先秦楚国纺织品中凤纹样在现代服装艺术设计中的创意应用研究

发布时间：2018-01-26 00:26

本文关键词： 楚凤服装设计创意应用　出处：《武汉纺织大学》2016年硕士论文　论文类型：学位论文

【摘要】：楚国纺织品文化历史悠久,丰富多彩,早在先秦时期,楚国纺织品工艺已具备了独树一帜的经典形象,被世人所追捧,成为了中国历史文化史上一颗闪亮耀眼的明珠。其中凤鸟纹样最为突出。秦人具有着崇尚凤鸟的情怀,他们认为凤鸟乃吉祥之物,他们的生活在凤鸟的庇佑下将枝繁叶茂,顺风顺水。在秦人的日常生活用品上也不乏频繁出现各式各样的凤鸟纹样,通过那些活灵活现的纹样反映出处在当时历史环境下楚人的生活习惯,思维状态,历史背景等基本特征。凤纹样在楚国的发展也是丰富多彩的,早在春秋时代凤纹以绚丽多彩的风格闻名天下,战国时代凤纹的种类和形态由多元化趋势发展着,到了秦朝逐渐简洁化,其给人一种意犹未尽,意味深长之情怀。在历史上先秦纺织品中的楚凤资料并不丰富和齐全,正因如此本文的存在则更具有参考性和促进性的作用,将中国古典传统文化与现代设计相结合使其能够更符合适宜的传承下去。论文内容分为六章:第一章为绪论。首先阐述了选题的目的和意义,通过对其背景的深入了解和研究,利用大量的文献及图表资源对其进行分析和总结。总结出国内外对其的研究概述和现状,可有效的作为支撑选题的依据。并对古今中外的研究方法进行了一系列的回顾和分析。最后对此研究对象的对象进行了相关的界定。第二章分析了先秦楚国纺织品中凤纹样的背景及其种类的分析。本章节通过对楚凤纹样的形成背景和楚人对凤图腾的信仰进行了深刻的描述。然后将楚凤纹分成了四种类别,如:植物类、动物类、人物类、单独凤纹类,并提取于其相关的典型纹样进行了细节上的分析。最后对楚国纺织品中凤纹样进行了提炼与创新,并深刻研究其相关概念及表现特征。第三章结合前一章节对楚凤纹的归纳和总结,选出一到两张凤纹进行图案创新设计。本章节对楚凤纹样的图案创新进行了两层实践性的操作分析:第一层是将纺织品中的纹样提炼和加工,运用现代电脑绘图软件技术将其明细化,将实物中的图案提炼与电脑之中,并运用剪切、变形、旋转、拷贝等多种设计手法,将原本的楚凤图案变形成一个新型的凤纹样,但在此基础上尽量保留楚凤的韵味和神采。第二层是将设计好的新型图案基础之上进行了色彩搭配设计,将其做了冷暖色调的设计,此设计尝试视觉效果明显,色彩情绪跳跃极为活跃。最后运用冷暖色交汇的搭配将花卉凤鸟纹进行了大面积的色彩搭配,其色彩填充已超出了单独花纹的色彩搭配,更多的是为了展现整体的图案效果,将冷暖搭配合理化,细节化,给予人耳目一新的视觉盛宴。第四章纹样中进行理性和感性上的色彩搭配,结合冷暖色系进行了单独纹样的冷色系搭配和暖色系搭配。搭配出两种不同风格的单独凤纹后将结合其实践经验对整体的凤纹样做了综合性的色彩搭配,成果较为明显。本章就中国最具典型的传统图案——楚凤纹样,进行了研究和升华,让更多的人对楚国纺织品中的凤纹样有了更深的了解,并通过理论与实践相结合,将图案的形态设计和色彩设计进行了创意尝试。第五章在第三章的基础之上对图案的工艺创意应用做了详细的实践性研究。并在工艺上进行的手法实践有:数码印花表现手法、手工绣花表现手法和重工钉珠的表现手法等。此次研究成果可作为日后本人毕业设计的重要素材。第六章主要论述了楚凤创新图案及工艺在现代服装设计中的运用。将图案设计和工艺设计紧密结合,运用在现代服装设计之中才是其最实际性的作用。本章节运用了服装上衣最基本的经典款式并结合上述新型凤纹图案进行了设计搭配,尝试做了短装和长款风衣的单独设计,并在此基础之上做了一个系列服装设计。为本人日后的毕业设计打下了良好的基础。最后将整体的论文进行了提炼和总结。此次研究工作也是一次十分好的推广机会,让更多的人重视楚凤纹,运用楚凤纹,并对其进行规模上的开拓与创新。使我们在学习和研究中国传统纹样的过程中,对历史纹样的转变进行更直观,更准确的了解,同时也增加其有利的参考价值。本文通过对楚凤纹的文化历史、形成背景、情感信仰和图案构成做了详细的分析和归纳。并将其以集合分类的形式对先秦楚国纺织品中的凤纹样的图案设计和制作工艺进行了细致和深入的实践研究。本人在实践过程中做的小样分析不仅仅只是这一幅图而已,更多的是想要总结出这一系列的实践方法,以便日后运用在任何的服装图案工艺运用之中,由此更现代化的设计方法也便于传承下去。其意义在于对日后的设计工作奠定了良好的设计基础。但要使其生命力更加强盛,时尚度更高,造型感更独特,还需要我们后人加倍的努力和尝试出更多更好的设计作品。
[Abstract]:Chu textile culture has a long history, rich and colorful, in the pre Qin period, Chu textile technology has become an independent school classic image, is the pursuit of the world, has become Chinese historical and cultural history of a shining pearl. The phoenix design is most prominent. Qin has advocating Phoenix's feelings, but they think the Phoenix auspicious, they live in Phoenix's blessing will be smooth. In the Qin Dynasty with luxuriant foliage, people's daily necessities are also frequent every kind of the phoenix patterns, reflecting the source at the time of Chu people in the historical environment of life habits, mental state through those vivid patterns, the basic characteristics of the historical background of the phoenix patterns. In the state of Chu development is also rich and colorful, as early as in the spring and Autumn period to the Phoenix bright and colorful style famous types and forms of the Warring States period by the diversification trend of Phoenix The potential development, the Qin Dynasty gradually concise, it gives people a more meaningful feelings. In the history of pre Qin Chu Feng data in textiles is not rich and complete, so the existence of more reference and promote the role of the Chinese classical traditional culture and modern design combination to make it more in line with the appropriate pass. This thesis is divided into six chapters: the first chapter is the introduction. Firstly, expounds the purpose and significance of the topic, through in-depth understanding and Research on its background, carries on the analysis and summary of the literature and a large number of chart resources at home and abroad. Summarize the research overview and the status quo of that can effectively support as the basis of topic selection and research methods. At all times and in all countries is reviewed and analyzed a series of objects. Finally this research object has been defined. The second chapter analyzes Analysis of the background and the types of textiles in pre Qin Chu phoenix patterns. This chapter described deeply by forming background and Chu Chu phoenix patterns of Phoenix totem belief. Then Chu Fengwen will be divided into four categories, such as: plant, animal, people, individual Phoenix, and extract the typical patterns are analyzed in detail. At the end of Chu textile phoenix patterns were refined and innovation, and deeply study the related concepts and features. The third chapter with a chapter on Chu Fengwen summed up, choose one to two lines of Zhang Feng of creative design. This section of phoenix pattern pattern innovation is analyzed and the practical operation of two layers: the first layer is the textile pattern extraction and processing, the use of modern computer software technology will be the details of, real patterns in refining and electricity The brain, and the use of shear deformation, rotation, copy and other design techniques, will change the original phoenix pattern to form a new pattern on the basis of the Phoenix, but retain the charm and spirit of Phoenix. The second layer is above the new pattern design basis will be good for the color collocation design, the the design of warm and cold colors, this design to the visual effect is obvious, the emotional color jump is extremely active. The intersection of the collocation of warm and cold colors will flower of Phoenix of large area color collocation, the color filling is beyond the separate patterns of color collocation, more is to show the overall pattern effect, cold and heat reasonable collocation, the details, give people find everything fresh and new visual feast. Rational and perceptual color collocation patterns in the fourth chapter, the individual patterns combined with cold warm cool colors and warm color collocation Collocation. Two different collocation style of the Phoenix after alone will combine its practical experience to the whole of the phoenix patterns have made a comprehensive color collocation, results are obvious. This chapter Chinese the most typical traditional pattern - Chu phoenix patterns were studied, and the sublimation, let more people have a deeper understanding of Chu textiles in the phoenix patterns, and through the combination of theory and practice, the shape design and color design pattern of creative attempt. In the fifth chapter, on the basis of the third chapter of the process of creative application of pattern is studied in detail. The practice and practice techniques in the process are: digital printing expression, handmade embroidery style and heavy beading methods. The research results can be used as an important material for days after I graduated from the design. The sixth chapter mainly discusses the innovation pattern and Chu Feng Technology in modern clothing Is used in the design. Combining the pattern design and process design, used in modern fashion design is the most practical. This chapter uses the most basic garment classic style and combined with the new phoenix pattern design of the collocation, try to do a separate design short and long windbreaker on this basis, and made a series of clothing design. A good foundation for my graduation design, after playing. Finally the overall thesis are refined and summarized. The research work is also a very good promotion opportunity, let more people pay attention to the use of Chu Phoenix, Chu Phoenix and the development and innovation on the scale of the process. So we research Chinese traditional patterns in learning and in the transformation of historical patterns are more intuitive, more accurate understanding, but also increase the beneficial reference value. Based on Chu Fengwen's cultural history, background, belief and emotion pattern analyzes and summarizes in detail. And to set the classification form of pre Qin Chu phoenix patterns in textile pattern design and fabrication process are detailed and in-depth practical research. The sample analysis in the process of practice I do this is not just a picture only, more is to summarize the practice of this series of methods to use in the days after any clothing design process using this design method, but also facilitate more modern heritage. Its significance is laid a good foundation for the design of the design work. But to make the day after the more powerful vitality, fashion degree is more higher, more unique sense of style, we also need to redouble their efforts and later to try out the design work more and better.

【学位授予单位】：武汉纺织大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J523.5

【相似文献】