浅论“红色经典”的影视改编与重塑

发布时间：2018-05-31 00:49

本文选题：红色经典 + 影视改编与重塑　；参考：《山东大学》2017年硕士论文

【摘要】："红色经典"是产生于二十世纪中国的一种特殊文化现象,其主要内容是展现中国共产党领导下的民族独立解放的历史进程,反映中国新民主主义革命的历史过程和社会主义建设的历史面貌。"红色经典"主要囊括了产生于二十世纪50、60年代的叙事性革命历史题材文艺作品,以反映党领导下艰苦卓绝又斗志昂扬的革命斗争为核心,创作模式深受"延安经验"影响,具有革命的内容、大众化的形式和无产阶的立场,带有鲜明的民族风格和民族气派。"红色经典"影视改编是一种依托"红色经典"原作,借助电影电视传播媒介,在保持原著主干框架、精神内涵不变的前提下,丰富人物形象,填充情节内容,融入现代审美价值与历史反思,满足新观众群体审美需求的艺术再创作。部分创作者将这一文化资源加以继承借用和改写拓展来进行全新创作,既吸取了众多"红色经典"及其影视改编作品的故事情节和创作模式,借鉴原有人物形象进行重新塑造,又站在现有的历史高度和平台上重新审视和再现历史,依托当代人的认知水平和思维习惯,尝试重建新革命经典。本文尝试对"红色经典"的影视改编与重塑进行研究,考察这一极具中国特色的文化现象背后蕴藏的审美倾向、文化选择、革命认知和历史观念等问题,思考"红色经典"的延续与经典重塑等问题。本文分为三章,具体如下:第一章,红色何以经典——"红色经典"再阐释。本章通过分析梳理"红色经典"的概念发展过程和内涵实质,抓取其影视改编与重塑的整体特点,为后文研究的推进奠定基础和前提。第一,梳理"红色经典"概念从产生到确认的历史过程,并对不同历史时期的社会红色文化氛围进行分析。第二,挖掘"红色经典"的概念内涵,从广义和狭义的角度进行归纳,从"红色"和"经典"两个层面来理解。第三,分别论述"红色经典"影视改编与"红色经典"当代重塑的突出特点。第二章,结合《林海雪原》《红岩》《亮剑》,以个案研究的方式考察"红色经典"的影视改编与重塑。第一节,考察《林海雪原》的影视化,概括其"建构——解构——再建构"的影视改编历程。电影《林海雪原》将英雄传奇与革命主题融合,强化意识形态,严把政治标准和意识形态,追求革命叙事的纯洁性;电视剧《林海雪原》强化集中了叙事冲突,保证了情节发展的自然流畅,对人物进行凡人化与人性化处理,淡化政治主题并加重当代气息,体现出多元的时代审美取向与娱乐化的审美趋势;电影《智取威虎山》与原著相比增添了江湖意蕴、传奇色彩与怀旧气息,在文学和电影、历史与现实的多层互动中建构全新的革命历史想象。第二节,以《红岩》的影视塑造为例,从文化生产的角度考察"红色经典"影视改编的创作、接受等一系列生产消费环节。首先,分析《红岩》的生产机制和创作过程,考察在从个人追思到公共记忆的升华和转型的过程中,在从历史事实到文学虚构的变化中,政治话语如何渗透文艺创作并改写私人回忆,并挖掘背后的创作心态与改编心理。其次,借助对江姐人物形象历史内涵变迁的分析,归纳女性革命者在"红色经典"影视化中的重塑过程,以此来审视"红色经典"从创作到影视改编的演变规律。第三节,以《亮剑》为例研究当代"红色经典"的再建尝试。通过《亮剑》入手反观"红色经典"及其影视改编的影响力,深入研究革命经典的当代重建与再造。首先,概括当前"红色经典"重塑再创的整体发展状况,既能吸收原著精华,又能审视历史对接当下。其次,分析《亮剑》的影视改编状况,从突出战争实感,强化革命叙事,政治与市场的影响等方面展开。再次,挖掘"亮剑精神"的内涵与意义,在建构新历史观与悲剧化处理中参与了当代对"红色经典"的重塑再造。第三章,对"红色经典"的影视改编与重塑进行反思提炼。第一节,分析"红色经典"影视改编与重塑兴起的原因。主要包括"红色经典"的自身价值与阐释优势,"后革命"时代对革命热情和崇高精神的诉求,怀旧情绪的蔓延,大众文化的崛起,意识形态与市场机制的双重作用。第二节,反思审视"红色经典"在影视改编与重塑过程中涌现的问题。主要包括无"情"不成戏,"注水稀释"与革命情结的失落,后现代"戏说"与庸俗化倾向,泛人性化误读与人物"变脸"。第三节,结合当下文化发展状况,考察"红色经典"影视改编与重塑的现实意义和文化价值,思考当代革命经典重塑问题。主要包括参与完成了当下革命影像述说和历史再现,复活并加深了社会大众的历史记忆,影响当代文化建设的方向,为当代文艺创作提供了丰富资源等。
[Abstract]:The "Red Classics" is a special cultural phenomenon produced in China in twentieth Century. Its main content is to show the historical process of national independence and liberation under the leadership of the Communist Party of China, reflect the historical process of the new democratic revolution in China and the historical appearance of the socialist construction. The "red classics" mainly included the 50,60 in twentieth Century. The literary and artistic works of the narrative revolutionary history subject in the years are centered on the revolutionary struggle of the arduous and fighting spirit under the leadership of the party. The creative mode is deeply influenced by the "experience of Yanan", with the revolutionary content, the popular form and the stand-free position, with the distinctive folk style and national style. The adaptation of the "red classic" film and television is a Relying on the original works of "Red Classics", with the help of the media of film and television, in order to keep the original frame of the original work and keep the spiritual connotation unchanged, it enriches the image of the characters, fills the plot content, integrates modern aesthetic value and historical reflection, and satisfies the aesthetic needs of the new audience group. Some creators inherit this cultural resource. Borrowing and rewriting to make a new creation, not only absorb many "Red Classics" and the story of the film and television adaptation of the story and creative mode, draw lessons from the original figure to remould, and reconsider and reappear the history on the existing historical height and platform, relying on the cognitive level and thinking habits of the contemporary people, trying to make a great effort. This article tries to study the film adaptation and remolding of the "Red Classics", to investigate the aesthetic tendencies, cultural choices, revolutionary cognition and historical concepts behind the cultural phenomenon with Chinese characteristics, and to think about the continuation and remolding of the "Red Classics". This article is divided into three chapters: the following: This chapter analyzes the development process and essence of the concept of "Red Classics" by analyzing the development process and essence of the "Red Classics", grasping the overall characteristics of the adaptation and remolding of the film and television, laying the foundation and precondition for the promotion of the later study. The social red cultural atmosphere of the historical period is analyzed. Second, excavating the concept of "Red Classics", from the broad and narrow sense, from the "red" and "classic" two levels to understand. Third, respectively discuss the "Red Classics" film adaptation and the "Red Classics" contemporary reshaping of outstanding characteristics. Second chapter, combined with < Lin Haixue The original > < red rock > < Liang sword >, study the film adaptation and remolding of the "Red Classics" in a case study. The first section examines the film and television adaptation of the "Lin Hai snow land", and summarizes the film and television adaptation process of "construction - Deconstruction - Reconstruction". Knowing the form and pursuing the purity of the revolutionary narrative; the TV drama < the snow land of the forest > concentrated the narrative conflict, guaranteed the natural fluency of the plot development, the personalization and humanization of the characters, the desalination of the political theme and the aggravation of the contemporary atmosphere, and the pluralistic aesthetic trend of the times and the entertainment. Compared with the original book, it adds the meaning of the river and lake, the legendary color and the nostalgic breath, constructs the new revolutionary historical imagination in the multi-layer interaction of literature and film, history and reality. The second section, taking the film and television of "red rock >" as an example, inspects the creation of "Red Classics" from the angle of cultural production, and accepts a series of production and consumption links. First, analyze the production mechanism and creation process of "Red Rock", and examine how political discourse permeate literary and artistic creation and rewrite private memories from historical facts to literary fiction in the process of sublimation and transformation from personal recollection to public memory, and excavate the creative mentality and adaptation psychology behind it. Secondly, with the help of Jiang Jieren The analysis of the historical connotation changes of the image of the object, summarizes the remolding process of the female revolutionaries in the "Red Classics" film and television, in order to examine the evolution law of the "Red Classics" from the creation to the adaptation of the film and television. The third section, taking the "bright sword >" as an example, studies the reconstruction of the contemporary "Red Classics". The "Red Classics" and the adaptation of the "Red Classics" by "bright sword >" are reviewed. In the first place, it can not only absorb the essence of the original work, but also examine the historical docking. Secondly, it analyzes the film adaptation of the "bright sword >", from the emphasis on the reality of the war, the strengthening of the revolutionary narrative, and the influence of the politics and the market. Again, the connotation and significance of "the spirit of the bright sword" is excavated, and in the construction of the new historical view and the tragic treatment of the "Red Classics" reengineering and reconstruction. The third chapter, the "Red Classics" film adaptation and remolding of reflection refining. The self value and the explanation advantage of the color classic, the Post Revolution "the demand of the revolutionary enthusiasm and the noble spirit, the spread of the nostalgia, the rise of the mass culture, the dual role of the ideology and the market mechanism." the second section, the reflection and examination of the problems arising from the "Red Classics" in the process of film and television modification and reshaping. "Water flooding dilution" and the loss of revolutionary complex, post-modern "drama" and vulgarization tendency, the universal misreading and character "change face". The third section, combining the current cultural development situation, inspects the realistic meaning and cultural value of the adaptation and remolding of the "red classic" film and television, and thinks about the remolding of the contemporary revolutionary classics. The recounting of life images and historical reappearance has revived and deepened the historical memory of the social masses, influenced the direction of contemporary cultural construction, and provided rich resources for contemporary literary and artistic creation.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42;J905

【参考文献】