极简主义理论研究及其在中国景观设计中的应用

发布时间：2018-06-16 12:28

本文选题：极简主义 + 艺术语言　；参考：《四川农业大学》2015年硕士论文

【摘要】：十九世纪六十年代以来,西方现代艺术在发展过程中涌现出了类型各异的艺术流派,而极简主义作为对社会意识、艺术观念和设计实践产生了深远影响的重要艺术流派之一,其对于景观设计的影响自然也无法避免。二十世纪八十年代以来,拥有形式简洁、构造精巧、韵味无穷等特征的极简主义景观设计,在设计界的广泛关注下,掀起了一场全球范围的追求极简主义设计的潮流。在世界设计风格日渐趋同的当下,如何改善现代景观日益相同的趋势,如何与世界接轨的同时因地制宜,传承历史文化,寻找到世界语言与民族特色的共同载体,是当今中国景观设计的必然出路。本文通过文献研究、案例分析、实地调研等方法综合分析极简主义的理论及其在国内外艺术和设计领域的发展进程和表现,梳理了极简主义的景观设计的发展脉络,从当代极简主义景观设计的经典案例入手,分析不同文化和背景的景观设计师的极简主义景观设计作品,并总结出极简主义景观设计的手法和特征。为了将极简主义的思想合理的融入中国本土园林景观文化中,先后深入分析了中国的传统文化与极简主义相契合的精神元素,从“应物象形”的中国水墨画到“以逸为格”的宋代审美；再从传统道家思想的“自然无为”到水墨画“留白”技巧；并借鉴分析了在中国境内设计融入了中国文化的极简主义风格的景观设计案例,经过现状反思与分析总结出为极简主义与中国文化融合的契合点,总结出打造中国味的极简主义景观三个方向：第一,综合借鉴极简主义景观的单一简洁的形式、几何序列的重复、新技术与材料的运用以及对风、光、云、雾元素的运用等四个特征并学习经典极简主义景观的造园经验和技术。其二,综合水墨画、宋瓷和古琴等传统文化中的极简主义表现和道家思想、留白技巧、风水理论等与极简主义的共同追求,为打造中国式的极简主义景观需要通过运用提炼汉字、饰纹等传统元素；移植屋檐、窗横等细部精髓；运用瓦、竹、木、陶等传统材料以及选择地域色彩等造园元素。第三,不能丢弃传统造园的精髓和手法,借鉴“一池三山”、“对比与衬托”、“框景借景”等传统造园手法,将中国的传统审美融入造园的情怀。
[Abstract]:Since the 1860s, in the process of development of western modern art, various types of art schools have emerged. Minimalism is one of the most important schools of art which has a profound influence on social consciousness, artistic concept and design practice. Its influence on landscape design is also inevitable. Since the eighties of the 20th century, the minimalist landscape design, which has the characteristics of simple form, exquisite structure and endless lasting appeal, has set off a worldwide trend of pursuing minimalist design under the widespread concern of the design community. At a time when the world design style is converging day by day, how to improve the same trend of modern landscape, how to connect with the world, how to carry on the historical culture, and find the common carrier of the world language and national characteristics, It is the inevitable outlet of Chinese landscape design. Through literature research, case analysis, field investigation and other methods, this paper comprehensively analyzes the theory of minimalism and its development process and performance in the field of art and design at home and abroad, and combs the development of minimalist landscape design. Starting from the classic case of contemporary minimalist landscape design, this paper analyzes the minimalist landscape design works of landscape designers with different cultures and backgrounds, and summarizes the techniques and characteristics of minimalist landscape design. In order to integrate minimalism into Chinese native landscape culture, the spiritual elements of Chinese traditional culture and minimalism are analyzed. From the Chinese ink painting in response to the pictograph to the aesthetic appreciation of the Song Dynasty in the light of ease, and from the traditional Taoist thought of "natural inaction" to the technique of "keeping white" in the ink painting; This paper also analyzes the landscape design cases in which the design in China is integrated into the minimalist style of Chinese culture, and summarizes the convergence point between minimalism and Chinese culture through the reflection and analysis of the present situation. Three directions of minimalist landscape of Chinese flavor are summarized: first, the single and concise form of minimalist landscape, the repetition of geometric sequence, the application of new technology and materials, and the use of wind, light, cloud, etc. The use of fog elements and the use of four characteristics and learn classical minimalist landscape gardening experience and techniques. Second, the common pursuit of minimalism and minimalism in traditional culture such as ink painting, Song porcelain and Guqin, Taoism, white art, geomantic theory, etc. In order to create Chinese minimalist landscape, traditional elements such as Chinese characters, decorative patterns and other traditional elements should be used; the essence of the eaves, windows and other details should be transplanted; traditional materials such as tile, bamboo, wood, pottery, and other elements of gardening should be used, as well as the choice of regional colors. Third, we should not discard the essence and techniques of traditional gardening, and learn from the traditional gardening techniques such as "one pond and three mountains", "contrast and contrast", "frame scenery borrowing scenery" and so on, so as to integrate Chinese traditional aesthetics into the feelings of garden building.
【学位授予单位】：四川农业大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：TU986

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