徽派传统民居室内陈设设计研究与数字化表现

发布时间：2018-03-25 09:37

本文选题：传统民居　切入点：室内陈设艺术　出处：《武汉理工大学》2015年硕士论文

【摘要】：中华民族有着五千多年的悠久历史,在历史的沉淀之下也孕育出了中华民族优秀的文化传统、艺术追求和艺术境界。徽派传统民居室内陈设艺术是中国传统文化中一个重要的组成部分;古徽州地区的人们在创造舒适安逸的室内生活环境的过程中,经历了长期的历史发展和漫长的摸索演变,逐渐实现了徽派传统民居自己特有的室内空间艺术陈设,也促成了徽派传统民居室内陈设艺术成为中国文化遗产乃至世界文化遗产的重要部分,就徽派传统民居室内陈设艺术而言,其独特的设计理念、各式各样的陈设内容,都散发出了中华民族浓郁醇厚的艺术气息和文化气息。随着社会的高速发展,越来越多的人去了解徽派传统民居室内陈设艺术,但是由于经历着历史的推演和时间的洗礼以及一些人为因素的破坏,徽派传统民居室内陈设艺术已然无法再承受过多的或天然或人为的考验。作为中国的传统艺术文化的构成要素,作为中国传统文化和传统民居室内陈设艺术的相融合的优秀范本,徽派传统民居室内陈设艺术值得我们投入更专注的研究、更深入的传播以及更加细致的保护。只有保护好徽派传统民居室内陈设艺术,才能完好的保存好它的文化价值,才能有利于徽派传统民居室内陈设艺术文化的传承和发展。综上所述,为了更好的继承和发扬徽派传统民居室内陈设艺术文化,加强对徽派传统民居室内陈设艺术的保护,可赋予徽派传统民居室内陈设艺术现代数字化的表现方式,这也对徽派传统民居室内陈设艺术的发展和弘扬起着助推作用。本文章主要在研究徽派传统民居室内陈设艺术的基础之上,进一步对其现代数字化表现进行研究。本文的重点内容主要分为四个章节,第一章是绪论部分,主要分析了论文的研究目的、研究方法和研究意义以及研究背景。第二章通过系统性的整理资料、分析和总结,深入阐述了徽派传统民居室内陈设的类型和主要内容。第三章具体分析了徽派传统民居室内陈设艺术的艺术特点,主要表现在以下的六个方面:“朴素简单、庄重大方”,“有礼有制”,“顺其自然、崇尚自然”,“天然质朴”,“虚实结合”和“不懈的艺术追求”。第四章提出并研究了徽派传统民居室内陈设艺术和其传播的新方式——数字化表现:从虚拟互动漫游和三维的立体展示这两个方面深入地探讨了徽派传统民居室内陈设艺术,把徽派传统民居室内陈设艺术通过数字化表现的形式呈现出来,给人们不一样的交互体验感。
[Abstract]:The Chinese nation has a long history of more than five thousand years, and the fine cultural tradition of the Chinese nation has also been bred under the precipitation of history. Art pursuit and artistic realm. The interior furnishing art of Huizhou traditional dwelling houses is an important part of Chinese traditional culture. In the process of creating comfortable and comfortable indoor living environment, people in ancient Huizhou area are in the process of creating comfortable and comfortable indoor living environment. After a long period of historical development and long exploration and evolution, Huizhou traditional houses gradually realized their own unique indoor space art display. It also makes the indoor furnishing art of Huizhou traditional residence become an important part of Chinese cultural heritage and even the world cultural heritage. As far as the interior furnishing art of Huizhou traditional residence is concerned, its unique design concept and various furnishing contents are also promoted. With the rapid development of society, more and more people have come to understand the indoor furnishings of traditional Huizhou houses. But because of the historical deduction and baptism of time and the destruction of some human factors, The interior furnishing art of Huizhou traditional houses can no longer bear too many natural or artificial tests. As a component of Chinese traditional art and culture, As an excellent example of the fusion of Chinese traditional culture and traditional residential interior furnishings art, Huizhou traditional residential interior furnishings art is worthy of our more dedicated research. Only by protecting the interior furnishings of Huizhou traditional houses well, can its cultural value be well preserved. In order to inherit and develop the indoor furnishings art and culture of Huizhou traditional folk houses, in order to inherit and develop the indoor furnishings art culture of Huizhou traditional folk houses, we should strengthen the protection of the indoor furnishings art of Huizhou traditional folk houses. It can be endowed with the modern digital expression of the interior furnishing art of the traditional folk houses of the Huizhou school. This is also helpful to the development and development of the interior furnishings art of the traditional folk houses of the Huizhou school. This article is mainly based on the study of the interior furnishing art of the traditional folk houses of the Huizhou school. The main content of this paper is divided into four chapters, the first chapter is the introduction part, mainly analyzes the purpose of the paper, Research methods, research significance and research background. Chapter II, through systematic collation of data, analysis and summary, This paper expounds in depth the types and main contents of indoor furnishings in Huizhou traditional houses. The third chapter concretely analyzes the artistic characteristics of the interior furnishings of Huizhou traditional houses, which are mainly manifested in the following six aspects: "simplicity and simplicity," "dignified and generous", "courteous and systematic", "Let nature be natural," "advocating nature", "natural simplicity", "combination of vanity and reality" and "unremitting pursuit of art". Chapter four puts forward and studies the new art of indoor furnishings of Huizhou traditional houses and its dissemination: digital representation: virtual interactive roaming and three aspects. The three-dimensional display of Wei deeply discusses the interior furnishing art of Huizhou traditional houses. The indoor display art of Huizhou traditional residence is presented in the form of digital expression, which gives people a different sense of interactive experience.
【学位授予单位】：武汉理工大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J525.1

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