论李佩甫的小说创作

发布时间：2018-04-12 18:33

本文选题：李佩甫 + 小说创作　；参考：《河南师范大学》2017年硕士论文

【摘要】：李佩甫作为河南作家群体中的一个十分优秀的代表,他长期致力于挖掘豫中大地乡村的人和事。本文正是要对李佩甫的小说创作进行分析,从而揭示其独特的个人风格和作者在作品背后的深刻意图。对李佩甫小说创作的分析,将从主题分析、人物塑造、意象集群和叙事结构四个方面出发。首先,文章论述了李佩甫小说的创作背景和创作主题,指出李佩甫在90年代以前,不断在小说创作上创新求变,而在90年代后,其创作风格逐步稳定,开始真正从自己的内在思考和创作驱动力出发去进行创作,他最为著名的“平原三部曲”,代表了他创作的巅峰。而在整个创作中,李佩甫几乎所有的作品,其出发点或者说起始点都是乡村。有的是直接描写乡村中的人和生活,有的则是描写乡村的基层管理模式,还有一类,虽然看起来是描写从乡村中已经走出来的人,描写他们在城市中的经历,实际上揭露的是这些根在乡村而人已经来到城市的人们内心精神世界上的矛盾和寄托的缺失。其次,在人物塑造和人性批判上,李佩甫总体上刻画了三类人群,也即,乡村的统治者、乡村的普通民众以及从乡村走向了城市的这部分群体。其小说人物出发点是乡村,他们的根在乡村,但是命运和生活让他们最终有的仍旧留在乡村,有的则脱离了乡村。通过对这些人的刻画,李佩甫对于他们背后的人性深入批判和分析。但是,批判的背后,是要找到一条解决之路,一条对人性的救赎之路。这是李佩甫的理想,而在不同阶段,李佩甫也给出了不同的答案。再次,意象集群是李佩甫小说中一个较为鲜明的特色。李佩甫非常善于运用各种意象,并将意象和小说的故事情节紧密结合起来。他所运用的意象,看起来杂乱无章,缺乏规律,实际上却是作者有意识创造的产物,并在总体上分为三类:植物意象、动物意象和其他意象。这些意象有它自己的功能,具体为:第一,意象在小说中能够凸显主题的寓意功能;第二,意象总揽全局的作用;第三,意象的描述使小说显现出史诗性的时空跨度。最后,李佩甫在小说创作中,不仅仅是在创作内容、情节的设置上有着他独特的个人印记和风格,在整个叙述结构和框架上,也带给了我们独特的体验。本文对他的小说的叙事结构的分析,主要从叙事视角、叙事特点和文本结构三个方面来阐述。李佩甫的叙事视角十分多样,而再现是其最为突出的叙事特点,在文本结构上,分章分节,小节又分为不同独立的小故事,并各自带有小标题,不仅避免了不同时空和叙事指向上可能造成的结构凌乱,也给了作者更大的自由发挥空间。
[Abstract]:Li Peifu, as a very outstanding representative of Henan writers, has long devoted himself to excavating people and things in the rural areas of central Henan.This article is to analyze Li Peifu's novel creation so as to reveal his unique personal style and the author's profound intention behind his works.The analysis of Li Peifu's novels will start from four aspects: theme analysis, character shaping, image cluster and narrative structure.First of all, the paper discusses the background and theme of Li Pei-fu 's novels, points out that Li Pei-fu was constantly innovating in the novel creation before the 1990s, but after the 1990s, his writing style was gradually stable.Starting from his inner thinking and creative drive, his most famous trilogy, Plains trilogy, represents the peak of his creation.In the whole creation, almost all of Li Pei-fu 's works, their starting point or starting point are rural.Some describe directly the people and life in the countryside, some describe the grass-roots management model of the countryside, and some, although it seems to describe people who have come out of the countryside, describe their experiences in the city.In fact, it reveals the contradiction and lack of sustenance in the inner spiritual world of the people who are rooted in the countryside and who have come to the city.Secondly, in the aspect of character shaping and human nature criticism, Li Peifu generally depicts three groups of people, that is, the rulers of the countryside, the ordinary people of the countryside and the group that has moved from the countryside to the city.Its characters start from the countryside, and their roots are in the countryside, but fate and life make some of them stay in the country and some leave the country.Through the depiction of these people, Li Peifu deeply criticizes and analyzes the human nature behind them.However, behind the criticism, we must find a way to solve, a road to redemption of human nature.This is Li Pei-fu 's ideal, and at different stages, Li Pei-fu gives different answers.Thirdly, image cluster is a distinct feature in Li Pei-fu 's novels.Li Peifu is very good at using all kinds of images and combines images closely with the story plot of the novel.The images he uses appear to be chaotic and lack regularity, but they are actually the product of the author's conscious creation and are generally divided into three categories: plant images, animal images and other images.These images have their own functions: first, images can highlight the moral function of the theme in the novel; second, the role of the image as a whole; third, the description of the image makes the novel show the historical poetic span of time and space.Finally, Li Pei-fu has his unique personal mark and style in the creation of novels, not only in the content of creation, but also in the whole narrative structure and frame, which also brings us a unique experience.In this paper, the narrative structure of his novel is analyzed from three aspects: narrative perspective, narrative characteristics and text structure.Li Pei-fu 's narrative perspective is very diverse, and reproduction is its most prominent narrative feature. In the structure of the text, it is divided into chapters and sections, and sections are divided into different independent stories, and each with sub-title.It not only avoids the disorder of structure caused by different time and space and narrative direction, but also gives the author more freedom to play.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42

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