晚清改良新戏和女学的互动——以《惠兴女士传》和《女子爱国》为中心

发布时间：2018-03-16 23:36

本文选题：晚清　切入点：改良新戏　出处：《现代中文学刊》2017年02期 　论文类型：期刊论文

【摘要】：20世纪初的晚清戏曲界有过一次戏剧改良的热潮,女学启蒙成为新戏最引人注目的改良题材之一。新戏《惠兴女士传》和《女子爱国》推动了女学官方文件的颁布,同时也为戏剧演员正了名,但隐藏着女性意识萌芽之初依然需要借助男性发声的现象。同时,礼教的束缚并没有立刻消散,相反连提倡女学的新戏中也处处留有向风俗和制度妥协的影子。
[Abstract]:In 20th century, there was an upsurge of drama improvement in the field of drama in the late Qing Dynasty, and the enlightenment of women's studies became one of the most noticeable and improved themes of the new drama. The new play, the Biography of Lady Huixing and the Patriotic of Women, promoted the promulgation of official documents for women's studies. It is also known as a theatrical actor, but it hides the need for men to speak at the beginning of women's consciousness. Meanwhile, the restraints of etiquette have not dissipated at once. In contrast, even the new play promoting women's studies leaves the shadow of compromises to customs and institutions.
【作者单位】：华东师范大学中文系;
【分类号】：I207.3;J805

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