论张爱玲小说中空间意象的文化意蕴

发布时间：2018-03-16 18:24

  本文选题：张爱玲　切入点：小说　出处：《山东师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：以上海为中心的海派文学,其源头可追溯到晚清时期。1843年上海开辟租界,西方文化开始渗透,西方文明以及西式的生活方式也逐渐冲击着上海的本土文化,从建筑到公共场所再到家庭内部的日常生活,上海都先于中国其他地方较早地与国际接轨。与此同时,以上海为表现对象的文学流派渐次产生,30年代的新感觉派笔下的都市,充斥着光怪陆离与物欲横流的荒芜感。于40年代开始创作的张爱玲,一改新感觉派的纵欲与狂欢,呈现向内转的姿态。本论文结合相关女性主义和空间理论,以空间意象为切入点,设计了导论和三个章节,导论分为张爱玲空间意象方面的研究综述和张爱玲小说独特的空间呈现两部分。正文设计为公共空间、家庭空间和精神空间三部分,第一章探讨都市公共空间,分为从公馆到公寓,舞厅、电影院以及各色交通工具四节,探讨公共空间呈现出的华洋杂处的文化交织感,并论述这些公共空间对文本中人物日常生存所产生的影响。第二章分析张爱玲小说中的家庭空间,选取客厅、卧室和餐室、洋台和浴室的意象,这些空间无论呈现开放亦或封闭的姿态,都呈现出张爱玲关于家庭书写的的孤独晦暗的指向。第三章着重分析张爱玲小说中矛盾分裂的精神空间,以地狱、彼岸、乌托邦想像作为专节,分别对应僵化的婚姻体系、姘居的两性相处方式以及职业与爱情的美好想像,以往张爱玲的创作世界被称为“没有光的世界”,但在第三章中笔者将试图回应这一学界定论,为张爱玲的小说世界探寻一抹微光,并为张爱玲小说的解析寻找新的出路。
[Abstract]:The origin of Shanghai-centered literature in Shanghai can be traced back to the late Qing Dynasty. In 1843, with the opening of the concession in Shanghai, the Western culture began to infiltrate, and the western civilization and Western-style way of life gradually impacted the local culture of Shanghai. From architecture to public places to daily life within families, Shanghai has been in line with the international community earlier than the rest of China. At the same time, literary schools that take Shanghai as the object of expression have gradually produced the cities of the New sensationalism of the 1930s. Zhang Ailing, who began to create in 40s, changed the sensualism and carnival of the new sensualism and presented an inward attitude. This paper combines the relevant feminism and space theory. The introduction and three chapters are designed with spatial image as the starting point. The introduction is divided into two parts: the summary of the research on Zhang Ailing's spatial image and the unique spatial presentation of Zhang Ailing's novel. The text is designed as public space. The first chapter discusses the urban public space, which is divided into four sections, from the residence to the apartment, the ballroom, the cinema and the various means of transportation. The second chapter analyzes the family space in Zhang Ailing's novels, and selects the images of living room, bedroom and dining room, foreign platform and bathroom. Whether these spaces are open or closed, they all present Zhang Ailing's lonely and gloomy direction on family writing. Chapter three focuses on analyzing the contradictory and divided spiritual space in Zhang Ailing's novels, which is based on hell and the other shore. Utopian imagination as a special section, respectively, corresponds to the rigid marriage system, the way the two sexes get along with each other, and the beautiful imagination of occupation and love. In the past, Zhang Ailing's creative world was called "the world without light", but in the third chapter, the author will try to respond to this academic conclusion, explore a glimmer of light for the world of Zhang Ailing's novels, and find a new way out for the analysis of Zhang Ailing's novels.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42
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本文编号：1621148