地景艺术概念在纪念性景观空间中的应用研究

发布时间：2018-04-24 08:56

本文选题：纪念 + 景观　；参考：《湖北工业大学》2017年硕士论文

【摘要】：纪念性景观是人类最早的景观形式之一,其发展与社会经济、政治、文化有着密不可分的联系,在人们生活中扮演着极为重要的角色。一方面承担城市历史文化的传承与发展,另一方面也成为了人们情感寄托的载体,并为人们的生活健康提供了舒适的环境空间。而全球化进程不断加剧,中国城市建设空前发展。纪念性景观空间在现代城市发展中,其给人们提供精神寄托的功能,逐渐被物质化功能所取代。纪念性景观(建筑)空间在现代化中呈现两种趋势,一是在城市中自然消亡,在城市化进程中被无情的淹没,消失在茫茫“进步”的海洋之中;另一种则是过渡消耗,这一点体现在所谓“中国特色”中,纪念性主题过渡的挖掘,造成了文化的无度消耗,成批的、同一类型的的题材反复的模仿,借鉴其“纪念”的外衣,做着一味的形式主义。这种纪念性景观空间建设的行为,造成了形式的泛滥,导致了纪念本质的缺失,本应成为人们精神寄托的属性逐渐丧失了。笔者研究纪念性景观的发展沿革,追根溯源发现其最初的纪念本质是现今已经缺失的——人对自然的敬畏之心。探讨人与自然关系问题的地景艺术与纪念性景观的本质是一致的,并对目前纪念性景观设计现状起到积极的改善作用。地景艺术创作的过程既是赋予场所新的精神文化和改善人类生存环境的过程,在其理念的指引下,纪念性景观一方面能够通过对自然的塑造,唤醒人们身处钢筋水泥城市中环境保护的意识;一方面可以通过场所精神的塑造,恢复当代纪念性景观空间的“纪念性”意义。本文从纪念性景观空间与地景艺术的几何形式、构成要素等关联点切入,涉及形式上的共性,以此展开,深入研究其两者的理念内涵。以地景艺术的理念显现纪念性景观空间的“自然性”,恢复其场所的秩序性,延续纪念性景观中所具有的文化历史脉络及人们的精神寄托,使人们对他所处的环境重新予以评价。并结合相关案例具体分析地景艺术概念下的纪念性景观设计表达,以改善当代纪念性景观的现状。
[Abstract]:Memorial landscape is one of the earliest landscape forms of human beings. Its development is closely related to social economy, politics and culture, and plays an extremely important role in people's life. On the one hand, it undertakes the inheritance and development of urban history and culture, on the other hand, it also becomes the carrier of people's emotion, and provides comfortable environment space for people's life and health. The process of globalization continues to intensify, China's urban construction unprecedented development. In the development of modern cities, the memorial landscape space provides people with spiritual sustenance and is gradually replaced by materialized functions. The memorial landscape (architecture) space presents two trends in modernization, one is the natural extinction in the city, the inexorable inundation in the process of urbanization, and the disappearance in the vast ocean of "progress"; the other is excessive consumption. This is reflected in the so-called "Chinese characteristics", the excavation of the transition of commemorative theme, resulting in the endless consumption of culture, batch, the same type of subject repeated imitation, using its "memorial" coat, doing blindly formalism. This kind of monumental landscape space construction behavior, caused the flood of form, led to the absence of memorial essence, which should become the attribute of people's spiritual sustenance gradually lost. The author studies the development and evolution of memorial landscape and finds that its original memorial essence is the human's reverence for nature. Discussing the relationship between man and nature, the essence of landscape art and memorial landscape is consistent, and it plays a positive role in improving the present situation of memorial landscape design. The process of landscape art creation is not only the process of giving place a new spiritual culture and improving human living environment, but also the process of creating memorial landscape through the creation of nature under the guidance of its concept. On the one hand, it can restore the "memorial" meaning of the contemporary memorial landscape space by shaping the spirit of the place. This article from the memorial landscape space and the landscape art geometric form, the constituent element and so on correlation point cuts in, involves the form common character, launches, deeply studies its both idea connotation. Using the concept of landscape art to show the "naturality" of the memorial landscape space, to restore the order of the place, and to continue the cultural and historical context of the memorial landscape and the spiritual sustenance of the people. To reassess his environment. In order to improve the present situation of contemporary memorial landscape, this paper analyzes the expression of memorial landscape design under the concept of landscape art.
【学位授予单位】：湖北工业大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TU984.113

【参考文献】