包豪斯的功能主义思想在中国室内设计中的应用研究
发布时间:2018-03-02 01:19
本文关键词: 包豪斯 功能主义 室内设计 文化 经济效益 出处:《山东师范大学》2015年硕士论文 论文类型:学位论文
【摘要】:中国室内设计伴随着经济的发展正在不断的发生巨大变化,尤其在改革开放以后我国更是加快了由传统农村经济向工业化现代经济转型的步伐,而这个过程同百年前的德国有着极为相似的地方。二十世纪初,战后德国经济颓败亟待扩大生产力,另外,工业革命后机器的出现引发社会生产方式的变革,生产材料变得经济廉价且丰富多样,批量化的生产使得人们不满足于形态雷同的机械化制品,逐渐开始对精神层面上的“美”的追求越发强烈。直到包豪斯的诞生实现了技术与艺术的统一,提出了全新的功能观,包含实际功能、心理暗示功能和标准化的审美功能。在讲求实用功能的基础上强调设计所带来的社会经济效益,将室内设计艺术中的“美”上升为一种带有共产主义色彩的服务于大众乃至整个社会的“善”的高度。因此,包豪斯是社会变革的产物,它所倡导的功能主义思想是扎根于德国土壤的,其价值体现在敢于突破传统、顺应历史发展的潮流。 进入二十一世纪的中国在经济全球化和科学技术高速发展的背景下,室内设计的发展呈现多样化的趋势,面临很多机遇和挑战,同时也表现出许多与社会发展极为不和谐的因素。这个过程与包豪斯的发展存在相似之处,那么我们能否借鉴和利用功能主义思想的价值,或者说中国在这种情况下能否产生一个适应中国现代社会发展需求,彰显中华民族特色的室内设计形式?这是文章讨论的关键。中国的室内设计应当秉承可持续发展的基本国策,注重人力资源和环境资源的协调配合,倡导节能、环保的节约型空间。我们在接受各个国家先进的设计文化的同时更应当保护和继承本民族文化,,在此基础上创新和发展。让室内设计更好的服务于民族文化的传播和经济的发展,在现代科技的支撑下实现艺术与文化和谐统一。文章以包豪斯“功能主义”的产生、内容及其发展的历史沿革为对照,分析当下中国室内设计发展的时代特征,探寻中国室内设计的发展规律。
[Abstract]:With the development of economy, the interior design of China is undergoing great changes, especially after the reform and opening up, China has accelerated the pace of transition from traditional rural economy to industrialized and modern economy. This process is very similar to that of Germany a hundred years ago. At the beginning of 20th century, the post-war economic decline in Germany was in urgent need of expanding productive forces. In addition, the emergence of machines after the industrial revolution triggered a revolution in social production. Production materials have become cheap and diverse, and mass production has left people unsatisfied with mechanized products of similar shapes. Until the birth of Bauhaus realized the unity of technology and art, he put forward a new concept of function, including the actual function. Psychological suggestion function and standardized aesthetic function. Emphasis on the social and economic benefits of design on the basis of practical function, The "beauty" in the interior design art is raised to the height of "good" with the color of communism which serves the public and the whole society. Therefore, Bauhaus is the product of social transformation. The thought of functionalism it advocates is rooted in the soil of Germany, and its value is reflected in its courage to break through tradition and conform to the trend of historical development. In 21th century, under the background of economic globalization and the rapid development of science and technology, the development of interior design presents a diversified trend, facing many opportunities and challenges. At the same time, it also shows many factors that are very disharmonious with social development. This process is similar to the development of Bauhaus, so can we learn from and utilize the value of functionalism, In other words, can China produce an interior design form that can meet the needs of the development of modern Chinese society and highlight the characteristics of the Chinese nation? This is the key to the discussion of the article. China's interior design should adhere to the basic national policy of sustainable development, pay attention to the coordination of human resources and environmental resources, and advocate energy conservation. Environmental conservation space. While we accept the advanced design culture of each country, we should protect and inherit the national culture. On this basis, innovation and development. Let interior design better serve the dissemination of national culture and economic development, and realize the harmony and unity of art and culture under the support of modern science and technology. Compared with the history of the development of interior design in China, this paper analyzes the characteristics of the present development of interior design in China and explores the law of development of interior design in China.
【学位授予单位】:山东师范大学
【学位级别】:硕士
【学位授予年份】:2015
【分类号】:TU238.2
【参考文献】
相关期刊论文 前1条
1 张绮曼;面向二十一世纪的室内创新设计[J];家具与室内装饰;2001年02期
本文编号:1554414
本文链接:https://www.wllwen.com/wenyilunwen/huanjingshejilunwen/1554414.html