音乐与园林审美意境研究

发布时间：2018-07-28 15:59

【摘要】：中国音乐审美意境的创设,始终有着鲜明的继承性与创造性,在漫长的发展过程中形成了独特的营造方式和手法,以其特殊的美感和情境交融的方式在艺术领域独树一帜。因此,研究音乐在古典园林的时空意境、审美意象营造,能补充、扩展和深化音乐功能,启发和创新音乐审美、赏美的外延及内在含义,同时对于发掘我国古典文化瑰宝并指导园林建设,传承祖国文化及天人合一的文化观,具有一定的理论意义和现实意义。中国音乐是在中华传统文化“天人合一”哲学思想体系的指导下,结合儒、道、释哲学,并经诗画乐艺术的人文审美关照的经验总结,并共同建构起来的。园林景观设计从19世纪发展至今,一直是以视觉艺术为出发点的设计,而我们对景观的感知是五感的综合体验。本文核心并不体现于声音的物理性质方面,而是通过园林中所应用的引导性音乐来表达内心的情感与对象生态环境和谐的理想,进而达到对园林艺术整体美的最高追求;对合适于园林时空意境的音乐应用,以及对游客赏美心理特征、园林审美意境的营造,对游人对对象环境的赏美、审美感知、感悟的意义与影响进行了论述,为后续的继续研究奠定了一定基础。论文首先对应用于园林中的音乐研究范畴和特性进行了阐述,追溯其国内外的发展历程;其次是对中国古典园林中的音乐再解读,总结了声音景观以及物象与声音、音乐与环境,对游人赏美意象、意境营造引导性的设计方法；并以扬州瘦西湖公园为例,通过中国古典园林理论与音乐高度形式抽象概括功能相结合,进行赏美先在引导的再认识、再设计,凸显其音乐在游人游玩、品赏中的功能、作用、价值、意义。最后,论文总结归纳音乐在园林声音景观环境中的设计与游人感知心理功能结构的同构,以及在园林时空与游人感美、赏美、悟美过程中,以至游人审美、赏美意境营造、想象、幻象研究中体现与园林美“对映、互涵”的园林声音景观中的音乐,是人与对象环境最为感性与理性的形式抽象与概括。本文涉及的研究方法主要包括调研法、文献归纳法、学科交叉研究法、比较论证法等。其它还应用了资料收集法、观察法、定性分析法、演绎与描述性研究法、个案研究法等。前期研究成果有本人研究生二年级以第一作者发的“声音乐在园林艺术动静结构布局中培育立美意象与审美感知功能初探”一篇学习论文;以及有关哲学、音乐美学、心理学、生态学、教育学等数十篇理论著作的读书笔记。
[Abstract]:The creation of the aesthetic conception of Chinese music has always had a distinct inheritance and creativity. In the long process of development, it has formed a unique way and means of construction, and has been unique in the field of art with its special aesthetic feeling and the way of blending the situation. Therefore, the study of the space-time artistic conception of music in classical gardens and the creation of aesthetic images can supplement, expand and deepen the musical functions, enlighten and innovate the music aesthetic, appreciate the beauty of the extension and internal meaning, At the same time, it has certain theoretical and practical significance for excavating the treasures of Chinese classical culture, guiding the garden construction, inheriting the culture of the motherland and the unity of nature and man. Chinese music is under the guidance of the traditional Chinese culture "the unity of nature and man" philosophy system, combined with Confucianism, Taoism, Buddhism philosophy, and the art of poetry and painting music art humanistic aesthetic care summary, and build up together. Since the 19th century, landscape design has been based on visual art, and our perception of landscape is a comprehensive experience of five senses. The core of this paper is not embodied in the physical nature of sound, but through the application of guiding music in the garden to express the ideal of harmony between the inner emotion and the object ecological environment, and then to achieve the highest pursuit of the overall beauty of garden art. This paper discusses the application of music suitable to the space and time artistic conception of garden, the psychological characteristics of tourists' appreciation of beauty, the construction of aesthetic conception of garden, and the significance and influence of visitors' appreciation of beauty, aesthetic perception and perception to the object environment. It lays a foundation for further study. In this paper, the categories and characteristics of the music research applied in the garden are first expounded, and the development process of the music at home and abroad is traced back; secondly, the music in the Chinese classical garden is reinterpreted, and the sound landscape, the object image and the sound are summarized. Music and environment, the design method of beauty image and artistic conception of visitors, and taking Yangzhou thin West Lake Park as an example, combine the theory of Chinese classical garden with the abstract generalization function of music in high form. The function, value and significance of the music in visitors' play and appreciation are highlighted. Finally, the thesis summarizes the isomorphism of music design in the landscape environment and the structure of tourists' perceptual psychological function, as well as the creation of beauty perception, appreciation, appreciation and artistic conception in the garden space and time, as well as in the process of appreciating beauty. Imagine, in the study of illusion, the music in the landscape sound landscape, which embodies the beauty of gardens, is the most perceptual and rational form abstract and summary of human and object environment. The research methods involved in this paper include research method, literature induction method, interdisciplinary research method, comparative demonstration method and so on. Other methods include data collection, observation, qualitative analysis, deductive and descriptive research, case study and so on. The early research results include a study paper on the cultivation of aesthetic image and aesthetic perception function in the layout of dynamic and static structure of garden art by sound music in my second year of graduate school, and a study paper on philosophy, music aesthetics, psychology, etc. Reading notes of dozens of theoretical works on ecology, pedagogy, etc.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：TU986.1;J60-05

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