《红楼梦》中的妾形象研究

发布时间：2018-03-07 02:31

本文选题：《红楼梦》　切入点：妾形象　出处：《曲阜师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：《红楼梦》作为我国古代小说的巅峰之作,其“女性主题”历来为《红楼梦》研究领域的重要主题之一,探究妻妾制度影响下《红楼梦》中的妾形象,既是对《红楼梦》“女性主题”研究的深入拓展,同时也可以加深对文本的解读、深刻认识《红楼梦》文本的悲剧意义。本文从人类学、文化学、民俗学等方面对《红楼梦》中的妾形象进行多角度分析,力图得到对于《红楼梦》中妾形象较为中肯的认识和评价。本文主要从两个方面论述了《红楼梦》中的妾形象,一是《红楼梦》中的妾群像,主要包括以下三个群体:以赵姨娘、宝蟾、秋桐为主的反抗者形象,其中赵姨娘是一位积极反抗的妾形象,宝蟾是一位刚烈反抗的妾形象,秋桐是一位盲目反抗的妾形象;以香菱、平儿为主的配合者形象,其中香菱是一位逆来顺受的配合者形象,平儿是一位主动协调的配合者形象;以尤二姐、周姨娘为主的妥协者形象,其中尤二姐是一位懦弱顺从的妥协者形象,周姨娘是一位静默凄苦的妥协者形象。二是《红楼梦》中为妾之路上的两个特殊人物形象:“有实无名”的房里人“花袭人”和拒不做妾的大丫鬟“金鸳鸯”。《红楼梦》中的妾形象与中国传统婚姻制度和家庭伦理系统关系密切,在中国传统婚姻的妻妾制度下,《红楼梦》中的妾在妻面前的卑微身份、在夫面前的奴婢本质以及在家庭中长辈与晚辈面前不受尊重的尴尬地位,甚至在家中奴仆面前得不到敬重的窘境,与中国古代重嫡正、抑妾庶的宗法传统,贵正名、严格区分贵贱的文化传统以及维护正妻权益、贱视媵妾利益的法律制度传统等密切相关。充分挖掘和研究《红楼梦》中的妾形象,有助于《红楼梦》“女性主题”研究的深化和细化。同时,从中国传统社会“妾文化”的形成、发展及影响看,直至今日,该文化心理依然存在于国人的文化基因之中,变相的妾群体依然不绝,不得不引起我们的重视和反思。
[Abstract]:As the pinnacle of the ancient novels of China, the theme of "Women" has always been one of the most important subjects in the field of "Dream of Red Mansions". This paper explores the image of concubinage in "Dream of Red Mansions" under the influence of the system of wife and concubine. It is not only a deep expansion of the study on the theme of Women in A Dream of Red Mansions, but also a deeper understanding of the text, and a profound understanding of the tragic significance of the text of A Dream of Red Mansions. Folklore and other aspects analyze the concubine image in A Dream of Red Mansions from various angles, and try to get a more pertinent understanding and evaluation of the concubine image in A Dream of Red Mansions. This paper mainly discusses the concubine image in A Dream of Red Mansions from two aspects. The first is the group of concubines in A Dream of Red Mansions, which mainly includes the following three groups: the image of a rebel mainly of Aunt Zhao, Bao Xue, and Qiu Tong. Among them, Aunt Zhao is an image of an active rebel concubine, and Bao Xue is an image of a strong rebellious concubine. Qiutong is a concubine image of blind resistance; with Xiang Ling, Ping son as the main image of the collaborator, among them, Hong Ling is an image of an unfavorable match, Ping er is an active and coordinated person image; and the second sister, you, is the second sister. Aunt Zhou is the main compromise image, among which Youer sister is a cowardly and obedient compromise image. Aunt Zhou is a silent and miserable compromise image. The other is two special characters on the road to concubine in A Dream of Red Mansions: the "flower attack" in the "real nameless" room and the "golden duck" in the large servant girl who refuses to be a concubine. The image of concubine in Dream is closely related to Chinese traditional marriage system and family ethics system. Under the system of wives and concubines in traditional Chinese marriages, the humble status of concubines in "A Dream of Red Mansions" in front of their wives, the essence of servitude in front of their husbands and the embarrassing status of disrespect in the presence of elders and younger generations in the family, Even in front of the slaves in the family can not be respected in the predicament, with the ancient Chinese lineage, suppression concubine patriarchal tradition, noble name, strict distinction between the cultural tradition of noble and humble and to safeguard the rights and interests of the wife, The legal system tradition of concubinage benefit is closely related. Fully excavating and studying the image of concubine in A Dream of Red Mansions will help to deepen and refine the study of "female theme" in A Dream of Red Mansions. At the same time, From the view of the formation, development and influence of "concubine culture" in traditional Chinese society, even today, the cultural psychology still exists in the cultural genes of Chinese people, and the covert concubine group is still endless, which has to arouse our attention and introspection.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.411

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