承续与变奏—王蒙小说《这边风景》研究

发布时间：2018-03-09 07:50

本文选题：文革文学　切入点：新时期文学　出处：《中国矿业大学》2016年硕士论文　论文类型：学位论文

【摘要】：王蒙的旧书新作《这边风景》的发表是中国当代文学史和王蒙小说创作链条发展史上的一件举足轻重的事件,作品以其跨越时空的精神穿透力与历久弥新的情感召唤力,在时隔近40年后透过历史埋没的尘埃而焕发新的生机。该书在出版后引发了文艺界和学界的普遍关注,并于2015年8月获得第九届茅盾文学奖,成为王蒙创作生涯中唯一一部得此殊荣的作品。本文自2014年确定选题以来,一直致力于探讨《这边风景》在中国当代文学史和王蒙创作链条中的特殊地位和独特价值,并深入挖掘王蒙的创作心态和创作心理。围绕着“承续”与“变奏”两个要点和关键词,本文从以下几个方面展开:一是对《这边风景》的成书过程、出版历程及王蒙小说创作链条和相关时代背景进行简要的梳理,从中揭示该小说创作出版与时代政治风云和作家创作心理的深刻关系;二是探讨《这边风景》对少数民族文化传统如风俗习惯、人生哲学、文化心态的吸收与传承,对50年代创作所关注的青春主题和政治主题的续写和再奏,对作品挥之不去的“文革文学”烙印的呈现与超越;三是探讨《这边风景》中王蒙式幽默、杂色、狂欢化语言风格的发轫及王蒙新时期乡村书写的滥觞,小说通过语言实践探索和故事架构突破完成了对“四清”、“文革”政治运动的疏离和解构、对一元化乌托邦语言的嘲讽和戏弄,并在其中寄托了对新时期文学意识形态的想象和对文学语言的多元多维意义建构的诉求。
[Abstract]:The publication of Wang Meng's old book, scenery here, is an important event in the history of contemporary Chinese literature and the history of Wang Meng's novel creation chain. The works are characterized by their spiritual penetration and enduring emotional appeal, which span time and space. After nearly 40 years, the book was revived by the dust buried in history. After its publication, the book attracted widespread attention from literary and art circles and scholars. In August 2015, it won the 9th Mao Dun Prize for Literature. Since 2014, this article has been devoted to discussing the special position and unique value of "here scenery" in the history of Chinese contemporary literature and Wang Meng's creation chain. And deeply excavate Wang Meng's creative mentality and creative psychology. Focusing on the two main points and key words of "continuity" and "variation", this paper starts from the following aspects: first, the book process of "here scenery", The publishing process, the chain of Wang Meng's novel creation and the relevant background of the times are briefly combed to reveal the profound relationship between the creation and publication of the novel and the political situation of the times and the writers' creative psychology. The second is to probe into the absorption and inheritance of the cultural traditions of ethnic minorities such as customs, philosophy of life and cultural mentality, and the continuation and replay of the themes of youth and politics concerned by the creation in 50s. The appearance and transcendence of the imprint of "Cultural Revolution Literature", the third is to probe into the style of Wang Meng's humor, variety and carnival language style in "the scenery here" and the origin of Wang Meng's rural writing in the new period. Through the exploration of language practice and the breakthrough of story structure, the novel completes the alienation and deconstruction of the political movements of the "four Qing" and the "Cultural Revolution", and mocks and teases the monistic utopian language. In it, the author holds the imagination of the literary ideology in the new period and the demand for the multi-dimensional meaning construction of the literary language.
【学位授予单位】：中国矿业大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I207.42

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