我国西北地区二胡音乐艺术的风格特征
发布时间：2018-07-29 18:10
【摘要】：西北独特的生存环境,孕育出了它独具特色、绚丽灿烂的西北文化。它独有的文化特质,影响着该地区的音乐艺术的成长和发展,使之逐渐形成了一种特有的淳朴、豪爽的艺术风格。朴实粗犷的地方民间音乐和戏曲音乐为二胡艺术的发展提供了沃厚的生存土壤,使二胡艺术展现出独特的风格和魅力。本文在涉及地域性二胡音乐风格的前提下,鉴于西北整个地区具有覆盖面广、内容繁杂的特点,对西北地区的二胡音乐进行分区域、分风格的论述,以陕西、新疆、内蒙风格的二胡音乐为主,分别从这几大区域的地域文化背景、民间音乐等方面剖析了当地的二胡音乐文化,给演奏者、研究者呈现出较为系统全面的理论指导。这不仅对于西北地区二胡音乐的发展具有积极意义,而且对于演奏该地域不同风格种类的乐曲也具有很大的价值与实践意义。在对整个西北地区二胡音乐的几大地域性风格特征进行梳理之后,本人总结出西北地区的不同地域二胡音乐艺术的总体特征。总结起来,西北地区二胡音乐艺术可以用四个词来呈现它的共性,那就是“地域性”、“民族性”、“多元性”和“生态性”。与众不同的地理环境和人文因素影响着该地的二胡音乐艺术,使二胡音乐艺术蒙上了色彩独特的地域性音乐特征;西北地区覆盖面广,涉及的民族较多,风格鲜明、源远流长的各民族音乐文化,使该地区的二胡音乐艺术也呈现出鲜明浓烈的民族性气息;千百年来的经济文化交融发展,使西北民族的音乐艺术变得多元综合,且丰富多彩,使该地区的二胡音乐艺术具有了多元化的品质特征;西北地区的音乐艺术随处可见的“原生态”的味道,同样也赋予这里的二胡音乐艺术朴质自然、清新真实的乡土气息,使这里的二胡艺术具有了“原生态”的风格特点。本篇论文的结构框架由引言、四大章节、结语构成。引言阐述了选题缘由、国内外研究现状及其创新点、论文思路和基本结构。文章正文内容对西北地区的二胡音乐进行归类与分析,对有代表性的二胡音乐风格单独分类、进一步研究,深层次的分析它与当地地域文化、当地民间音乐、戏曲的内在联系;深入分析该种二胡音乐风格或派别的成因,形成与发展情况。通过对代表性地域文化和当地民间音乐的论述,从音乐形态、旋律旋法、调式调性、节奏节拍等方面分析该地区二胡音乐艺术的创作特征,结合演奏实例对其演奏风格和左右手演奏技法进行分析,力图对该区域的二胡曲地域性风格特点及其特色艺术表现进行较全面、系统、深入的分析和研究。使读者对该地域二胡艺术的创作以及演奏风格有更加深入的理解。
[Abstract]:The unique living environment in the northwest gives birth to its unique and brilliant northwest culture. Its unique cultural characteristics affect the growth and development of the music and art in the region, and gradually form a unique and unsophisticated artistic style. The simple and rough terrain of the folk music and opera music is the development of the erhu art. Under the premise of the regional erhu music style, in view of the wide coverage and complex content of the whole northwest region, this article discusses the style of the erhu music in Northwest China, with the style of Shaanxi, Xinjiang and Inner Mongolia. Erhu music is the main reason for the analysis of the local erhu music culture from the regional cultural background and folk music in these areas. It presents a more systematic and comprehensive theoretical guidance to the performers and researchers. This is not only for the development of the erhu music in the northwest area, but also for the different styles of the region. This kind of music also has great value and practical significance. After combing several characteristics of the regional style of the erhu music in the northwest region, I summed up the general characteristics of the erhu music art in the different regions of the northwest region. It is concluded that the erhu music art in the northwest region can use four words to show its commonality. It is "regional", "national", "pluralism" and "ecological". The unique geographical environment and human factors affect the erhu music art in this area, making the erhu music art covered with unique regional musical features; the northwest area covers a wide range, involves more nationalities, distinctive styles, and a long source of people. The music culture of the ethnic group has made the erhu music art in the area vivid and strong national flavor; the development of economic and cultural blending for thousands of years has made the music and art of the Northwest Ethnic Group diversified and colorful, and made the erhu music art in the region diversified quality characteristics; the music and art in the northwest area is everywhere. The taste of "original ecology" is also endowed with the simple nature of the erhu music and the fresh and true native flavor, which makes the erhu art have the style of "original ecology". The structural frame of this paper is composed of introduction, four chapters and conclusion. The text categorized and analyzed the erhu music in Northwest China, classified the representative erhu music in a separate way, further studied it, deeply analyzed its internal relations with local local culture, local folk music and opera, and deeply analyzed the music style or school of the erhu. Other causes, formation and development. Through the exposition of representative regional culture and local folk music, this area is analyzed from the aspects of music form, melody rotation, regulating style, rhythm rhythm and so on. The regional style and characteristic art of erhu music is more comprehensive, systematic and in-depth analysis and research, which makes readers understand the creation and playing style of the erhu art in this region.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.21
本文编号：2153569
[Abstract]:The unique living environment in the northwest gives birth to its unique and brilliant northwest culture. Its unique cultural characteristics affect the growth and development of the music and art in the region, and gradually form a unique and unsophisticated artistic style. The simple and rough terrain of the folk music and opera music is the development of the erhu art. Under the premise of the regional erhu music style, in view of the wide coverage and complex content of the whole northwest region, this article discusses the style of the erhu music in Northwest China, with the style of Shaanxi, Xinjiang and Inner Mongolia. Erhu music is the main reason for the analysis of the local erhu music culture from the regional cultural background and folk music in these areas. It presents a more systematic and comprehensive theoretical guidance to the performers and researchers. This is not only for the development of the erhu music in the northwest area, but also for the different styles of the region. This kind of music also has great value and practical significance. After combing several characteristics of the regional style of the erhu music in the northwest region, I summed up the general characteristics of the erhu music art in the different regions of the northwest region. It is concluded that the erhu music art in the northwest region can use four words to show its commonality. It is "regional", "national", "pluralism" and "ecological". The unique geographical environment and human factors affect the erhu music art in this area, making the erhu music art covered with unique regional musical features; the northwest area covers a wide range, involves more nationalities, distinctive styles, and a long source of people. The music culture of the ethnic group has made the erhu music art in the area vivid and strong national flavor; the development of economic and cultural blending for thousands of years has made the music and art of the Northwest Ethnic Group diversified and colorful, and made the erhu music art in the region diversified quality characteristics; the music and art in the northwest area is everywhere. The taste of "original ecology" is also endowed with the simple nature of the erhu music and the fresh and true native flavor, which makes the erhu art have the style of "original ecology". The structural frame of this paper is composed of introduction, four chapters and conclusion. The text categorized and analyzed the erhu music in Northwest China, classified the representative erhu music in a separate way, further studied it, deeply analyzed its internal relations with local local culture, local folk music and opera, and deeply analyzed the music style or school of the erhu. Other causes, formation and development. Through the exposition of representative regional culture and local folk music, this area is analyzed from the aspects of music form, melody rotation, regulating style, rhythm rhythm and so on. The regional style and characteristic art of erhu music is more comprehensive, systematic and in-depth analysis and research, which makes readers understand the creation and playing style of the erhu art in this region.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.21
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