汪曾祺《邂逅集》所收作品改写研究

发布时间：2018-10-13 18:00

【摘要】：汪曾祺在中国文学史上是一个独特的存在,一方面是很难将他归类,另一方面是他的创作生涯独具特色。40年代在西南联大展露锋芒,之后就是将近30年的创作沉默期,80年代以一篇清水出芙蓉般的《受戒》复出文坛,之后一发不可收,成为那个时代另类文学风格的标杆。而《邂逅集》又是汪曾祺创作生涯中的一个独特存在,它成书于早期,较少得到研究者的关注,然而其光芒是难掩的,它不仅充分体现了作者早期创作的风格,而且已经孕育了晚期风格的萌芽,更重要的是,在成书前后,作者不断地对其中的篇目进行改写,在一次次的改写中塑造自己独特的文体风格,注入自己的人生体验,传达出跨越两个时代的老作家对人生、对世界、对时代的感悟。本文以《邂逅集》各个篇目的不同版本为研究对象,对不同版本进行深入的对比分析,同时结合作家的生平经历,认为作者在西南联大时期所形成的创作理念,在阅历增加中逐渐成熟的思想意识,在跌宕人生中发生改变的创作态度,在民间文艺工作中形成的艺术追求是汪曾祺对《邂逅集》进行改写的内在动因。正是在这些因素的推动下,汪曾祺的小说创作才一步步地由近玩走向远观,由外张走向内敛,由奇骏走向平秀。透过《邂逅集》的改写可以看到,汪曾祺那平淡自然的文体风格的形成是一个起始于早期、酝酿于中期、完成于晚期的漫长过程,并非30年的间隔之后的横空出世。《邂逅集》的改写,是一个跨越了两个时代的蔼然仁者对世界的一份责任与大爱,是作家在心理上与大众的真正融合,但同时也使汪曾祺的小说失去了风格多样性的发展可能。本文采用史料研究与文本细读相结合、微观考察与宏观把握相统一的方法,在前人的研究基础上,通过对《邂逅集》中各篇目的对比研究,结合作家的人生经历、时代背景,发掘《邂逅集》改写在作家创作生涯中的重要意义与价值。
[Abstract]:Wang Cengqi is a unique existence in the history of Chinese literature. On the one hand, it is very difficult to classify him, on the other hand, his creative career is unique. Then there was a period of almost 30 years of creative silence. In the 1980s, he returned to literary circles with a piece of hibiscus, and became the benchmark of the style of alternative literature of that era. But it is also a unique existence in Wang Cengqi's creative career. It was written in the early stage and seldom received the attention of researchers. However, its light is hard to hide, and it not only fully reflects the style of the author's early creation. Moreover, it has given birth to the germination of late style. More importantly, before and after the completion of the book, the author constantly rewrites the contents of the book, molds his own unique stylistic style and infuses his own life experience in the process of rewriting. Convey the old writers across the two times of life, the world, the era of understanding. In this paper, the author takes different versions of the book of encounter as the object of study, makes a deep comparative analysis of the different versions, and at the same time considers the author's creative ideas formed during the period of the Southwest General Assembly, in combination with the author's life experience. The gradual maturity of ideology in the increase of experience, the changing creative attitude in the ups and downs of life, and the artistic pursuit formed in the folk literature and art work are the internal causes of Wang Cengqi's rewriting of "encounter by chance". It is under the impetus of these factors that Wang Cengqi's novel creation moves step by step from near play to distant view, from outstretched to introverted, from Qijun to Pingxiu. Through the rewriting of the book of encounter, we can see that the formation of Wang Cengqi's insipid and natural stylistic style was a long process that began in the early stage, brewed in the middle, and completed in the late period. The rewriting of the book of encounter is a duty and a great love for the world by an amiable man who spans two times, and a true fusion of the writer's mind with the masses. But at the same time, Wang Cengqi's novel lost the development of diversity of style. This paper adopts the method of combining historical data research with text reading, combining microscopic investigation with macroscopic grasp, on the basis of predecessors' research, combining the writer's life experience and the background of the times with the comparative study of the contents of the book of encounter by chance encounter. Explore the significance and value of rewriting in writer's writing career.
【学位授予单位】：西南民族大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.42

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