明代骈文研究

发布时间：2018-07-05 20:41

  本文选题：明代 + 骈文　； 参考：《浙江大学》2015年博士论文

【摘要】：明代骈文虽然整体成就较低,缺乏可观的作家作品,但它上接宋元之颓,下继清代之兴,在整个骈文史中处于一个承前启后、由衰返盛的转折地位上。随着理学专制的动摇、文学主义的复活,明代骈文在经历了初期的极度低迷后逐步回升,持续发展,为之后的清代骈文复兴做好了准备。明代骈文的复苏约与明中叶的社会文化转型同步,是当时文学复古思潮的组成部分。它在晚明因与以表启为主的应用文体结合,实现了全面勃兴。因为地域文化传统的先天优势,明代骈文的作家群体主要由吴中文人等江南士子构成。本文侧重研究明代的骈文创作及其背后的理论思想,但舍弃了一般文学史常用的写作套路,有意避免对作家作品的分段罗列、平铺直叙,而选择把它置于整个明代文学演进的立体时空中去进行解读,以深层的文学规律、人文精神作为贯通全文的一条内在逻辑,致力于发掘出明代骈文特有的正面价值。其中,第一章《发展脉络与创作全貌》率先对明代骈文的演变始末、主要特点和历史地位作一通论性质的总述,以便为其他四章相对独立的专题研究的展开搭建一个基本的认知平台;第二章《科举骈文的文学演进》意在通过对明代科举制中的表、判这两门四六科目作一动态考察,反映明代文学主义的发展大势;第三章《复古思潮的骈俪注脚》以弘治至万历前期的百年史为背景,着重探索骈文在复古大潮中的突出作为,肯定它以不同的拟古途径寻求明代文学出路的努力与成果,并由此折射出当时文学观、文章观中的多元化层面;第四章《江左遗韵的旧曲新唱》是以徐祯卿、唐寅这两名吴中作家及其六朝文活动为样本,重点发掘骈文在明代复古思潮、科举文化等时代元素作用下所体现出来的那些有别于历史传统的新风貌;第五章《晚明文风的四六先声》则是分别从徐渭和邢侗骈俪创作的特点中去寻找晚明文学思想和创作模式正在发生以及即将发生的转型讯息。
[Abstract]:Although the overall achievement of parallel prose in Ming Dynasty is relatively low, it lacks considerable writers and works, but it follows the decay of Song and Yuan dynasties, and follows the rise of Qing Dynasty, which is in a turning position in the whole history of parallel prose from decline to prosperity. With the shaking of the autocracy of Neo-Confucianism and the revival of literary doctrine, the parallel prose of the Ming Dynasty gradually recovered after the initial period of extreme depression and continued to develop, which prepared for the revival of parallel prose in the Qing Dynasty. The revival of parallel prose in Ming Dynasty was synchronized with the transformation of social culture in the middle of Ming Dynasty. In the late Ming Dynasty, it was combined with the style of application, which realized the overall prosperity. Because of the innate advantage of the regional cultural tradition, the writers group of parallel prose in Ming Dynasty was mainly composed of literati of Wuzhong and other Jiangnan scholars. This paper focuses on the creation of parallel prose in the Ming Dynasty and its theoretical thoughts, but gives up the writing routine commonly used in the history of literature, and deliberately avoids listing the writers and works in sections, and describes them in a flat way. He chose to put it in the three-dimensional space and time of the evolution of the literature of the whole Ming Dynasty to interpret it, take the deep literary law and the humanistic spirit as an internal logic through the full text, and devote himself to discovering the unique positive value of the parallel prose in the Ming Dynasty. Among them, the first chapter, "Development context and the complete picture of creation", takes the lead in generalizing the evolution, main characteristics and historical status of parallel prose in the Ming Dynasty. In order to build a basic cognitive platform for the other four chapters' relatively independent monographic research. Chapter two, "Literary Evolution of parallel Prose of imperial examination", is intended to make a dynamic investigation of these two subjects through the table of imperial examination system in the Ming Dynasty. Reflecting the general trend of the development of literary doctrine in the Ming Dynasty. Chapter three, "the Annotation of the thought of restoring the Ancient Times", takes the 100-year history of Hongzhi to the early stage of the Wanli calendar as the background, and focuses on exploring the prominent role of parallel prose in the spring tide of the restoration of ancient times. It affirms its efforts and achievements in seeking the outlet of Ming Dynasty literature in different ways of quasi ancient times, and thus reflects the pluralistic aspects of the literary view of the time and the view of the article. Chapter four, "the New singing of the Old songs of the left Rhyme of the Yangtze River", is based on Xu Zhenqing, Tang Yin, two Wuzhong writers and their six dynasties' literary activities as samples, focus on exploring the new style and features of parallel prose that are different from the historical tradition under the influence of the elements of the times such as the trend of thought in the restoration of ancient times in the Ming Dynasty and the imperial examination culture. The fifth chapter "the four or six Pioneers of the late Ming style" is to look for the transition information of the literary thought and creation mode of the late Ming Dynasty from the characteristics of Xu Wei and Xing Dong Pian Li respectively.
【学位授予单位】：浙江大学
【学位级别】：博士
【学位授予年份】：2015
【分类号】：I207.22
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本文编号：2101712