《诗经》重章叠调的兴起与乐歌功能新论

发布时间：2018-04-12 18:26

本文选题：重章叠调 + 比兴　；参考：《文学遗产》2017年06期

【摘要】：重章叠调在《诗经》燕飨诗中较早兴起,其复沓的形式,与主宾间献酬往来的仪节进程、殷情致意的仪式主题正相吻合;重章叠调便于蕃衍章句、自由伸缩,且多与比兴手法相伴而用,这为乐官根据仪式等级、仪式进程、主题表达的需要作灵活自主的发挥提供了便利。在无算乐中,重章叠调的这些诗乐功能得到充分发挥,直至流行成为《诗经》的主要章句形式。重章叠调的歌唱,视叠咏程度、位置及人称视角的不同,有独唱、合唱、和唱、对唱、帮腔等形式。今本《诗经》删略了不少乐章信息,回到仪式歌唱的语境,借着重章叠调在结构形式上的提示,可以恢复、修正《诗经》中不少脱缺错乱的章句。
[Abstract]:Repetition in Book of Songs banquet poetry in early rise, the repetition in the form of exchanges between the guest and offer a reward ceremony process, courtesy of greeting ceremony theme is consistent; repetition transfer for large swelling and free expansion, and accompanying with this metaphor, Le Guangen according to the ceremony ceremony process, a topic level, expression of autonomy and flexibility play provides convenience. Not in the music, the music function of repetition in tune into full play, become popular until the main chapters form < > Book of Songs. Sing repetition in tone, as the stack Yong degree, position and person from the perspective of different, solo, chorus, and sing, singing, and other forms. This chimed in Book of Songs a lot of information back to the deletion movement, singing ceremony context, by chapter emphatically in the structural form of the adjustable stack tips can be restored, modified Book of Songs in many missing off disorder chapters.

【作者单位】：首都师范大学中国诗歌研究中心;
【基金】：国家社会科学基金青年项目“《诗经》歌唱研究”(项目编号16CZW015)阶段性成果
【分类号】：I207.22

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