韩东创作理念研究

发布时间：2018-05-06 21:49

本文选题：韩东 + 诗歌　；参考：《云南师范大学》2017年硕士论文

【摘要】：与同时期的作家不同的是,韩东拥有较为深厚的哲学素养,且不说他是否具备成为哲学家的条件,单就“他们”作家群而言,韩东显然是一个颇有想法的诗人,至少具备“思想型”作家的潜质,这是韩东比较突出的地方,也是那个时期的作家相对缺乏的东西。如果谈“境界”,那么韩东显然站得更高一些。所以此后创办民刊也就成为了家常便饭,从《老家》开始,一直到《他们》,这是一种直觉,而且《他们》所产生的影响就是放在现在也是有讨论的价值的。韩东成为了这些活动的“主力”,一方面说明韩东具有很强的行动能力,另一方面更说明了韩东身上那种“精神气质”,主见、思路、想法等等皆来源于此。也就是说,谈他的“理念”是可能的,从80年代开始他写了不少文章,提出了不少概念,比如“他们”,“诗到语言为止”,“语言是世界之光”,“反对写作的霸权”、“断裂”等等,这些都是丰富的资源,其实,一个评论者不仅要会挖掘资源,还要重组资源,发现新意。抛开“第三代”、“60年代作家”、“新生代作家”、“晚生代作家”“先锋派”或者“个人化写作”,“民间写作”不谈,韩东依然有他的意义,而探索这种意义的方式就是回到韩东,也就是回到韩东的作品,回到韩东开始的地方,正如海德格尔所说的“回到源头”那样,唯有回到韩东,才能了解韩东,并获得某种启示。本文就是沿着这种思路展开的,除绪论和结语之外共有三章:第一章“他们式写作方向的确立”为韩东的创作理念正名,其创作理念的“关键词”就是“他们式写作方向”,这也是从韩东本人那里得出的,由此成为了韩东理念的总结。以彰显出韩东作为“思想型”作家的独特之处,而这种理念也多多少少渗入到他的创作当中。第二章“韩东的诗歌创作——实践之一”就是从诗歌创作实践这一方面展现其理念的,从创作实践中就可以看出理念的光辉。第三章“韩东的小说创作——实践之二”则从小说创作实践来考查韩的创作理念。两种实践就好比是鸟之两翼,在与韩东创作理念的交融中窥见韩东的真正意义。
[Abstract]:Unlike the writers of the same period, Han Dong has a more profound philosophical accomplishment, and does not say whether he has the condition of becoming a philosopher. As far as "their" writers are concerned, Han Dong is obviously a very thoughtful poet, at least the potential of the "thought type" writer, which is a relatively prominent place in Han Dong and that period. What a writer is relatively short of. If the "realm" is talked about, Han Dong obviously stands a little higher. So since then, the founding of the people's journal has become a regular meal, from "Home >" to "" it is a kind of intuition, and the impact of "them" is at present and in the value of discussion. The "main force", on the one hand, shows that Han Dong has a strong ability to act. On the other hand, the "spirit", ideas, ideas and so on from Han Dong is derived from this. That is to say, his "idea" is possible. From 80s he has written many articles and put forward a lot of concepts, such as "they", " "The language is the language", "language is the light of the world", "the hegemony of writing", "breaking", and so on. These are all rich resources. In fact, a critic not only has to excavate resources, but also reorganize the resources and discover new ideas. The "third generation", "the 60s writer", "the new generation writer", "the late generation generation author" "pioneer" The way to explore this meaning is to go back to Han Dong, to go back to Han Dong's work, to go back to the place where Han Dong, as Heidegger said, "back to the source", only to go back to Han Dong, to get to know Han Dong and get some In addition to the introduction and conclusion, there are three chapters besides the introduction and conclusion: the first chapter, "the establishment of the direction of their style of writing" is the name of Han Dong's creative idea, and the "key word" of his creative idea is "the direction of their writing", which is derived from Han Dong himself, and thus becomes the idea of Han Dong. In order to highlight the uniqueness of Han Dong as a "thought type" writer, the idea also penetrated into his creation. The second chapter, "one of Han Dong's poetic creation practice", shows its ideas from the aspect of poetic creation practice, and the third chapters can be seen from the creative practice. "Han Dong's novel creation - two of practice" is to examine Han's creative ideas from the practice of novel creation. The two practices are like the two wings of the bird, and see the true meaning of Han Dong in the blend of Han and Dong's creative ideas.

【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.25

【参考文献】