赵南星文学思想研究

发布时间：2018-03-10 04:16

本文选题：赵南星　切入点：道论　出处：《河北师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：本文以赵南星的《赵忠毅公诗文集》《赵忠毅公文集》《味檗斋文集》《芳茹园乐府》《学庸正说》等作品为主要研究对象,尝试将赵南星置于明代文论的整体框架中,对其诗论、文论观点进行分析评价,并结合其具体的诗文创作解读其文学观。全文共分为五部分:绪论,赵南星的道论思想,性情之真、诗趣之美,以正制奇、改革文风,结语。绪论部分主要梳理目前学界对赵南星的研究现状,分析当前赵南星研究的不足,在此基础上提出本论文的研究设想。第一章对赵南星的道论思想进行分析,赵南星以讲习程朱理学、倡明儒道为要旨,在他看来,儒道既是为学之大宗,又是治世之良方,非儒道不足以救世。明代心学盛极一时,赵南星在继承程朱理学的基础上又对王学的某些观点加以吸收,他的学说体现了对程朱学说与阳明心学的融合。第二章介绍赵南星诗歌创作的性情之真和诗趣之美。赵南星的诗学思想主要集中在以下几个方面:一是主张“诗以道性情”,但他的性情论强调以“性”节“情”,归于性情之正。二是反对盲目模拟的行为,主张诗歌创作回归到对“性情”的抒发之上。三是重视“趣”,他同样也要求将真“趣”和真骨格、真力量结合在一起。第三章是赵南星对改革文风所做出的贡献,主要针对当时八股文好奇险怪的文风。弘治以后,科举时文出现了由通畅质实文风向好奇险怪文风的转变,士子们对此潮流趋之若鹜,文章中多夹杂异端杂说。面对文风的颓堕,赵南星倡导以“道”救“文”,追求雅正的文风。结语部分尝试对赵南星的文学思想做出评价。赵南星在中国文学史和文学批评史上具有承前启后的地位和影响,与其同时期的姚希孟曾将赵南星与杜甫并提。赵南星的诗论、文论思想虽较多地秉承了儒家诗学政教精神,但对纠正明末虚浮无根、任情放诞的学风和文风发挥了积极的作用,也为清初诗文风的转变奠定了基础。
[Abstract]:This paper takes Zhao Nanxing's works such as "Zhao Zhongyi's Public Poetry Collection", "Zhao Zhongyi's Public Literary Collection" "Weiberzhai Collection" and "Fangru Yuefu" as the main research object, and tries to put Zhao Nanxing in the overall framework of the literary theory of the Ming Dynasty. The thesis is divided into five parts: introduction, Zhao Nanxing's thought of Taoism, truth of temperament, beauty of poetic interest, reform of literary style. Conclusion. The introduction mainly combs the current research situation of Zhao Nanxing in academic circles, analyzes the deficiency of the current research on Zhao Nanxing, and then puts forward the research assumption of this paper. The first chapter analyzes Zhao Nanxing's Taoism thought. Zhao Nanxing took Cheng Zhu Neo-Confucianism as his main purpose and advocated Confucianism and Taoism in Ming Dynasty. In his view, Confucianism and Taoism were not only a large amount of learning, but also a good prescription for governing the world, and non-Confucianism and Taoism were not enough to save the world. On the basis of inheriting the Neo-Confucianism of Cheng and Zhu, Zhao Nanxing absorbed some of Wang's views. His theory embodies the fusion of Cheng Zhu's theory and Yangming's study of mind. The second chapter introduces Zhao Nanxing's poetic creation of the true temperament and the beauty of poetic interest. Zhao Nanxing's poetics mainly focuses on the following aspects: first, he advocates "poetry". However, his theory of temperament emphasizes "sex" and "emotion", which is attributed to temperament. Second, he opposes the act of blind simulation. He advocates the return of poetry creation to the expression of "temperament." third, he attaches importance to "interest," and he also requests that the true "interest" be combined with the true strength. Chapter three is Zhao Nanxing's contribution to the reform of literary style. It was mainly aimed at the style of writing of the eight-part article at that time. After Hongzhi, the imperial examination text appeared the transformation from the unobstructed and qualitative style of writing to the style of the good strange and dangerous style, and the scholars flocked to this trend. The article is full of heresy and heresy. In the face of the decay of literary style, Zhao Nanxing advocates to "save" the text by "Tao" and pursue the literary style of Yazheng. In the conclusion part, he tries to make an evaluation of Zhao Nanxing's literary thought. Zhao Nanxing has the position and influence in the history of Chinese literature and the history of literary criticism as a link between the past and the future. At the same time, Yao Ximeng put forward Zhao Nanxing and du Fu's poetic theory. Although the literary theory thought carried on the Confucian poetics spirit of politics and religion, it played a positive role in correcting the style of study and style of writing in the late Ming Dynasty. It also laid a foundation for the change of poetic style in the early Qing Dynasty.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I206.2

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