王夫之诗情论辨正

发布时间：2018-07-04 17:36

  本文选题：诗情 + 性之情　； 参考：《北京师范大学学报(社会科学版)》2017年04期

【摘要】："诗道性情"是王夫之全部诗学理论的起点与核心,它植根于深厚的人性论基础当中。人性论中的"善/不善"、"诚/不诚"、"性之情/物之情"、"隐/显"等二分对立视角,成为王夫之辨析诗中之"情"的主要依据。在这一过程中,王夫之将诗情之辨又细化为"白/匿"、"贞/淫"、"诚/袭"、"裕/遽"、"道/私"等多种维度,分别从显现性、节制性、真实性、从容性、调节性等方面廓清了诗中"性之情"的确切内涵。"性之情"实际上是王夫之对于"诗情"的一种理想化确立,这一范畴的标举及其含义的明确,使王夫之诗学中的情本体有了清晰具体的价值指向。
[Abstract]:Poetic temperament, which is the starting point and core of Wang Fuzhi's poetics theory, is rooted in the profound theory of human nature. "good / bad", "sincerity / dishonesty", "sexual feeling / material feeling" and "implicit / explicit" in the theory of human nature become the main basis for Wang Fuzhi to distinguish "emotion" in his poems. In the course of this process, Wang Fuzhi classifies the discrimination of poetic feelings into "white / hidden", "virginity / obscenity", "honesty / attack", "Yu / Ju", "Tao / private" and so on, respectively from the aspects of manifestation, restraint, authenticity and leisurely. It clarifies the exact meaning of "the feeling of nature" in poetry. In fact, "sexual feeling" is a kind of idealized establishment of "poetic feeling" by Wang Fuzhi. The indication of this category and its clear meaning have made the Noumenon of emotion in Wang Fuzhi poetics have clear and concrete value direction.
【作者单位】： 扬州大学文学院;
【基金】：扬州大学2016年度校人文社科研究基金项目“心性哲学视域下的王夫之‘情^~’诗学研究”(xjj2016-04)
【分类号】：I207.22
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本文编号：2096839