论迟子建小说中的风景叙事

发布时间：2018-05-06 21:28

本文选题：迟子建 + 风景叙事　；参考：《浙江师范大学》2015年硕士论文

【摘要】：风景,在迟子建的小说世界里,有着独特的地位与内涵。它不单单是通常意义上的自然风光,更是一个涵盖了自然、景物以及人类活动的综合概念。它的存在,赋予迟子建的作品独特的阅读感受。本论文从“风景”角度切入迟子建小说的文本世界,从梳理风景叙事主题入手,发掘其风景叙事与作者表达的生命体验间的关系,并且,以发掘其风景叙事的独特性为目的,阐释小说中风景叙事的功能,以及其之于迟子建小说的独特意义。绪论部分,介绍了当前迟子建研究的相关情况,指出“风景”在迟子建文本中的特殊地位和研究的价值,以确立本论文研究的可靠性。第一章,主要探讨迟子建小说中风景叙事的主题。从整体上看,迟子建的风景叙事主要集中于三类主题：一是独一无二的“北极村风景”,二是充满自然气息的“萨满风景”,三是黯淡、灰色的“城市风景”。这三道各具特色的风景线,共同构成了迟子建小说绝美的艺术世界。第二章,主要探讨迟子建小说中风景叙事与其生命体验之间的隐秘关系。一方面,作者的情感经验投射到景物上,使物具有了孩童的天真、少女的梦幻。另一方面,自然以其独特的魅力影响着她,改变着她的认知,从自然中,作者领悟了生与死、黑暗与光明的真谛。两者的互动,使作品有了更深的意蕴。第三章,主要论述迟子建小说中风景叙事的功能。在迟子建的小说中,风景有着独特的魅力,这主要源于自然万物的人格化和风景的日常化书写。此外,作者对风景中“人”的持续关注,给单调的自然风景注入了魂灵。如此叙事,使迟子建的作品散发出生命与温情的无尽光辉。第四章,主要探讨风景叙事与迟子建小说的意义。风景叙事,是迟子建坚守“美”的文学品格之必然选择。她对乡村和城市两个二元对立空间的书写,完成了对自然美和人性美的追求,实现了对“丑”与“恶”的救赎。结语部分,论述迟子建回归自然的理念。她对风景的叙事经历了故乡—城市—故乡的变化,在这一变化下隐藏着的是作者对灵魂归宿的找寻。最终,作者在故乡寻找到了诗意的灵魂居所。
[Abstract]:Scenery, in Chi Zijian's novel world, has a unique position and connotation. It is not only a natural scenery, but also a comprehensive concept of nature, scenery and human activities. Its existence endows Chi Zijian's works with unique reading feelings. This paper cuts into the text world of Chi Zijian novels from the angle of "scenery", starts with the theme of landscape narration, explores the relationship between the landscape narrative and the life experience expressed by the author, and aims at exploring the uniqueness of its landscape narrative. Explain the function of landscape narration in the novel and its unique significance to Chi Zijian's novel. In the introduction part, the author introduces the current situation of Chi Zijian's research, and points out the special position and research value of "scenery" in Chi Zijian's text, in order to establish the reliability of this thesis. The first chapter mainly discusses the theme of landscape narration in Chi Zijian's novels. On the whole, Chi Zijian's landscape narration mainly focuses on three kinds of themes: the unique "Arctic village landscape", the "shaman landscape" full of natural breath, and the dark and grey "urban landscape". These three unique scenery lines together constitute the artistic world of Chi Zijian's novel. The second chapter mainly discusses the secret relationship between landscape narration and life experience in Chi Zijian's novels. On the one hand, the author's emotional experience projects on the scene, making things have the innocence of children, the dreams of girls. On the other hand, nature influences her with its unique charm and changes her cognition. From nature, the author understands the true meaning of life and death, darkness and light. The interaction between the two makes the works have a deeper meaning. The third chapter mainly discusses the function of landscape narration in Chi Zijian's novels. In Chi Zijian's novels, the scenery has a unique charm, which mainly stems from the personification of nature and the daily writing of scenery. In addition, the author's continuous attention to people in the landscape injects soul into the monotonous natural scenery. Such narration, make Chi Zijian's work exudes the endless brilliance of life and tenderness. Chapter four mainly discusses the significance of landscape narration and Chi Zijian's novels. Landscape narration is the inevitable choice for Chi Zijian to stick to the literary character of Beauty. Her writing of the two opposing spaces of countryside and city completes the pursuit of natural beauty and human beauty, and realizes the redemption of ugliness and evil. The conclusion part discusses Chi Zijian's idea of returning to nature. Her narration of landscape experienced the change of hometown-city-hometown, under which the author's search for the soul home was hidden. Finally, the author found a poetic soul home in his hometown.
【学位授予单位】：浙江师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.42

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