山东高密聂家庄泥塑数字化保护与应用研究

发布时间：2018-04-24 09:32

本文选题：聂家庄泥塑 + 民间艺术　；参考：《山东师范大学》2015年硕士论文

【摘要】：山东作为文化大省，拥有大量的传统民间艺术，但随着社会的不断发展，人们的生活方式被更加方便快捷的现代化方式所代替，而这种改变恰恰破坏了大部分民间艺术原始的生存环境，许多民间艺术不得不走向消亡的边缘，山东高密聂家庄泥塑便是其中之一。聂家庄泥塑作为“高密三绝”之一，已有六百多年历史，因其独特造型色彩和复杂的制作工艺，具有很高的文化价值，被列入国家级非物质文化遗产名录。但如今聂家庄泥塑已被五彩缤纷的现代化玩具所替代，失去了在市场经济中竞争的能力。为不使此类艺术形式消失，各级政府也采取多种手段对聂家庄泥塑进行保护与开发，取得相对不错成绩，但在成绩的背后也暴露出种种问题。随着科学技术的不断发展，数字化在各行各业中都起到举足轻重的作用，如何将数字化技术引入到民间艺术的保护与发展中来，是一个较为新颖的思路和尝试。随着新媒体时代的到来，许多依附于数字化技术的艺术形式，慢慢在我们的生活中蔓延开来，毅然成为人们最喜爱的艺术形式，但此类艺术形式的创作中，所表达的内容与思想过于迎合当下用户的喜好，缺少一些对社会文化与民族精神的体现与思考。文章以高密聂家庄泥塑为例，利用数字化技术创建聂家庄泥塑数字化保护系统，进而对聂家庄泥塑的数字化应用进行研究，将高密聂家庄泥塑的艺术特征与内涵融入到数字化艺术形式，力求对民间艺术提供更科学可持续的保护手段，为其他民间艺术在数字化应用方面提供一个范例式的尝试。本论文分成四章：第一章：绪论。主要从宏观的角度论述文章研究的背景及意义，并分析国内外数字化保护与应用的相关项目及文献现状，再对文章所涉及的理论及方法进行概括分析。第二章：“高密三绝”之一的聂家庄泥塑。基于对聂家庄泥塑的田野调查结果与相关文献论述，对聂家庄泥塑的基本概况进行梳理解读，包括生存空间、历史脉络、制作工艺、传承人等四个方面，再对聂家庄泥塑的艺术特征及工艺价值进行分析，为后两章所涉及的问题提供更系统全面的支持。第三章：聂家庄泥塑的数字化保护。首先探讨聂家庄泥塑保护的现状，并对保护现状所出现的问题进行分析，根据出现的问题，再对应数字化技术分析数字化保护对聂家庄泥塑保护的意义，最后创建聂家庄泥塑数字化保护系统，对所涉及的技术与实施过程中可能出现的问题进行深入解读。第四章：聂家庄泥塑数字化应用研究。主要基于近几年关注度颇高的数字化艺术形式，论述数字化艺术——动漫形象、微电影、科普动画对聂家庄泥塑保护与传播过程中的意义，再对数字化应用实践中所涉及的具体手段，，网络表情、微电影、MG动画进行分析，根据聂家庄泥塑的代表作“连理虎”设计系列网络表情，根据聂家庄泥塑改编的纪实性微电影，根据聂家庄泥塑发展历史的MG微动画。
[Abstract]:As a cultural and cultural province , Shandong has a lot of traditional folk art , but with the development of society , people ' s life style is replaced by more convenient and quick way of modernization .

With the development of science and technology , digital technology plays an important role in all walks of life , and how to introduce digital technology into the protection and development of folk art is a new idea and an attempt . With the advent of new media era , many forms of art that are attached to the digital technology have gradually spread in our lives .

This thesis is divided into four chapters :

Chapter One : Introduction . The background and significance of the article ' s research are discussed mainly from the macro perspective , and the related projects and the current status of the digital protection and application at home and abroad are analyzed , and the theory and method involved in the article are analyzed .

In the second chapter , Nie Jiazhuang clay sculpture is one of the " high secret three " . Based on the field investigation results of Nie Jiazhuang clay sculpture and the related literature , the paper analyzes the basic situation of Nie Jiazhuang clay sculpture , including the four aspects of living space , history vein , manufacturing process and transmission person , then analyzes the artistic characteristics and process value of Nie Jiazhuang clay sculpture , and provides more comprehensive support for the problems involved in the latter two chapters .

In chapter 3 , the digital protection of Nie Jia Zhuang ' s clay sculpture is discussed . First , the present situation of Nie Jia Zhuang ' s clay sculpture protection is discussed , and the significance of digital protection on the protection of Nie Jia Zhuang ' s clay sculpture is analyzed according to the problems . Finally , Nie Jiazhuang clay - plastic digital protection system is created , and the problems that may arise in the technology and implementation process are explained in depth .

Chapter Four : The digital application of Nie Jia Zhuang ' s clay sculpture is based on the digital art form of high attention in recent years . This paper discusses the significance of digital art , animation image , micro - film and popular cartoon animation to Nie Jia Zhuang ' s clay - plastic protection and transmission process , and then analyzes the specific means , network expression , micro - film and MG animation involved in the practice of digital application . According to Nie Jiazhuang ' s representative works " Lianhe Tiger " design series of network expression , according to Nie Jiazhuang ' s clay - plastic adaptation ' s documentary film , according to Nie Jia Zhuang clay - plastic development history of MG micro - animation .

【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J314.7

【参考文献】