海外中国当代文学史写作——历史转型中的《中国当代文学史稿》

发布时间：2018-05-07 11:54

本文选题：海外(境外) + 历史转型　；参考：《华文文学》2017年04期

【摘要】：林曼叔等的《中国当代文学史稿(1949-1965大陆部分)》,对我们了解冷战时期,尤其是上世纪七八十年代转折时期的海外中国当代文学史写作具有重要意义。史稿构建了现实主义文学史观,并由此开展了对这一时期一些文学创作的独到评判,初步梳理了这一时期的作家管理机制。但在大陆政治文化生活逐渐"解冻"的历史转型时期,该书的结构模式并没有超越同时期大陆的文学史写作,同时由于过度信奉预设的文学史观念,以至对这一时期一些文学事象的评述缺乏一种历史感和国际视野。同样值得关注的另一个问题,是著者文学史观念与写作实践之间的矛盾和裂缝,对一些文学史问题处理缺乏前瞻性。这也是同时期海外中国现当代文学写作存在的共通现象。
[Abstract]:"the History of Contemporary Chinese Literature" published by Uncle Lin Manet (1949-1965) is of great significance for us to understand the history of overseas Chinese contemporary literature during the Cold War period, especially in the turn of the 1970s and 1980s. The historical manuscript constructs the realistic literary history view, and carries on the unique judgment to some literary creation in this period, and preliminarily combs the writer management mechanism of this period. However, during the historical transition period when the political and cultural life in the mainland was gradually "thawed", the structural model of the book did not surpass the literary history writing of the mainland in the same period, and at the same time, because of its excessive belief in the preconceived concept of literary history, There is even a lack of a sense of history and an international perspective on some literary events in this period. Another problem worth paying attention to is the contradiction and crack between the author's conception of literary history and writing practice, and the lack of foresight in dealing with some problems of literary history. This is also a common phenomenon in the contemporary Chinese literature writing overseas in the same period.
【作者单位】：广东嘉应学院文学院;
【基金】：教育部人文社会科学项目(11YJA751091) 广东省教育厅特色创新项目(2015WTSCX100)
【分类号】：I206.7-5

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