方言入诗的书写形式与语言试验

发布时间：2018-03-19 12:32

本文选题：言文合一　切入点：方言入诗　出处：《广东社会科学》2017年06期 　论文类型：期刊论文

【摘要】：中国方块汉字是声音与意义的统一体,是中国历史演变长河中逐渐形成的汉语文学书写工具。声音永远走在文字的前面,晚清以来白话新诗在靠近言文合一方面进步显著,但也难以真正一致。如何在新诗中书写和呈现现代口语,仍是诗人们面临的书写难题。方言入诗作为现代新诗贴近口语化的尝试,在语汇与句式上都有不同诗人群体的探索,具有地域方言的语汇和句式成为不同类型方言诗歌可供辩认的有效标识。为了便于普及化和经典化,不同版本给方言诗歌添加注释,形成了方言入诗特定的版本注释文化。
[Abstract]:Chinese square Chinese characters are the unity of sound and meaning, and they are the writing tools of Chinese literature gradually formed in the long stream of Chinese historical evolution. The sound is always in front of the characters. Since the late Qing Dynasty, the vernacular new poetry has made remarkable progress on the one hand, which is close to the combination of words and characters. However, it is also difficult to truly agree. How to write and present modern spoken language in new poetry is still a difficult problem for poets. As an attempt to get close to colloquialization of modern poetry, dialects have been explored by different groups of poets in terms of vocabulary and sentence structure. In order to be easy to popularize and canonize, different versions add notes to dialect poems and form the specific version annotation culture of dialect poetry.
【作者单位】：贵州师范大学文学院;
【基金】：国家社科基金项目“社会主义建设初期文学语言研究”(项目号17BW193)的阶段性成果
【分类号】：I207.22

【相似文献】