在唱和中“逼出妙思”——明清之际词坛中兴的运行模式

发布时间：2018-03-06 01:18

本文选题：同人唱和　切入点：情感共鸣　出处：《复旦学报(社会科学版)》2017年03期 　论文类型：期刊论文

【摘要】：唱和是诗词创作的一种常见方式,因其"束缚才华"而存在诸多弊病,故历来毁多誉少,但明清之际盛况空前的词体唱和,却成为词坛中兴的运行模式。该模式的主要功能有二:一是聚集易代之际的"同人",进行情感上的沟通与共鸣,在共鸣中,不仅激发文人的填词热情,使"一切诗人皆变词客",而且都直面时代与人生,在内涵上获得广度与深度,使唱和主题具有潜发性而引领创作的主题取向;一是在情感共鸣与艺术交流的双向作用下,融"因文生情"与"因情生文"于一炉。既使唱和者的艺术个性与才华得到了舒展与锤炼,能"逼出妙思",从同立异,自创一格;又在词学主张上冲破定于一尊的宗旨,孕育新的词风。它引领创作风格的新变,最终推进词坛中兴之盛,是在唱和史上树立全面推进创作繁荣的一个成功范例,为考察唱和的得失成败提供一个典型的正面案例。
[Abstract]:Singing harmony is a common way of poetry creation, because of its "restraint talent" and there are many shortcomings, so it has always destroyed more reputation, but in the Ming and Qing dynasties unprecedented ci style harmony, The main functions of this model are two: one is to gather the "same people" at the time of changing generations, to communicate and resonate emotionally, and in the resonance, not only to arouse the literati's enthusiasm for writing words. So that "all poets change the subject of ci", and all face the times and life, gain breadth and depth in connotation, make the theme of singing and leading the theme of creation with latent hair; first, under the bidirectional function of emotional resonance and artistic exchange, Even though the artist's artistic personality and talent have been expanded and refined, he can "force out the wonderful thoughts", innovate from the same, create his own style, and break through the tenet of a definite one on the propositions of ci science. Breeding a new style of ci, which leads to a new change in the style of creation, and finally promotes the prosperity of ci poetry, is a successful example of comprehensively promoting creation and prosperity in the history of singing harmony, and provides a typical positive case for examining the success or failure of the success or failure of singing harmony.
【作者单位】：杭州师范大学人文学院;
【基金】：国家社科基金项目“明清之际词坛中兴史论”(项目批准号:13BZW077)的阶段性成果
【分类号】：I207.23

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