论皮日休诗歌的宋诗色彩
发布时间：2018-10-14 11:22
【摘要】：皮日休是晚唐较为出众的诗人之一,其诗歌作品内容丰富,风格独特,在晚唐诗歌发展史中占据重要地位。皮日休前期诗歌内容以反映社会现实、体察民生疾苦为主,指陈时弊,充满现实主义精神。随着生活境遇的改变,皮日休后期诗风出现重大变化,着重抒写避世心理与闲适生活,诗歌风格趋于多样化。皮日休追摹前贤,深受中唐白居易、韩愈等人的影响,对他们的诗歌理论和艺术风格加以继承和发扬,努力开辟新的诗歌创作道路。在继承前人的基础上,他又有所发展,在诗歌中表现出了明显的宋诗色彩,为唐诗向宋诗的转变起到了承上启下的作用,并对宋代诗歌产生了不可忽视的影响。本文以现存《皮子文薮》为底本,并参照《全唐诗》和《松陵集》中皮日休的诗歌作品,对皮日休诗歌的宋诗色彩以及在诗史中的地位进行深入细致的探讨。除了导言和结语之外,全文共分为三章。导言说明本文的研究动机和当前学界的研究状况等。第一章主要探讨皮日休对中唐诗歌的承续,分别就中唐具有代表性的元白、韩孟两大诗派对皮日休诗歌创作的影响进行论述,皮日休延续了前人的创作思想和表现方法,并在自己的创作实践中另辟蹊径。第二章主要展示皮日休诗歌的宋诗色彩在作品中的具体表现,从“以文为诗”、“以议论为诗”、“以才学为诗”以及诗歌题材的宋诗化这四个角度进行分析,表明皮日休诗歌的宋诗色彩较之前人更加凸显。第三章为皮日休诗歌宋代接受研究,这一部分接续前文,从宋代唐诗选本对皮日休诗歌的选录、宋代诗话对皮日休诗歌的评论以及宋代诗人对皮日休的接受这三个方面展开论述,分析皮日休诗歌在宋代的传播接受情况。最后结语部分,总结皮日休诗歌在唐诗向宋诗转变过程中的衔接作用,对其在诗歌发展史中所占据的地位给予肯定。
[Abstract]:Pirixiu is one of the outstanding poets in the late Tang Dynasty. His poetic works are rich in content and unique in style, and occupy an important position in the history of the development of poetry in the late Tang Dynasty. Pirixiu early poetry to reflect the social reality, to understand the livelihood of the people, refers to the malpractice of Chen Shi, full of realism spirit. With the change of life circumstances, the poetic style of Pirixiu's later period appeared great changes, focusing on expressing the psychology of avoiding the world and leisure life, and the style of poetry tended to be diversified. By the influence of Bai Juyi, Han Yu and others in the middle Tang Dynasty, Pirixiu inherited and developed their poetic theory and artistic style, and made great efforts to open up a new way of poetry creation. On the basis of inheriting his predecessors, he developed and displayed obvious color of Song poetry in his poems, which played an important role in the transition from Tang poetry to Song poetry, and had an unnegligible influence on the poetry of Song Dynasty. Based on the extant Pizi Wen Hou, and referring to the poems of the whole Tang Dynasty and Songling Collection, this paper makes a thorough and detailed discussion on the Song poetry color and its position in the history of poetry. In addition to the introduction and conclusion, the full text is divided into three chapters. The introduction explains the motivation of this article and the current situation of academic research. The first chapter mainly discusses the continuation of Pirixiu's poetry in the mid-Tang Dynasty, respectively, and discusses the influence of the two major poetry parties, namely Yuan Bai, Han Meng and Han Meng, on the poetry creation of the mid-Tang Dynasty. Pirixiu continues the previous creative thoughts and methods of expression. And in their own creative practice to explore a new way. The second chapter mainly shows the concrete expression of the Song poetry color of Pirixiu's poetry in the works, from the four angles of "taking the text as the poem", "taking the discussion as the poem", "taking the talent study as the poem" and the poetry theme's poetry in the Song Dynasty, carries on the analysis from these four angles. It shows that the Song poetry color of Pi Riexiu's poetry is more prominent than that of previous people. The third chapter is the study of the reception of Pirixiu's poetry in the Song Dynasty. This part follows the previous works, and from the selected anthology of Tang poetry of the Song Dynasty, the author makes a selection of the poems of Pirixiu. This paper discusses the comments on the poetry of Pirixiu in the Song Dynasty and the acceptance of the poetry in the Song Dynasty, and analyzes the communication and acceptance of the poetry in the Song Dynasty. In the last part, the author sums up the cohesive function of Pirixiu's poetry in the process of the transformation from Tang poetry to Song poetry, and affirms its position in the history of poetry development.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22
本文编号：2270307
[Abstract]:Pirixiu is one of the outstanding poets in the late Tang Dynasty. His poetic works are rich in content and unique in style, and occupy an important position in the history of the development of poetry in the late Tang Dynasty. Pirixiu early poetry to reflect the social reality, to understand the livelihood of the people, refers to the malpractice of Chen Shi, full of realism spirit. With the change of life circumstances, the poetic style of Pirixiu's later period appeared great changes, focusing on expressing the psychology of avoiding the world and leisure life, and the style of poetry tended to be diversified. By the influence of Bai Juyi, Han Yu and others in the middle Tang Dynasty, Pirixiu inherited and developed their poetic theory and artistic style, and made great efforts to open up a new way of poetry creation. On the basis of inheriting his predecessors, he developed and displayed obvious color of Song poetry in his poems, which played an important role in the transition from Tang poetry to Song poetry, and had an unnegligible influence on the poetry of Song Dynasty. Based on the extant Pizi Wen Hou, and referring to the poems of the whole Tang Dynasty and Songling Collection, this paper makes a thorough and detailed discussion on the Song poetry color and its position in the history of poetry. In addition to the introduction and conclusion, the full text is divided into three chapters. The introduction explains the motivation of this article and the current situation of academic research. The first chapter mainly discusses the continuation of Pirixiu's poetry in the mid-Tang Dynasty, respectively, and discusses the influence of the two major poetry parties, namely Yuan Bai, Han Meng and Han Meng, on the poetry creation of the mid-Tang Dynasty. Pirixiu continues the previous creative thoughts and methods of expression. And in their own creative practice to explore a new way. The second chapter mainly shows the concrete expression of the Song poetry color of Pirixiu's poetry in the works, from the four angles of "taking the text as the poem", "taking the discussion as the poem", "taking the talent study as the poem" and the poetry theme's poetry in the Song Dynasty, carries on the analysis from these four angles. It shows that the Song poetry color of Pi Riexiu's poetry is more prominent than that of previous people. The third chapter is the study of the reception of Pirixiu's poetry in the Song Dynasty. This part follows the previous works, and from the selected anthology of Tang poetry of the Song Dynasty, the author makes a selection of the poems of Pirixiu. This paper discusses the comments on the poetry of Pirixiu in the Song Dynasty and the acceptance of the poetry in the Song Dynasty, and analyzes the communication and acceptance of the poetry in the Song Dynasty. In the last part, the author sums up the cohesive function of Pirixiu's poetry in the process of the transformation from Tang poetry to Song poetry, and affirms its position in the history of poetry development.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22
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