attention to the use of "idle language". The language innovation in his plays is obvious. The language features "also vulgar and elegant, but also Zhuangyi harmony". Its skillful use of ancient poetry, tongue twisters, fables, colloquial slang, professional terms and Xiehou language, the content of the local, interesting, metaphorical, The third part is about the analysis of the characters in the works of Yu Shi Xing, who are the marginal characters of alienation. According to the different degree of alienation, the characters can be divided into three categories: people are different for others, people are different for things, and people are different for themselves. In this paper, the author pays attention to and discusses the two aspects of the symbolization of the character setting level and the irrelevant character identity in his plays. Part 4th discusses the polyphonic theme of the Yuishixing drama. The author sums up the theme of his plays into three levels, namely, the daily absurd life, the informal ritual life theme, The 5th part is a comparative study of Yushi Xing's drama and Jingwei's modern drama. This paper puts him in the writers' group of Jingwei's drama to find the individuality in the common character. To explore the unique writing character and artistic style of Wen Shi Xing. Some of his plays have Beijing flavor and are beyond the constraints of the region, from the external "environment" to the attention of the internal "situation". It is different from the exhibition of the group images in the Jingwei drama. It is important to excavate personal events to elucidate individual feelings, and fill the humor shared with Jingwei with cold observation and examination, pay attention to the common situation of human beings, and discuss the common problems of human beings.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.3

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