从“经典诗学”到“文化现

发布时间：2018-04-06 05:00

本文选题：经典诗学　切入点：文化现场　出处：《当代文坛》2017年03期

【摘要】：中国当代文坛的"经典化"焦虑实质是主流文学界对自身"审美权力"衰落的焦虑。"经典诗学"观念下的文学研究寻求文学文本的艺术自然合法性,而忽略了"经典化"过程中自身"审美权力"参与的局限性,遮蔽了许多有价值的文学活动。随着当下中国文学格局趋向多元化,"经典诗学"的文学观念和分析方法对当下文学现象的阐释力越来越弱,不同审美评判标准和文学观念向主流文学圈发起了挑战,"审美权力"多元化的时代已经来临。文学研究需要从"经典诗学"观念走向文化现场,寻求新的研究范式和方法的突破。
[Abstract]:The "classic" anxiety in the contemporary Chinese literary world is essentially the anxiety of the mainstream literary circles about the decline of their own "aesthetic power". "The literary study under the concept of classical poetics seeks the artistic legitimacy of literary texts, neglects the limitation of its own "aesthetic power" in the process of "classicalization", and obscures many valuable literary activities.With the diversification of the present Chinese literary pattern, the literary concepts and analytical methods of "Classical Poetics" are becoming weaker and weaker in explaining the current literary phenomena.Different aesthetic standards and literary concepts have challenged the mainstream literary circle, and the era of "aesthetic power" has come.Literature research needs to move from the concept of "classical poetics" to the cultural scene and seek a breakthrough of new research paradigm and method.
【作者单位】：东南大学人文学院中文系;
【基金】：教育部人文社会科学研究青年基金项目“当代都市新移民的城市想象与文化认同”阶段性成果,项目编号:14YJC751021 江苏省教育厅高校哲学社会科学研究项目“当代媒体文化中的南京想象”阶段性成果,项目编号:2014SJD022 “中央高校基本科研业务费专项资金”项目“当代都市新移民的城乡书写与身份认同”阶段性成果,项目编号:2242015S20033
【分类号】：I206.7

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