杜甫长篇七言“歌”“行”诗的抒情节奏与辨体

发布时间：2018-03-16 00:07

本文选题：长篇七言　切入点：“歌”诗　出处：《文学遗产》2017年01期 　论文类型：期刊论文

【摘要】：杜甫的七言古体按诗题分为"歌"诗、"行"诗和非歌行题三类,有其明确的辨体意识。"歌"与"行"都有咏物、咏事及咏人等主题集中的歌咏对象,其抒情节奏主要是以咏叹语调贯穿并呈现层波叠浪的推进方式。二者体调的区别在于节奏幅度和抒情脉络的不同,但其共性决定了"歌"与"行"可以合成"歌行"一体。杜甫非歌行题的七古有部分与歌行体调相同,但另有一部分七古,没有集中的歌咏题目和抑扬起伏的节奏波澜,而是突出了散句单行的线性节奏,脉络紧凑和连贯更接近五古。杜甫发现了"行"诗和节奏与之相近的七古适宜连贯叙述的特性,开创了以七古和"行"诗反映时事的范例,使原来没有叙述和议论传统的七古扩大了表现功能。
[Abstract]:Du Fu's seven-character ancient style is divided into three types according to the poem title: "Song" poem, "Xing" poem and "non-song line theme". There is a clear sense of distinguishing style. Both "Song" and "Xing" have the objects of singing on objects, things and people, etc. The lyric rhythm mainly runs through and presents the advancing way of the layer wave and wave. The difference between them lies in the difference of the rhythm range and the lyric vein. But its commonness determines that "song" and "line" can be combined into "song line". The seven ancient parts of du Fu's song and line theme are the same as those of singing style, but some of them have no concentrated singing questions and fluctuating rhythm and waves. Rather, it highlights the linear rhythm of the single line of scattered sentences, and is closer to the five ancient times. Du Fu discovered the characteristics of the "line" poem and the appropriate narrative of the seven ancient times, which are similar in rhythm, and created an example of reflecting current affairs with the poems of the seven ancient times and the "line" poems. So that the original did not narrate and comment on the traditional seven ancient expanded the performance of the function.
【作者单位】：北京大学中文系;
【分类号】：I207.22

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