论杨骚的文学观念
发布时间：2018-11-03 07:12
【摘要】：中国现代文学界对作家杨骚的文学观念尚未有一清晰的描述,给人留下的只是其左翼偏激的单向印象,从而影响到对其在文学史价值上的定位。作为一位从浪漫的纯情转向左翼的激愤,强调过诗歌创作主体性及反对创作公式化,主张文艺批评家要求大同存小异的诗人、作家,杨骚是一个多种精神倾向、多重文学追求的综合体,是一个复杂丰富的立体的生命构成。
[Abstract]:There is not a clear description of Yang Sao's literary concept in modern Chinese literary circles. What he leaves is the one-way impression of his left wing, thus affecting his orientation in the value of literary history. As a poet who has changed from romantic innocence to left-wing indignation, has emphasized the subjectivity of poetry creation and opposed the formulaic creation, and advocated that literary and art critics demand that great differences be preserved, Yang Sao is a poet with a variety of spiritual tendencies. The complex of multi-literary pursuit is a complex and rich solid life composition.
【作者单位】： 厦门大学中文系;
【分类号】：I206.6
，
本文编号：2307077
[Abstract]:There is not a clear description of Yang Sao's literary concept in modern Chinese literary circles. What he leaves is the one-way impression of his left wing, thus affecting his orientation in the value of literary history. As a poet who has changed from romantic innocence to left-wing indignation, has emphasized the subjectivity of poetry creation and opposed the formulaic creation, and advocated that literary and art critics demand that great differences be preserved, Yang Sao is a poet with a variety of spiritual tendencies. The complex of multi-literary pursuit is a complex and rich solid life composition.
【作者单位】： 厦门大学中文系;
【分类号】：I206.6
，
本文编号：2307077
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