先锋派戏剧：时代病象下的疼痛和焦虑

发布时间：2018-01-06 15:02

本文关键词：先锋派戏剧：时代病象下的疼痛和焦虑　出处：《西安音乐学院》2017年硕士论文　论文类型：学位论文

【摘要】：“先锋”这一概念产生于18世纪,于19世纪后半叶被圣西门运用到艺术领域,用于描述在现代主义文化思潮中成功的艺术家所掀起的在艺术方面的各种前卫性的运动。直到20世纪80年代,中国的艺术文化危机初现,各个领域开始出现了先锋思潮。在这新时期戏剧史上,孟京辉无疑是我国先锋派戏剧的杰出代表。作为新时期所崛起的戏剧艺术家,在这二十多年来,孟京辉不断地在戏剧领域进行探索、推陈出新,在得到戏剧界和观众认可的同时,也形成了极大的商业影响力,一度成为戏剧界的焦点。本文由绪论、三章正文及结语五个部分构成。在不同层次的阐述中,以点带面,试图观照与分析先锋派戏剧的发展与意义。在绪论部分,笔者对论题相关的研究做了一个大概的介绍。第一部分:笔者在第一部分厘清了几个概念:先锋、先锋派、先锋主义、先锋派艺术,做一个理论上的、概念上的梳理。此外,简要梳理先锋派艺术的艺术流变以及其在中国的发展脉络。第二部分:以孟京辉的戏剧作品为切入点,讲述先锋派戏剧在中国的生存状态与发展走向。对于孟京辉的戏剧作品,无论在内容主题还是舞台形式上,都呈现出全新的艺术资料,关于这样的探索。这一章节主要通过分析孟京辉导演在不同时期的代表作品,通过思索并分析其中所体现的戏剧观念和艺术动机,归纳并且概括其作品中所面对的现世问题。现如今,时代的焦虑已经体现在我们生活的各个方面,先锋派戏剧在探索人类性的问题时,揭示了存在的荒谬感和生活的无意义感,也刺痛了时代的神经,拓宽了人们看待艺术发展的视域。此外,本章节还将从孟京辉戏剧作品的舞台设置、演员表演以及观众体验等方面进行简要的对比分析,探讨其美学风格的嬗变。同时,笔者将试图通过对时代现象的判断,进一步探索这种“先锋”的艺术观念是否与时代的病象有所联系。第三部分:讨论先锋派戏剧对艺术和时代的启示。在现如今这样的经济大潮中,艺术的市场性增强,戏剧作品也被要求在商业性与非商业性之间做出选择,这对于戏剧艺术家而言无疑是艰难的。既要兼顾艺术、又要考虑市场经济,那么先锋派戏剧的发展之路到底在哪呢?不可否认的是,孟京辉的先锋派戏剧取得了及其显著的票房成绩,这对戏剧在市场上的影响力提升做了不容忽视的贡献,所以,从审美接受角度对其戏剧作品进行探索也有一定的必要性。此外,针对其部分作品,思考其商业化戏剧的特质,对作品进行先锋性的质疑,思考其作品中的先锋性究竟还剩下多少。结语部分简要论述先锋派戏剧对我们的启示。每个时代的艺术都会体现特定条件下的时代特征,无论是反映当下的时代状况还是提示历史的发展趋势,都无法脱离时代这个大环境。总之,艺术的存在是一种客观规律,从其产生开始就是由它自身的规律在发生作用。商品经济的发展催生了新的艺术形式,先锋派戏剧不可避免的受到消费主义的浸染,文章结论部分对该现象进行了反思,期望能对先锋派戏剧作品的认可与审美构成新的启示。
[Abstract]:The concept of "pioneer" produced in eighteenth Century, in the second half of the nineteenth Century is Saint Simon applied to the field of art, for a variety of avant-garde artistic success in describing the motion of modernism in the artist set off. Until 1980s, Chinese cultural crisis first began to appear in various fields, vanguard thoughts. In the history of the new period drama, Meng Jinghui is an outstanding representative of China's avant-garde drama. As the rise of the new period drama artists, in this more than 20 years, Meng Jinghui constantly in the field of drama exploration, innovation, the theater and the audience recognized at the same time, also formed a huge commercial influence. The theatre became the focus. This paper consists of introduction, three chapters and conclusion of five parts. To the point at different levels of analysis, observation and analysis, try to first The development and meaning of Feng drama. In the introduction part, the author studies on the topic related to do a general introduction. The first part: the author clarifies several concepts in the first part: pioneer, avant-garde, avant-garde, avant-garde art, as a theory, the concept of the sort. In addition, the art change briefly the avant-garde art and the China development. The second part: Meng Jinghui's drama works as a starting point to the existence and development of the avant-garde drama in the story China. For Meng Jinghui's dramatic works, either in content or theme stage form, presents a new artistic data. About this kind of exploration. This chapter mainly through the analysis of director Meng Jinghui in the representative works of different periods, through the thinking and analysis of the concept of drama and art motivation, sums up and summarizes its works This problem face. Now, the age of anxiety has been reflected in all aspects of our lives, the avant-garde drama in the exploration of the human nature of the problem, reveals the existence of the absurdity of life and sense of meaninglessness, but at the time of the nerve, broaden people view art development perspective. In addition, this section will also set up from the Meng Jinghui drama stage, performers and audience experience and other aspects of a brief comparative analysis, to explore the evolution of aesthetic style. At the same time, the author tries to judge the phenomenon of the era, to further explore the "avant-garde" art concept is associated with age. The third part symptom discussion on art and avant-garde drama in the age of the enlightenment. Now that the economic tide in the market of art enhancement, dramatic works are also required to make between commercial and non-commercial This is undoubtedly a difficult choice for drama artists. It is necessary to take into account the art, but also consider the market economy, so the development of avant-garde theatre where is it? It is undeniable that Meng Jinghui's avant-garde drama made remarkable achievements in the promotion and the box office, the drama's influence in the market to do the contribution can not be ignored, so the acceptance angle exploration also has certain necessity of his dramatic works from the aesthetic. In addition, in some of his works, thinking about the commercial play characteristics, questioned the pioneer of avant-garde works, thinking in his works exactly how much is left. The conclusion part discusses briefly avant-garde drama to our enlightenment. Each age art will reflect the characteristics of the specific conditions of the times, it reflects the current situation of the times is that the trend of the historical development, can not be out of time On behalf of the environment. In short, the existence of art is an objective law, from the beginning is by its own laws in effect. The development of commodity economy has spawned a new form of art, avant-garde drama inevitably affected by consumerism disseminated, the conclusion part of the phenomenon of reflection, is expected to of the avant-garde drama aesthetic recognition and constitute a new revelation.

【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J805

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