唐代鸟兽赋研究

发布时间：2018-04-29 02:11

本文选题：唐代 + 鸟兽赋　；参考：《广西师范大学》2017年硕士论文

【摘要】：鸟兽赋是指以鸟兽为描写对象或以鸟兽意象来抒情言志的赋,此类赋的出现与上古鸟兽文化有一定关系,并伴随着赋体文学发展的始终。鸟兽赋的创作最早出现在汉代,魏晋继之。降至唐代,鸟兽赋的数量激增,此时的鸟兽赋创作既延续了先唐鸟兽赋的特点,又呈现出具有自身特色的时代特征。本文以史为纲,在整体观照的基础上,分析总结不同时期唐代鸟兽赋的发展状况及创作特征,在立足文本的同时,结合时代背景及赋体文学的发展特征,探究唐代鸟兽赋的思想内容特征、艺术特征以及典型的鸟兽赋创作。通过对相关内容的分析与论述,力求挖掘唐代鸟兽赋在赋史中的价值和意义。本文分五章对唐代鸟兽赋进行分析、论述:绪论部分主要是对鸟兽赋进行界定,确定研究范围及对象,并归纳总结唐代鸟兽赋的相关研究情况,提出研究方法和思路。第一章论述鸟兽赋的缘起及先唐鸟兽赋的发展。现存最早的鸟兽赋是西汉贾谊的《漣鸟赋》,但鸟兽形象却早在《诗经》、《楚辞》及诸子散文中就已出现。先秦时期的鸟兽形象并不是独立的审美对象,而是作品借以铺叙和抒情的手段。《诗经》中鸟兽形象的出现,为后来的鸟兽赋写作提供了题材来源,《楚辞》中借鸟兽以象征的手法,诸子散文中借鸟兽以寓意(说理)的寓言手法,为后来的鸟兽赋写作提供了素材和可供借鉴的表现手法。在先秦创作实践的影响下,鸟兽赋在两汉时初步发展,在魏晋南北朝时期进一步发展,并为唐代鸟兽赋的繁荣奠定了基础。第二章对唐代各期鸟兽赋的创作情况进行概述,分初唐、盛唐、中唐、晚唐四个阶段进行论述,从整体上把握唐代鸟兽赋的发展概况。初唐时期的鸟兽赋创作,从整体上并未摆脱齐梁时期赋风的影响,赋体形式以骈赋为主,主题内容兼有颂圣和咏物抒情。盛唐时期鸟兽赋的体裁样式已不再是骈赋一家独大,而是出现了更加多样化的局面,骈赋、律赋、骚体赋、散体赋兼而有之;在内容方面,题材较之初唐时期更为扩大,感情也更加热烈奔放,对于自身主体意识的表达更为深刻,这一时期的鸟兽赋创作的主体意识更加高扬。中唐是鸟兽赋的全盛时期,也是律赋渐趋定型的时期,因而此时的鸟兽赋以律赋为主;同时由于中唐时期政治的动荡、变革,此时的鸟兽赋多有对“风”“骚”精神的继承。晚唐鸟兽赋存目较少,体式方面以律赋和新文赋为主,其创作主题虽没有脱离当时大的主题范围,但却在感伤中抱以希望。第三章主要论述唐代鸟兽赋的思想内容。唐代鸟兽赋的思想内容主要有三个方面的表现:一是抒情言志,二是称颂圣德,三是摹形咏物。第四章论述唐代鸟兽赋的艺术特征。主要从创作倾向、体式和语言三个方面分析。唐代鸟兽赋最基本的特征就是托物以抒情的创作倾向;作为情感载体的鸟兽赋,则在体裁形式上涉及到了律赋、骈赋、新文赋、骚赋、俗赋、散体赋六种形式;在语言上呈现出精工典丽的特点。第五章论述唐代鸟兽赋的典型代表及其出现的原因。唐代鸟兽赋典型的代表是猛禽赋和咏马赋。猛禽赋主要出现在盛唐时期,其最为突出的一个主题是对远大志向和宏伟抱负的抒发,其中时代因素、文学基础和内在因素是猛禽赋出现的主要原因。咏马赋主要出现在中唐时期,讽谕性是其最突出的特点,其中社会与历史文化背景的影响及文学自身发展的影响是其出现的主要原因。结语部分主要对文章的主体脉络进行梳理,肯定唐代鸟兽赋的文学、艺术和思想价值。
[Abstract]:Bird and animal Fu refers to the ode to the description of birds or animals or the images of birds and animals. The emergence of this kind of Fu has a certain relationship with the culture of ancient birds and animals, and along with the development of Fu literature. The creation of bird and animal Fu first appeared in the Han and Wei and Jin Dynasties. The number of birds and animals has increased sharply to the Tang Dynasty, and the creation of birds and animals is not only continued. The characteristics of the first Tang Dynasty and the bird and animal Fu are characterized by their own characteristics. This article, based on the history as the outline, analyzes and summarizes the development and creative characteristics of the birds and animals in the Tang Dynasty in different periods on the basis of the overall view. At the same time, based on the text, it combines the background of the times and the characteristics of the development of the Fu literature to explore the thought of the bird and animal Fu in the Tang Dynasty. Characteristics, artistic features and the creation of a typical bird and animal Fu. Through the analysis and discussion of the related contents, we strive to excavate the value and significance of the bird and animal Fu in the Tang Dynasty in the history of Fu. This article is divided into five chapters to analyze the bird and animal Fu in the Tang Dynasty. The introduction part is mainly to determine the boundary of bird and animal Fu, determine the scope and object of the study, and sum up the Tang Dynasty. The first chapter discusses the origin of bird and animal Fu and the development of bird and beast Fu in the first chapter. The earliest extant bird and animal Fu is Jia Yi's Fu of the Western Han Dynasty, but the image of birds and birds appeared in the Book of Songs > Chu Ci > and the essays of Zhuzi. The image of birds and animals in the pre Qin period was not an independent aesthetic. The object is the means of narration and lyric. The appearance of the image of the birds and animals in the "Book of Songs >" provides the source of the subject for the writing of the later bird and animal writing, and the symbolic manipulation of the birds and beasts in the songs of Chu, and the fable techniques of the birds and beasts in his prose for the later bird and animal writing. Under the influence of the pre Qin creation practice, the bird and animal Fu developed initially in the Han Dynasty, developed further in the period of the Wei, Jin and Northern and Southern Dynasties, and laid the foundation for the prosperity of the bird and animal Fu in the Tang Dynasty. The second chapter summarized the creation of birds and animals in the Tang Dynasty, and discussed the four stages of the early Tang Dynasty, the Tang Dynasty, the middle Tang and the late Tang Dynasty, and grasped the Tang Dynasty as a whole. The development of bird and animal Fu, the creation of bird and animal Fu in the early Tang Dynasty did not get rid of the influence of Fu wind in the period of the Qi Liang period. The style of Fu was mainly composed of parallel prose, and the theme and content both sang and sang the emotion. The style of the bird and animal Fu in the Tang Dynasty is no longer a single family, but a more diversified situation, parallel Fu, and Fu. In the content aspect, the subject matter is more extensive than the early Tang Dynasty, the emotion is more enthusiastic, the expression of the body consciousness is more profound, the subjective consciousness of the creation of bird and animal Fu is higher in this period. The middle Tang is the full flourishing period of the bird and animal Fu and the period of the gradual setting of the law Fu. At the same time, because of the political turmoil and change in the middle Tang Dynasty, the bird and animal Fu inherited the spirit of "wind" and "Sao" at the same time. The ideological content of the bird and animal Fu in the Tang Dynasty is mainly discussed. The ideological content of the bird and animal Fu in the Tang Dynasty mainly consists of three aspects: one is Lyric expression, the two is the praise of Saint virtue and the three is the description of the animals. The fourth chapter discusses the artistic features of the bird and animal Fu in the Tang Dynasty. It mainly analyzes the basic characteristics of the bird and animal Fu in the Tang Dynasty from the three aspects of the creation tendency, the style and the language. The bird and animal Fu, as the carrier of emotion, has six forms in the form of genre, such as Fu, parallel Fu, new prose, Sao Fu, vulgar Fu, and prose. In the language, the fifth chapters discuss the typical representative of the bird and animal Fu in the Tang Dynasty and the typical representative of the bird and animal Fu in the Tang Dynasty. The most prominent theme in the Tang Dynasty is the Raptor and Yong Ma Fu. One of the most prominent themes is the expression of lofty aspirations and ambitions. The main reasons for the emergence of the Raptor are the times, the literary basis and the internal factors. The influence of the historical and cultural background and the influence of the development of literature itself is the main reason for its emergence. The concluding part mainly combs the main body of the article and affirms the literary, artistic and ideological values of the bird and animal Fu in the Tang Dynasty.

【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22

【参考文献】