作为仪式的器物——以中国早期文学为中心

发布时间：2018-06-03 22:34

本文选题：器物 + 仪式　；参考：《中国社会科学》2017年07期

【摘要】：器物对社会文化记忆的承载,是在其仪式意义的连续性中实现的。首先,中国早期文学的乐舞仪式借助于器物搬演,实现了人与神、人与人之和,开辟、支撑和巩固了礼乐文化记忆;其次,轴心时代社会思想领域的制名活动取法于器物制作技艺,形成了政治、伦理和文学等方面的规范性话语,确立了中国早期文化的基本命题;最后,汉代以来的字书收集器物作为其系统性归类的一个分支,以达到对天、地、人、事和物此一整体文化秩序的建构。上述三种历史形态呈现、叙述和归纳了器物之社会文化功能。古代人类社会生活遗留下来的器物遗存并非静止的存在,在其"物态"之中潜伏着一定的社会意识形态和历史叙事范式。
[Abstract]:The carrying of objects to social and cultural memory is realized in the continuity of its ritual meaning. First, the music and dance ceremony of early Chinese literature, with the help of objects, realized the sum of man and God, man to man, opened up, supported and consolidated the memory of ritual and music culture. In the axis era, the nominal-making activities in the field of social ideology adopted the techniques of making objects, formed the normative discourse of politics, ethics and literature, and established the basic proposition of Chinese early culture. Since the Han Dynasty, the collection of calligraphy objects as a branch of its systematic classification, in order to achieve the construction of the whole cultural order of heaven, earth, people, things and things. The above three historical forms present, narrate and sum up the social and cultural functions of objects. The remains of artifacts left over from ancient human life are not static, and there are some social ideologies and historical narrative paradigms lurking in their "state of things".
【作者单位】：暨南大学文学院;
【分类号】：I206.2

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