德宏傣族“阿銮故事”研究

发布时间：2018-03-09 07:38

本文选题：德宏傣族　切入点：“阿銮故事”　出处：《云南师范大学》2016年硕士论文　论文类型：学位论文

【摘要】：“阿銮故事”是傣族民众集体创作的口头性文学,经过了漫长的岁月,一直在傣族家家户户中流传,并深受人们的青睐。“阿銮故事”是傣族民间文学的精髓,也是傣族民众一笔珍贵的精神财富,其中蕴含着傣族人民的智慧、伦理及世界观等思想,研究“阿銮故事”使我们更深入更全面地了解傣族的文化和民族心理。“阿銮”,是傣族优秀男子的符号化身,研究“阿銮故事”有利于进一步阐释“阿銮”所具有的文化特质和文化功能。本论文欲从文本入手再结合实地的田野调查,关注“阿銮故事”在傣族民众中的重要性及族群认同,重视其在当地的流传现状及传承中存在的问题,呼吁傣族文化持有者进行自我可持续的文化传承。本论文分为五个章节,主要内容如下:第一章根据“阿銮故事”内容所塑造的“阿銮”形象,对“阿銮”进行界定。进一步梳理对“阿銮故事”群进行分类,归纳出佛本生故事型、怪异儿型故事、正义英雄人物型、田螺姑娘型等若干类型,从不同的故事类型中探析其“阿銮”的文化符号。第二章探讨“阿銮故事”中的变形主题,主要从变形方式入手,以物美化为人,人丑化为物等转变中表现出傣族先民对异界的信仰和万物有灵观,他们认为万物同一,人与物间的生命力相互渗透,人与自然间互通互变。从佛教的圆形回归时间观来阐释,认为人与物之间存在一种轮回转世。变形是生命力的延续,生命的“再生”轮回。故事中的变形手法对傣族的作家创作产生了一定的影响。第三章关注“阿銮故事”的宝物主题,主要分析宝物种类及宝物背后蕴含的民族文化内涵和民族的集体无意识;从捐助者与受赏者间的关系来剖析“阿銮”有弑父情结及依靠父神的心理倾向;同时透析出“阿銮”有成为王者的欲望。宝物是傣族民众道德的宣言者,深究“阿銮故事”所蕴含的因果观,对傣族民众所起的教化作用,倡导他们做行善积德之人。第四章解析“阿銮故事”的难题主题,关注难题的设置意图及方式多样化。“难题”是傣族古代社会男子的成年礼及佛教文化修行中必经的环节,也是他们改变命运的一个良好的社会契机。关注“难题”在当下傣族现实生活中所遗留的文化现象及文化功能。第五章主要关注“阿銮故事”在当下的流传现状。笔者走进民间,走进傣族村寨搜集它流传情况和在当地傣族民众的生活中所起的社会功能和族群认同,进一步重视其在民间的传承,呼吁当地人民对阿銮故事的保护和重视,将这一口传文学可持续地传承下去。
[Abstract]:"Aluang Story" is a kind of oral literature written collectively by Dai people. After a long period of time, it has been circulating among Dai families and has been favored by people. "Aluang Story" is the essence of Dai folk literature. It is also a precious spiritual wealth of the Dai people, which contains the wisdom, ethics and world outlook of the Dai people. The study of "Aluang Story" enables us to have a deeper and more comprehensive understanding of the Dai culture and national psychology. "Aluan" is the symbol embodiment of the outstanding Dai men. The study of "Arluan Story" is helpful to further explain the cultural characteristics and cultural functions of "Arluan". Pay attention to the importance and ethnic identity of "Aluang Story" among the Dai people, attach importance to its present situation of local circulation and problems existing in its inheritance, and appeal to Dai culture holders to carry out self-sustainable cultural inheritance. This paper is divided into five chapters. The main contents are as follows: the first chapter defines "Arluan" according to the image of "Arluan" created by the content of "Arluan Story". Further combing and classifying the group of "Arluan Story", it concludes the story type of Buddha Bensheng and the story of strange children. This paper discusses the cultural symbols of Arluan from different types of stories. Chapter two discusses the deformed themes in "Arluan Story", mainly starting with the deformation mode and beautifying people with things. The transformation of people into things shows the Dai ancestors' belief in different realms and the animism of all things. They think that all things are the same, the vitality between people and things permeates each other, the interaction between human beings and nature changes, and it is explained from the view of the circle return time of Buddhism. It is believed that there is a kind of reincarnation between human beings and things. Deformation is the continuation of vitality. The transformation of the story has a certain impact on the creation of Dai writers. The third chapter focuses on the theme of the treasures of the "Arluan Story". This paper mainly analyzes the types of treasures, the connotation of national culture behind the treasures and the collective unconsciousness of the nation, and analyzes the psychological tendency of "Aluan" which has the patricide complex and relies on the Father God from the relationship between the donor and the recipient. At the same time, it is analyzed that "Arluan" has the desire to become a king. The treasure is a declaration of Dai people's morality. Advocate them to do good deeds and accumulate virtue. Chapter 4th analyzes the difficult theme of "Aluang Story" and pays attention to the diversity of the intention and the way of setting up the problem. "difficult problem" is a necessary link in the manhood rites of men in the ancient Dai society and in the practice of Buddhist culture. It is also a good social opportunity for them to change their destiny. Pay attention to the cultural phenomena and cultural functions left over by the "difficult problems" in the present Dai's real life. Chapter 5th focuses on the current situation of the spread of "Aluang Story" The writer walked into the people, Go into the Dai village to collect its spread and social functions and ethnic identity in the life of the local Dai people, pay further attention to its inheritance in the folk, and appeal to the local people to protect and attach importance to the Aluan story. This oral literature can be carried on in a sustainable way.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I207.7

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