张谦宜诗学研究

发布时间：2018-02-28 04:54

本文关键词： 张谦宜诗歌风格论诗歌创作论诗歌批评论　出处：《山东师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：张谦宜是清初文学理论家、古文家和诗人,在诗、文、批评领域实皆有成就。本文以其诗论著作《}x斋诗谈》为研究对象,辅以诗集《}x斋诗选》,对张谦宜诗学的形成背景、诗歌风格论、创作论与批评论进行了初步论析,以求展现张谦宜诗学的时代意义与理论价值。本文包括绪论、正文、结语三个部分。其中,绪论部分主要包括张谦宜诗学的研究意义、研究现状以及本文的研究设想等内容。结语是对张谦宜诗学相对全面且客观的评价。正文部分是论文主体,包括四章内容,分别介绍张谦宜诗学产生的背景、诗歌风格论、诗歌创作理论以及诗歌批评理论等。第一章主要探讨张谦宜诗学产生的背景。张谦宜论诗重诗法,强调辨体,这是对格调论的继承;同时,他论诗亦重风神,尤其推崇诗歌的清、和平、蕴藉之貌,这可以看作是对神韵论的合理吸收。张谦宜一生的绝大部分时间在胶东老家度过,他的诗学思想的产生既受齐鲁文化风气和胶东文化圈的影响,又与他的家族文化密不可分。第二章论述张谦宜诗歌风格论。张谦宜于诗歌风格的追求多与神韵论相近,其中以清、和平与蕴藉三种为其诗歌风格中所贵者;同时,他提出诗要温雅,亦要脱俗的诗美追求,强调雅正中存有人情温度,烂熟学识也不忘留得天真稚气。最后,张谦宜对《二十四诗品》中以沉著为代表的十三种诗歌风格作出了新的理解与阐述。第三章论述张谦宜诗歌创作理论。张谦宜认为诗歌创作中首先要以诗意为先,明确诗意内涵,尤其注意诗意中“神理”的存在,重锤炼诗意。第二,诗歌创作要求诗歌有气骨,经过长时间的涵养,气骨以愈发朴老为妙。最后,张谦宜在《}x斋诗谈》中总结字法、句法、章法有数十种之多,讲求众诗法的灵活运用。第四章论述张谦宜诗歌批评论。张谦宜在诗歌批评方面也有自己的个性特色,一是考量诗人的人品高下后再判断诗品的优劣,胸襟、家数大小、忠厚性情、道德层面都是张谦宜考察范围。二因素喜书画,张谦宜长援书画术语评论诗歌,龙门笔意、永字八法诸语频出。三看重辨别诗体,张谦宜在评诗时始终将诗体之别贯穿其中,诗体不同,诗歌批评的标准亦有区别。
[Abstract]:Zhang Qianyi is a literary theorist, an ancient writer and a poet in the early Qing Dynasty, who has made achievements in the fields of poetry, literature and criticism. This paper takes his poetic works <} x Zhai Poems as the object of study, supplemented by the anthology of poems <} x Zhai Poems, and gives a background to the formation of Zhang Qianyi's poetics. Poetry style theory, creation theory and criticism are discussed in order to show the significance and theoretical value of Zhang Qianyi's poetics. This paper includes three parts: introduction, text and conclusion. The introduction part mainly includes the research significance of Zhang Qianyi's poetics, the research status quo and the research assumption of this paper. The conclusion is a relatively comprehensive and objective evaluation of Zhang Qianyi's poetics. The main body is the main body of the thesis, which includes four chapters. It introduces the background of Zhang Qianyi's poetics, the theory of poetic style, the theory of poetry creation and the theory of poetry criticism. The first chapter mainly discusses the background of Zhang Qianyi's poetics. This is an inheritance of the theory of style; at the same time, his poems also emphasize the spirit of the wind and spirit, especially in advocating the clarity, peace, and appearance of poetry, which can be regarded as a reasonable absorption of the theory of charm. Zhang Qianyi spent most of his life in the hometown of Jiaodong. His poetic thought was influenced by Qilu culture and Jiaodong culture circle, and was closely related to his family culture. The second chapter discussed Zhang Qianyi's poetic style theory. Among them, Qing Dynasty, peace and implication were the three most valuable poetic styles. At the same time, he proposed that poetry should be gentle and elegant, and should also pursue the beauty of poetry free from vulgarity. He emphasized that there was a human temperature in elegance, and he did not forget to remain naive and childish in his knowledge. Zhang Qianyi makes a new understanding and exposition of 13 poetic styles represented by poetical composure in 24. Chapter three discusses Zhang Qianyi's theory of poetry creation. Zhang Qianyi thinks that poetry should be the first thing in poetry creation. Make clear the poetic connotation, pay special attention to the existence of the "divine principle" in the poetic meaning, and repractice the poetic meaning. Second, poetry creation requires the poetry to have the spirit bone, after a long period of cultivation, the Qi bone is to become more and more simple and old. Finally, Zhang Qianyi sums up several dozen ways of writing, syntax, and composition in "on Zhai Poems". He emphasizes the flexible application of the popular poetic method. Chapter 4th discusses Zhang Qianyi's poetry criticism. Zhang Qianyi also has his own individual characteristics in poetry criticism. The first is to judge the merits and demerits of the poet's character, mind, family size, loyalty, and moral level are all the scope of Zhang Qianyi's inspection. Two factors like calligraphy and painting, Zhang Qianyi's long term for calligraphy and painting comments poetry, Longmen pen meaning. Three emphasis is put on distinguishing the poetic style, and Zhang Qianyi always penetrates the poetic style in the evaluation of poetry. The poetic style is different, and the standard of poetry criticism is also different.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22

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