明人“七绝压卷”之争与唐诗史的建构

发布时间：2018-03-17 00:21

  本文选题：唐诗　切入点：选本　出处：《求索》2017年05期 　论文类型：期刊论文

【摘要】：明人关于唐人七绝的压卷之争,意义已超越论争本身,藉由哪一首应为七绝第一的议题,论家在盛唐与中晚唐之别、王昌龄与李白之争等方面展开讨论,并与《唐诗品汇》《古今诗删》《唐诗归》《唐诗镜》等唐诗选本的评选活动交错纵横,共同形塑七绝的体裁基准和基本概念,建构以王李为诗体正宗、中唐刘禹锡李益为接武,晚唐李商隐杜牧为正变,杜甫为变体的唐代七绝诗史。
[Abstract]:The debate of the Ming people about the Tang Dynasty's seven absolute requirements has transcended the debate itself. By means of which song should be the first topic of the Seven absolute, the scholars discussed the differences between the prosperous and the middle and late Tang dynasties, the disputes between Wang Changling and Li Bai, and other aspects, such as the debate between Wang Changling and Li Bai, and so on. And with the selection activities of the selected anthology of Tang poetry, such as the Collection of Tang Poetry and the Collection of Ancient and Modern Poems, the Collection of Ancient and Modern Poems, the title of Tang Poetry and the Tang Poetry Mirror, and so on, the selection activities are crisscrossed and horizontal, so as to form the basic standards and basic concepts of the style of the seven indispensable Tang poems, and to construct the style of Wang Li as the authentic poetic style, and Liu Yuxi Li Yi in the middle Tang Dynasty as. The late Tang Dynasty Li Shangyin du Mu is the positive change, du Fu is the variant Tang Dynasty seven absolutely poetry history.
【作者单位】： 长安大学文传学院;
【基金】：教育部人文社会科学研究青年基金项目“明代古诗、唐诗选本与诗学论争”(11YJC751114) 中央高校基本科研业务费专项(CHDW2012ZD010) 长安大学基础研究支持计划
【分类号】：I207.22
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本文编号：1622334