基于荆楚传统文化的地标景观建筑造型创新设计研究
发布时间：2018-07-26 17:45
【摘要】：在信息时代的影响下,当代建筑呈现多元化、包容性的特征,各地文化和风俗不断交融,原有的城市区域特色也随之日渐模糊,出现了建筑风格混杂的局面,地标景观建筑逐步走向追求体量和形式感的误区,出现趋同化面貌,地域文化急需复兴。我们需要从底蕴深厚的古老文明中探索,在传统中寻根,唤醒地标景观建筑造型中的传统文化特色,重塑建筑文化亲和性,提升人们对传统文化的归属感和保护意识。本文通过对考古发现的楚文化遗存载体(包括器皿、刺绣绘画、文学典籍、建筑遗址等)进行调研,探寻荆楚地区的文化潜力,对楚文化资源进行归纳分析,总结出所蕴含的意蕴特征:崇尚自然、浪漫空灵、张扬奔放;以及人文精神:不拘传统,敢于突破,坚韧不拔。本文从荆楚传统文化的本源形态开始演变研究,解脱出传统建筑形式的束缚,从形态、色彩、装饰纹样等多个方面进行解读,分析造型特点:楚建筑重檐层阙、高台基、深出檐、重视对自然因素的因借;而器皿和纹样造型曲线优美、浪漫空灵,奔放张扬,形态组合大胆创新,倾向于对比鲜明的色彩装饰,这些都是当代建筑造型中所缺少的。在对楚文化进行详尽研究的基础上,提出应用的两个原则:地域性原则和时代性原则。从代表原型中分析出意蕴风格及造型特点,对传统文化元素进行简约化提炼,从四个方面进行创新重构:形态样式、布局组合、色彩再现和意蕴融合,应用于景观建筑造型设计上,实现由“形”取“神”,由“神”化“形”的转变。同时还要将繁复华丽、气势恢宏的楚文化与现代建筑结合起来,融合各地的特色文化背景,运用现代材料和创新方法,设计出一批既能展现荆楚传统文化大气、绚丽、张扬的神韵特点,同时又能满足现代建筑需求的地标景观建筑。对传统元素进行传承与创新,提取代表性元素,在文化意蕴风格的引导下进行演变设计,最终得到造型方法。并在文章部分章节进行具体展示,以此说明本文研究方法的适用性和可行性,同时是不同于其他荆楚风格的建筑研究,是独具创新意义的。本文旨在充分利用荆楚传统文化,力图传承文化特色,融合时代特征,突出地域文化特点,赋予传统新的活力。
[Abstract]:Under the influence of the information age, contemporary architecture presents the characteristics of diversity and inclusiveness, local cultures and customs constantly blend, and the original urban regional characteristics become increasingly blurred, resulting in a mixed architectural style. The landmark landscape architecture gradually moves toward the misconception of the pursuit of volume and sense of form, which leads to the appearance of assimilation, and the regional culture is in urgent need of revival. We need to explore from the profound ancient civilization, to find roots in the tradition, to awaken the traditional cultural characteristics in the architectural modeling of landmarks, to reshape the affinity of architectural culture, to promote people's sense of belonging to traditional culture and to protect their consciousness of protection. Through the investigation of the remains of Chu culture (including utensils, embroidered paintings, literary classics, architectural sites, etc.), this paper explores the cultural potential of Jingchu region, and summarizes and analyzes the Chu cultural resources. Summed up the implied characteristics: advocating nature, romantic emptiness, publicity; and humanistic spirit: regardless of tradition, dare to break through, perseverance. This paper begins to study the evolution of the origin of Jingchu traditional culture, frees itself from the bondage of traditional architectural form, interprets it from many aspects, such as form, color, decorative pattern and so on, and analyzes the characteristics of the modeling: Chu architecture with heavy eaves, high base, and so on. Deep out eaves, attach importance to the natural factors of borrowing; and vessels and patterns modeling curve beautiful, romantic empty, bold and bold form combination innovation, tend to contrast bright color decoration, these are the lack of contemporary architectural modeling. On the basis of the detailed study of Chu culture, two principles of application are put forward: regional principle and epochal principle. This paper analyzes the meaning style and modeling characteristics from the representative archetype, refines the traditional cultural elements and reconstructs them from four aspects: form style, layout combination, color reproduction and implication fusion. Applied to the design of landscape architecture, the transformation from "form" to "god" and from "god" to "shape" is realized. At the same time, we should combine the complex and magnificent Chu culture with the modern architecture, integrate the local characteristic cultural backgrounds, use modern materials and innovative methods, and design a group that can not only display the atmosphere of Jingchu traditional culture, but also be gorgeous. At the same time, it can meet the needs of modern architecture landscape architecture. Inheritance and innovation of traditional elements, extraction of representative elements, evolution of design under the guidance of cultural connotation style, and finally get the modeling method. And in some chapters of the article to show the applicability and feasibility of this research method, at the same time is different from other Jingchu style of architectural research, is unique innovative significance. The purpose of this paper is to make full use of Jingchu traditional culture, to inherit the cultural characteristics, to merge the characteristics of the times, to highlight the regional cultural characteristics, and to give new vitality to the traditional culture.
【学位授予单位】：武汉理工大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：TU201;TU-05
[Abstract]:Under the influence of the information age, contemporary architecture presents the characteristics of diversity and inclusiveness, local cultures and customs constantly blend, and the original urban regional characteristics become increasingly blurred, resulting in a mixed architectural style. The landmark landscape architecture gradually moves toward the misconception of the pursuit of volume and sense of form, which leads to the appearance of assimilation, and the regional culture is in urgent need of revival. We need to explore from the profound ancient civilization, to find roots in the tradition, to awaken the traditional cultural characteristics in the architectural modeling of landmarks, to reshape the affinity of architectural culture, to promote people's sense of belonging to traditional culture and to protect their consciousness of protection. Through the investigation of the remains of Chu culture (including utensils, embroidered paintings, literary classics, architectural sites, etc.), this paper explores the cultural potential of Jingchu region, and summarizes and analyzes the Chu cultural resources. Summed up the implied characteristics: advocating nature, romantic emptiness, publicity; and humanistic spirit: regardless of tradition, dare to break through, perseverance. This paper begins to study the evolution of the origin of Jingchu traditional culture, frees itself from the bondage of traditional architectural form, interprets it from many aspects, such as form, color, decorative pattern and so on, and analyzes the characteristics of the modeling: Chu architecture with heavy eaves, high base, and so on. Deep out eaves, attach importance to the natural factors of borrowing; and vessels and patterns modeling curve beautiful, romantic empty, bold and bold form combination innovation, tend to contrast bright color decoration, these are the lack of contemporary architectural modeling. On the basis of the detailed study of Chu culture, two principles of application are put forward: regional principle and epochal principle. This paper analyzes the meaning style and modeling characteristics from the representative archetype, refines the traditional cultural elements and reconstructs them from four aspects: form style, layout combination, color reproduction and implication fusion. Applied to the design of landscape architecture, the transformation from "form" to "god" and from "god" to "shape" is realized. At the same time, we should combine the complex and magnificent Chu culture with the modern architecture, integrate the local characteristic cultural backgrounds, use modern materials and innovative methods, and design a group that can not only display the atmosphere of Jingchu traditional culture, but also be gorgeous. At the same time, it can meet the needs of modern architecture landscape architecture. Inheritance and innovation of traditional elements, extraction of representative elements, evolution of design under the guidance of cultural connotation style, and finally get the modeling method. And in some chapters of the article to show the applicability and feasibility of this research method, at the same time is different from other Jingchu style of architectural research, is unique innovative significance. The purpose of this paper is to make full use of Jingchu traditional culture, to inherit the cultural characteristics, to merge the characteristics of the times, to highlight the regional cultural characteristics, and to give new vitality to the traditional culture.
【学位授予单位】：武汉理工大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：TU201;TU-05
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