山西长治堆锦的演变及艺术特色

发布时间：2018-01-21 08:10

本文关键词： 长治堆锦演变艺术特色审美意蕴民俗文化　出处：《内蒙古大学》2017年硕士论文　论文类型：学位论文

【摘要】：长治堆锦艺术植根于山西省长治地区已有数百年历史,因其奢华的材质、繁复的工艺和独特的形制,而享有"立体国画"和"软体浮雕"的美称。其用料之精、工序之繁、制作周期之长,都使其成为山西省长治地区不可多得的非遗艺术品项目,并于2008年被列为第二批国家级非物质文化遗产。长治堆锦依靠当地深厚的本土文化和当代先进的科学技术一直发展至今,呈现出一种"百变不衰"的发展态势,堆锦本身承载着丰富的地域文化与风土人情。堆锦传承人是推动长治堆锦艺术走向繁荣的重要因素,正是由于历代传承人的不断摸索,优秀的堆锦艺术品才能层出不穷。本文共分为三部分,第一部分绪论分别阐释了该选题的时间界定与概念界定,研究目的与意义,主要研究方法,文献综述,研究创新点与难点。第二部分正文在现有文字和实物资料基础上,以近现代以来的长治堆锦作研究对象,深入分析其演变过程、艺术特色、审美意蕴与社会生活功用,主要分为四章内容进行论述:第一章是关于长治堆锦的概述,分别介绍了长治地区的自然人文环境和长治堆锦的历史溯源、传承人、工艺流程;第二章通过分析处于不同历史时期长治堆锦的主要特征,来论述长治堆锦作为"贵族工艺"的原因和"百变不衰"的因素,强调了传统手工艺植根于本土文化而发展的重要性;第三章总结了长治堆锦的艺术特色,并与其他相类似的工艺品进行比较,突出长治堆锦的特色之处;第四章主要分析了长治堆锦的审美意蕴和社会生活功用,探寻长治堆锦与当地传统民俗文化深刻的内在联系。第三部分为文章的结论,概括了在长治堆锦作为国家级非物质文化遗产的前提下,我们了解它的外表形制是其次,还要通过长治堆锦外在的演变而分析其"百变不衰"的主要原因,进一步突出长治堆锦立足于本土文化而发展的重要性。
[Abstract]:The art of Changzhi pile brocade has been rooted in Changzhi area of Shanxi Province for hundreds of years. Because of its luxurious material, complicated craft and unique shape, it enjoys the laudatory name of "three-dimensional Chinese painting" and "soft relief". The complexity of the working procedure and the long production cycle make it a rare non-relic art project in Changzhi area of Shanxi Province. In 2008, it was listed as the second batch of national intangible cultural heritage. Changzhi pile brocade has been developed up to now, relying on local profound local culture and contemporary advanced science and technology. There is a development trend of "one hundred changes will never decline", which is loaded with rich regional culture and local customs. The inheritance of brocade is an important factor to promote the prosperity of the art of Changzhi Bubu brocade. It is because of the continuous exploration of successive generations, outstanding works of art pile brocade emerge in endlessly. This paper is divided into three parts, the first part of the introduction respectively explained the time and concept of the definition of this topic. The purpose and significance of the study, main research methods, literature review, research innovation and difficulties. The second part of the text on the basis of existing text and physical data, the modern Changzhi pile brocade as the research object. In-depth analysis of its evolution process, artistic characteristics, aesthetic implication and social life function, mainly divided into four chapters to discuss: the first chapter is about the summary of Changzhi pile brocade. The natural and humanistic environment of Changzhi area and the history of Changzhi pile brocade are introduced respectively. The second chapter analyzes the main characteristics of Changzhi Brocade in different historical periods, and discusses the reasons of Changzhi Bubu as a "aristocratic craft" and the factors of "changing forever". It emphasizes the importance of the development of traditional handicraft rooted in native culture. The third chapter summarizes the artistic characteristics of Changzhi Bubu brocade, and compares with other similar handicrafts to highlight the characteristics of Changzhi Bubu brocade. Chapter 4th mainly analyzes the aesthetic implication and social life function of Changzhi Bubu brocade, and explores the deep internal relationship between Changzhi Bubu Brocade and local traditional folk culture. The third part is the conclusion of the article. Summarized in Changzhi pile brocade as a national intangible cultural heritage premise, we understand that its appearance shape is the second, but also through the external evolution of Changzhi pile brocade to analyze the main reasons for its "a hundred changes will not decline". Further highlight the Changzhi pile brocade based on local culture and the importance of development.
【学位授予单位】：内蒙古大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J523

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