第一世嘉木样大师诗作研究

发布时间：2018-03-20 05:29

本文选题：嘉木样协巴　切入点：诗作　出处：《西北民族大学》2017年硕士论文　论文类型：学位论文

【摘要】：嘉木样一世得号全称"根钦嘉木样协巴.俄昂宗哲",简称"嘉木样",是藏传佛教格鲁派蜚声中外的转世活佛之一,同时也是拉卜楞寺的创建者和寺主。其一生坚忍不拔地聆法求知、研修经典,成为藏传佛教史上著作颇丰的学者之一。其著作不仅涉及佛学,也涉及声明学和韵律学、辞藻学等。就本论文的落脚点辞藻学诗作而言,大多人认为他的诗作风格属于古印度东方含蓄派(东方派),即语言紧凑难懂。但笔者认为他的诗作全部并非东方含蓄派,也有南方简明派(南方派)明了易懂的的特点。比如《嘉木样喇嘛传与夏噶兰达格问答善论篇》和《礼赞开朱杰》中既有通俗易懂的表达手法也有紧凑难懂的表达手法。因此,笔者认为他的诗作风格并不仅仅为东方派而兼有两派的创作特点。嘉木样大师著作的最主要的特点是语言简练精悍,字字珠玑。这从他的《教派根本论》中就能看出。此外他的诗作虽频繁运用了字音修饰法,但不佶屈聱牙反而朗朗上口。总之就他的诗作而言,可以成为研究当时诗歌创作特点和方法的切入点,但至今很少有人去专门研究他的诗作。鉴于此,笔者认为嘉木样大师的诗作具有很大的研究价值。本论文共分为三个部分:第一部分探讨了藏族传统诗歌是否有祈祷文和发愿文、礼赞文之分,并论述了笔者将嘉木样大师的诗作分为祈祷文和发愿文、礼赞文的目的和意义,并就三类诗作各自的特点进行了大致的概述;第二部分从三个方面论述了诗作的每一个段落的结构安排,写作内容的结构和写作特点;第三部分首先概述了嘉木样大师在何处如何习得诗学以和其《妙音语教十万太阳之光》诗作的授教方法怎样得以传承的过程。其次从诗作的表达手法为切入点论述了古印度东方和南方派创作特点的异同点及其价值。最后论述了其诗作体现的教育价值及诗作在藏族诗歌发展中的地位和价值。
[Abstract]:The Jiamubian I was named "Genqin Jiapian Xieba Oang Zong Zong Zong", or "Jiamuxiong". It is one of the most famous reincarnated living Buddhas of the Grug-sect of Tibetan Buddhism both at home and abroad. At the same time, he was also the founder and the monastery of Labran Temple. He perseveringly listened to the knowledge and studied the Classics throughout his life, and became one of the most famous scholars in the history of Tibetan Buddhism. His works were related not only to Buddhism, but also to declarative studies and prosody. As far as this thesis is concerned, most people think that his poetic style belongs to the Eastern implication School in ancient India (that is, the language is hard to understand). However, the author thinks that all his poems are not oriental implicationists. There are also features of the Southern Concise School (the Southern School) that are easy to understand. For example, there are both easy to understand and compact expression techniques in the "Lama-like Lamas Biography and the Chagarandag question and answer on the good Theory" and "praise and praise and Zhu Jie". Therefore, The author thinks that his poetic style is not only for the oriental school but also has the creative characteristics of the two schools. This can be seen in his "the fundamentals of the sect". Besides, his poems, although frequently modified by the sound, are not clumsy, but rather catchy. In short, as far as his poems are concerned, It can be a breakthrough point to study the characteristics and methods of poetry creation at that time, but few people have studied his poems. This thesis is divided into three parts: the first part discusses whether there are prayer and vows in Tibetan traditional poetry, and whether there are praises and praises in traditional Tibetan poetry. The author also discusses the author's poems are divided into prayer and vows, praise the purpose and significance of the text, and the three types of poetry each of the characteristics of a general overview; The second part discusses the structure of each paragraph of the poem from three aspects, the structure of the writing content and writing characteristics; The third part first summarizes the process of how the master of Jiamuwei acquires poetics in order to learn poetics and how to pass on the teaching method of his poem "Miaoyin language teaching 100,000 sun light". Secondly, from the point of view of the expression technique of the poem. This paper expounds the similarities and differences between the characteristics of the eastern and southern schools of ancient India and their values, and finally discusses the educational value of his poems and their position and value in the development of Tibetan poetry.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22

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