明清闺训禁戏与女性的戏场想象

发布时间：2018-03-08 11:14

本文选题：闺训禁戏　切入点：观剧女性　出处：《文学遗产》2017年01期 　论文类型：期刊论文

【摘要】：从新发现的方志与地方文献提供的女性观剧史料出发,考察禁戏给女性作为戏曲观演参与主体带来的问题,有助于我们进一步理解女性之于戏曲的互动关系,以及禁戏语境中女性之戏场想象的意义。中下层女性观剧者,作为一个特殊群体,在进入公共文化空间的过程中,冲击了禁戏舆论的禁咒,表达生命祈愿,展露至情至性,拓展了闺阁之外的日常生活与群体娱乐活动;与此同时,观剧女性在闺训禁戏与痴迷观剧之间,遭遇了种种凶险和不测,藉由污名自伤与情感赎偿,建构了自我世界的精神寄所,也在其与戏场的互动中丰富了戏曲的面相、促动了戏曲向下一路的传播影响与接受分层。
[Abstract]:Starting from the newly discovered local chronicles and the historical data of women's view of drama provided by local literature, the study of the problems brought about by the ban on drama to women as the main body of drama view and performance will help us to further understand the interactive relationship between women and traditional Chinese opera. As a special group, in the process of entering the public cultural space, the female drama viewers in the middle and lower classes, in the process of entering the public cultural space, have shocked the ban mantra of public opinion, expressed the wish of life, and revealed the most affection, as well as the meaning of the imagination of the female drama field in the context of the ban on drama. It has expanded the daily life and group entertainment activities outside the boudoir; at the same time, women in watching drama have encountered all sorts of dangerous and unexpected events between purdah training and obsessive watching drama, and have taken advantage of stigma to hurt themselves and redeem themselves with emotion. It also enriches the face of the opera in its interaction with the drama field, and promotes the spreading influence and acceptance stratification of the opera all the way down.
【作者单位】：四川大学中国俗文化研究所;
【基金】：教育部人文社会科学重点研究基地重大项目“清代戏曲禁毁与管理研究”(项目编号10JJDZONGHE012)阶段性成果
【分类号】：I207.3;J809.2

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