汉画像石器乐艺术研究

发布时间：2018-04-09 12:08

本文选题：汉画像石　切入点：器乐艺术　出处：《郑州大学》2017年硕士论文

【摘要】：汉代是秦结束后出现的大一统王朝,共继有29位皇帝,一共经历405年,公元前206年刘邦封为汉王定都长安西汉建立,“文景之治”时期政治、经济都得到了快速发展,政权稳定政治环境一片繁荣,为艺术的发展营造出良好的文化氛围。“乐府”机构的重新建立,标志着汉代对音乐文化的重视,作为专门为汉室宫廷提供乐舞表演以及培养演奏乐师负责演出所需乐器的制造、歌曲的收集与创编工作的机构。“乐府”机构不仅吸引了大量民间艺术家收集改良了众多作品,同时也丰富了宫廷和民间不同场合的器乐表演,培养出众多具有高专业水平的器乐演奏者。在这一时期形成的厚葬之风在生产力的推动下应运而生。汉画像石则作为墓葬中最常用的建筑材料为王室贵族所用,其雕刻题材多为日常生活场景,其中包括一定数量的器乐演奏及乐舞表演场景的画像石。河南、山东、江苏等地是汉画像石出土最多的区域其中有一定数量是对民间及宫廷乐舞百戏、器乐演奏方面的描述。本文通过对汉代时期文化发展的背景下分析汉代画像石中关于乐舞、器乐演奏艺术的发展,立足在分析器乐的分类基础上对器乐组合表演艺术在图像上的直观感受进行研究。具体分析汉代时期文化发展的过程中不断形成和融合的音乐元素对宫廷及民间不同场合中乐舞、器乐组合表演的影响。对目前所有不同地域出土的汉画像石进行整体的概括总结,通过对不同地域的汉画像石中关于乐舞、器乐演奏图像进行比较,探究汉代时期音乐文化发展的背景下器乐表演艺术的内涵及对器乐变化发展的影响,进而了解汉代时期音乐文化的发展、表演艺术的分类及器乐表演组成的发展,探究汉代时期器乐的分类与演奏对中国器乐发展变化的影响。
[Abstract]:The Han Dynasty was a unified dynasty that appeared after the end of Qin Dynasty. There were 29 emperors who had experienced a total of 405 years. In 206 BC, Liu Bang was established as the king of the Han Dynasty and established as the capital of Chang'an and the Western Han Dynasty. During the period of "ruling by Wen and Jing", politics and economy developed rapidly.The regime's stable political environment is prosperous, creating a good cultural atmosphere for the development of art.The re-establishment of Yuefu indicates that the Han Dynasty attached great importance to the music culture, as a special organization to provide music and dance performances for the court of the Han Dynasty and to train the musicians to be responsible for the production of the musical instruments needed for the performance, the collection and creation of songs.Yuefu not only attracted a large number of folk artists to collect and improve many works, but also enriched the performance of instrumental music on different occasions in court and folk, and cultivated many instrumental players with high professional level.In this period the formation of the thick burial wind under the promotion of productive forces came into being.As the most commonly used building material in the tomb, the Han Dynasty stone is used by the royal aristocrats. Most of its carving subjects are daily life scenes, including a certain number of instrumental music and dance performance scenes.Henan, Shandong, Jiangsu and other places are the most unearthed areas of the Han Dynasty stone, and there are a certain number of folk and court music and dance hundred operas, instrumental music performance description.In this paper, the author analyzes the development of music, dance and instrumental music in the Han Dynasty stone relief under the background of the cultural development of the Han Dynasty, and based on the analysis of the classification of instrumental music, studies the intuitive feeling of the performing art of instrumental music combination on the image.This paper analyzes the influence of the musical elements formed and integrated in the process of cultural development in the Han Dynasty on the performance of music and dance and instrumental music combination in the court and in different folk occasions.This paper summarizes and summarizes all the Han stone figures unearthed in different regions at present, and compares the music, dance and instrumental music playing images in the Han stone statues from different regions.This paper probes into the connotation of instrumental performing art and its influence on the development of instrumental music under the background of the development of music culture in Han Dynasty, and then understands the development of music culture, the classification of performing art and the development of composition of instrumental performance in Han Dynasty.This paper probes into the influence of the classification and performance of instrumental music on the development and change of Chinese instrumental music in Han Dynasty.
【学位授予单位】：郑州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：K879.4;J632

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