山水方滋—魏晋南北朝山水诗画兴起探源

发布时间：2018-01-26 00:35

本文关键词： 山水诗山水画意境题材　出处：《浙江大学》2015年硕士论文　论文类型：学位论文

【摘要】：在东晋与南朝交接的这一历史时期,山水在诗画中成为独立的艺术题材,在此之前,在士人们的生活中纵情山水已成为一种审美风尚,诗歌与绘画中也时常有山水景物的在场,本文依据魏晋南北朝的文本与图像资料,参考已有的研究成果,旨在分析山水诗与山水画独立的过程中受到了哪些因素的推动。正如许多研究者所认识到的,山水诗画的同步兴起是各种因素综合作用的结果,这其中有诗画艺术形式内部的原因,也有历史进程、社会思潮、伦理价值等"外部"的原因。本文认为在诸种"外部"因素中"自然"这一观念的价值发现是其共有的核心意义,根据发现方式的不同,本文从主体内心世界与客观自然环境两个方面来进行分析。而从诗画艺术本身的发展规律即内部因素来看,以东周青铜器中的抽象山水图形作为开端至《游春图》中辽阔秀丽的青绿山水图画,可以看到的不仅是技艺上的改进,更有对此种文化符号的所指的扩充、对根植于民族心理内的隐喻内涵的丰富。扩充与丰富,使得这些山水元素从游仙题材中的灵山仙境、人物题材中的情节背景以及描绘江山形胜的实用地图中突显出来,成为独立的审美题材。在诗歌中,种种题材内的山水元素也暗含着内在的发展趋势,这种趋势综合以诗歌形式本身的发展规律最终导致了山水诗的兴起。在诗与画两条线索并进时,我们不难发现,很多题材是诗画所共有的,抓住这些共同题材中山水元素的内在联系,可以为山水诗画的缘起问题提供新的解释视角。
[Abstract]:In the historical period of the transition between the Eastern Jin Dynasty and the Southern Dynasty, landscape has become an independent art theme in poetry and painting. Before that, indulging in landscape has become a kind of aesthetic fashion in the life of scholars. Poetry and painting also often have the presence of landscape scenery, this paper based on the text and images of the Wei, Jin and Northern and Southern dynasties, referring to existing research results. In order to analyze the independent process of landscape poetry and landscape painting by what factors. As many researchers realize, the synchronous rise of landscape poetry and painting is the result of a variety of factors. Among them, there are the internal reasons of the art form of poetry and painting, as well as the historical process and the social trend of thought. This paper thinks that the value discovery of the concept of "nature" is the core meaning of the concept of "nature" among the various "external" factors, according to the different ways of discovery. This paper analyzes the inner world of the subject and the objective natural environment, and from the perspective of the development law of the art of poetry and painting itself, that is, internal factors. Taking the abstract landscape figure in the bronze ware of the Eastern Zhou Dynasty as the beginning to the vast and beautiful green landscape picture in the Spring Festival, we can see not only the improvement of the technique, but also the extension of the cultural symbol. The enrichment, expansion and enrichment of the metaphorical connotation rooted in the national psychology make these elements from the fairy theme of Lingshan Wonderland. The plot background in the characters theme and the practical map of depicting the river and mountain shape are highlighted and become the independent aesthetic theme. In the poetry, the landscape elements in the various themes also contain the inherent development trend. This trend in the form of poetry itself development law eventually led to the rise of landscape poetry. In poetry and painting two clues go hand in hand we can easily find that many themes are common to poetry and painting. Grasping the internal relation of these common theme Zhongshan water elements can provide a new explanation angle for the origin of landscape poetry and painting.
【学位授予单位】：浙江大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J212

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