龙潭八牌锣鼓吹打研究

发布时间：2018-03-31 07:15

本文选题：龙潭八牌锣鼓吹打　切入点：音乐构成　出处：《四川音乐学院》2017年硕士论文

【摘要】：龙潭八牌锣鼓吹打是巴渝民间吹打形式之一,传承发展地以重庆市涪陵区龙潭镇为主,主要成套曲牌有八个,演奏器乐为唢呐、锣鼓等。故称为龙潭八牌锣鼓吹打。相传始于唐代,距今一千多年历史。曾经广泛流传于南川、巴南、武隆、长寿、等渝东南地区,具有广泛的影响。其技艺世代相传,在传承发展的过程中逐渐形成了以刘家班和苏家班为代表的龙潭八牌锣鼓吹打演奏最为出色。龙潭八牌锣鼓吹打具有很高的艺术价值,得到了该地区专家和广大群众的喜爱。受区域条件限制,龙潭八牌锣鼓吹打普及面较窄,经专业文化工作者长期的挖掘、整理和推广,其文化性、艺术性等已经在各方面得到了普遍的认可。并且依然活跃于该地区各类民间民俗活动中,如婚丧嫁娶、拜神祭祀、节目汇演,具有丰富城乡文化生活、满足群众文化需求的作用。从龙潭八牌锣鼓吹打已被评定为重庆市非物质文化遗产方面看,对其研究仍显不足,本文以田野采风资料为主并结合当地文化部门收集的文字资料加以整理,对龙潭八牌锣鼓吹打的现状形式和发展前景进行分析,以求更好地传承重庆民族民间非物质文化遗产。第一章对龙潭八牌锣鼓吹打的所处环境及乐器种类进行介绍,并对乐器制作过程以及每种乐器在音乐表演时的自身作用及演奏手法进行了阐述。通过与巴渝其他吹打乐器进行共性与个性的对比,总结出龙潭八牌锣鼓吹打的研究价值。对近现代的乐谱进行了分类,并对龙潭八牌锣鼓吹打的音乐构成进行分析。第二章从历史发展的角度对龙潭八牌锣鼓吹打进行整理与介绍,并通过对古文献的整理,论证了古代巴渝舞对以龙潭八牌锣鼓为代表的巴渝吹打产生的联系与影响。总结了龙潭八牌锣鼓吹打发展的历史脉络及现状第三章从文化生态入手,通过对龙潭当地乐班的走访与传承人的口述整理的方式,全面介绍了近现代时期龙潭八牌锣鼓吹打所承载的多种民俗文化功能,对部分民俗活动程序加以调研。并对吹打演奏从业人员所在的班社,行规进行考察。结语部分对全文内容进行总结概括。针对目前龙潭八牌锣鼓吹打的生存现状提出了几点建议与希望。
[Abstract]:One of the forms of folk beating in Bayu is the long Tan eight Gongs and Drum blows. The inheritance and development is mainly in the town of Longtan, Fuling District, Chongqing, with eight major sets of tunes, playing instrumental music as suona, Gongs and drums, etc. Hence the name Longtan eight brand gongs and drums. Legend began in the Tang Dynasty, more than a thousand years ago. It has been widely spread in Nanchuan, Banan, Wulong, Longevity, etc. It has a wide influence. Its skills have been handed down from generation to generation. In the process of inheritance and development, the formation of Liu Jiaban and Su Jiaban as the representative of the Longtan eight gongs and drums playing the most outstanding. Longtan eight gongs and drums play high artistic value, It has been loved by experts and the broad masses of people in the region. Restricted by regional conditions, Longtan eight brand gongs and drums are widely used in a narrow area. After a long period of excavation, collation and promotion by professional cultural workers, their cultural character is relatively narrow. Art and so on have been generally recognized in all aspects. And still active in various folk activities in the region, such as marriage and funeral, worship of gods, performances, with rich urban and rural cultural life, The role of meeting the cultural needs of the masses. Judging from the fact that the gong and drums of the eight brands of Longtan have been assessed as the intangible cultural heritage of Chongqing, the research on them is still insufficient. Based on the field data and the literature collected by the local culture department, this paper analyzes the present situation and the development prospect of the gong and drum beating in Longtan eight brand. In order to better inherit Chongqing folk intangible cultural heritage. Chapter one introduces the environment and musical instruments in which the drums and gongs of Longtan eight are played. It also expounds the process of making musical instruments, the function of each musical instrument in music performance, and the methods of playing. By comparing with other playing instruments in Bayu, the author compares the generality and individuality of each kind of musical instrument with that of other playing instruments in Bayu. The paper summarizes the research value of gong and drum playing in Longtan eight brand, and classifies the music scores in modern times. In the second chapter, from the perspective of historical development, we arrange and introduce the percussion of Longtan eight gongs and drums, and through the collation of ancient documents, This paper demonstrates the relationship and influence of ancient Ba Yu dance on the beat of Ba Yu, represented by the gongs and drums of Longtan eight, and sums up the historical context and present situation of the development of the gong and drum beating in Longtan eight, the third chapter begins with the cultural ecology. Through visiting the local music classes in Longtan and the oral arrangement of the inheritors, this paper comprehensively introduces the various folklore cultural functions carried by the gong and drums of Longtan eight in modern and modern times. To investigate and investigate some procedures of folklore activities. The conclusion part summarizes the content of the full text and puts forward some suggestions and hopes in view of the current situation of the survival of long Tan eight brand gongs and drums.
【学位授予单位】：四川音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.62

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